RC 388: Autumn – Everything Must Go

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Welcome to Radio Clash

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This is 388 and it’s Autumn: Everything Must Go. Yes especially those pesky leaves.

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Let us acknowledge that this passage constitutes a musical interlude

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That was Manic Street Preachers with Everything Must Go, the Chemical Brothers remix from 1996.

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And at the start, you heard Autumn, something I’ve had in the stack for a very long time.

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And that’s David Cain and Ronald Duncan from their very scary The Seasons album,

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a Radiophonic workshop.

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And yes, it is 388. I’ve come back from my hollibobs.

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And it is Autumn. Everything Must Go. Suddenly all the leaves must go.

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It’s weird. It wasn’t named that till the last minute.

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Either of them. Until stuff. Stuff has happened.

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Sometimes I have to podcast kind of as a distraction.

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A lot of my work is a distraction from what is going on in my life sometimes.

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And I have to say, this is no exception.

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So yes, you’re all a distraction, you are.

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I have to just focus on something.

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And I have to say that Chemical Brothers remix at the time, I didn’t really understand it.

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I don’t know. Maybe it’s because I hadn’t taken certain drugs then.

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But there is a certain schizophrenic dissociation, losing, just kind of falling into something,

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which I really connect with at the moment.

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Especially the lyric, I look to the future and it makes me cry.

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Because, hmm, anyway, the holiday was a success.

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Jaunt 4. I mean, kind of. I managed to damage my knee.

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I managed to stab my inflatable mattress with a pen knife accidentally on like day 2.

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I started out with 24 hours of rain.

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And I walked through lots of cow shit.

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And in the end, I just wanted to get it done.

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There was something else and I’ve forgotten it now.

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There’s three major events in it.

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Everything’s going wrong.

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But it’s done now.

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I’ve now walked the whole of the Jurassic Coast from Swanage to Exmouth.

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I’m not usually sure why.

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I’ve done quite a bit of artwork. I’ll blog about it.

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But yeah, I don’t expect one of those for a long time, unfortunately.

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And the song, when I was just thriving at Exmouth.

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And weirdly, I didn’t listen to a lot of music on that trip.

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I did a lot of walking. I did like 21 miles in one day.

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I worked out.

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I usually do that, working out how much I walk.

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Because it’s not going to rain, right?

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But that was the day when they were going to close the ranges at Lulworth for like a week.

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And so I wanted to get all my stuff done for that area around Tyneham.

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But yeah, as I came down the steps from the cliffs at Exmouth,

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which is my own destination, strangely, I mean, it was kind of getting evening.

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But there was a bunch of people doing kind of Zumba or something.

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It was some kind of exercising with kettlebells, but it’s kind of aerobic Zumba type of things.

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And the song they were playing was Freed from Desire, the 90s trance hit,

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which was a really strange thing to come down to.

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I was literally coming down to it.

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And listening to the lyrics is kind of very appropriate,

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because I was freed from my desire to walk the Jurassic coast at that very moment.

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And so here’s a very strange rock cover of it.

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That was Elton John covering Nick Drake, which, I mean, Elton John doesn’t do many covers anyway, but that’s from a Warlock sampler.

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Pre-fame, he did a whole load of songs for a record label.

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So like a kind of a demo, but kind of like to show Warlock was representing Nick Drake and a few other people.

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John Martin, I think, is on there as well, I think. There’s a few people.

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It’s got Way Too Blue, Saturday Sun, a few others from Nick Drake, which is just amazing.

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And apparently, Elton John, a while ago, sold the whole of his record collection and he kept two records.

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One was his white album signed personally from The Beatles, and the other one was that record.

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And because it’s so rare, it’s like a hundred, it’s been bootlegged, but there’s like a hundred only ever pressed.

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But it goes to show you, I think he likes that record.

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But it’s never had official release, so we might get into trouble for playing that.

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Do I care? Not really.

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Then before that, we had Jimmy Webb.

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I’ve been on another Jimmy Webb kick. I have to blame Rick Beato for that.

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I interviewed Jimmy Webb, and I watched that before I went off on holidays, I think.

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Really good interview, too short. It’s only like an hour, but it just shows you how good Jimmy Webb is and how not ego-y and very down to earth he is.

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And that’s from his mid-70s solo career.

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Of course, the date is wrong. That’s from a compilation.

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But he did an album about gliding, I think, really. He was really into his gliding.

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Apparently, after he did up, up and away, he really got into gliding.

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So there’s a picture of him gliding on the front cover, and that’s ocean in his eyes.

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It mentions things like kites.

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There’s sort of a brilliant theme throughout of flight and things like that.

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And then before that, we had from the 1980s, Typical, Bloody Typical, I think it’s 81 or 82.

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Quite the end of the Not The 9 O’clock News era.

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That was quite a bug as you get because it isn’t officially released, but it’s on an Audible thing.

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So I had to go through fun trying to convert it.

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Obviously, it’s a pisstake of Olivia Newton-John, rest in peace.

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But I was singing that while I was on holiday. I was singing it all the time.

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Typical, bloody typical.

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Because I mean, I forgot the other thing as well. I got attacked by dogs.

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So yeah, there was about three things that happened on holiday.

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It got to a point where I was like, there’s one more fucking thing I’m going home.

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Luckily there wasn’t, but yeah.

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Probably the reason why it sort of just sort of, I raced to finish it.

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I might go back to the era I did like it, what I saw, the bit I saw of Xmas.

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I love Sidmus, so I might go back, but not for a long while.

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And then before the nOt The 9 O’clock News, that was Pamela Stephenson on the vocals.

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And then before that, we had a new DJNoNo, that’s Barbara and the Jets on the Bimmelbahn.

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Bimmelbahn, yeah.

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It’s a long explanation of that track as Elton John versus Buddy Poke versus Duck Sauce.

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Now Bimmelbahn, Hallo Bimmelbahn is the original tune for Gotta Go Home by Boney M.

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Boney M used the vocal riff and basically the whole of the backing track.

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They just change the lyrics.

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The original lyrics of Hallo Bimmelbahn or Bimmelbahn is weirdly about…

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Bimmelbahn is one of those trackless trains, you know, those really cute ones that go on the road.

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I was saying Land Train and Road Train, but they’re kind of big trucks.

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No, it’s one of those little things you see in theme parks.

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And it’s about someone’s lover leaving on one.

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And the lyrics are quite sad, but it’s weird.

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It’s not exactly Leaving On A Jet Plane.

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So then that became Gotta Go Home by Boney M, which was then sampled by Duck Sauce.

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And it seemed to work really well with Bennie and the Jets.

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And so did you know, no, put that together and made it all about Barbara and Bennie on the Bimmelbahn?

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Yes.

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And it is kind of inspired.

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I think when I was playing it there, I was like, actually it probably is.

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It has been sort of inspired by the track before it, which is Titus Jones featuring the Will It Mash chat pod.

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I might have helped.

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The croc days are over. Florence and the Machine versus Elton John.

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I think I suggested the Florence and the Machine.

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And also I said, hasn’t that been done before?

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And then Titus tried it.

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It was like, result, keep that. That’s brilliant.

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And so hence why it’s credited to the Will It Mash chat pod.

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He usually doesn’t do those, but you could hear that was such a good song.

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So I was like, yes.

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Hence the quack.

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You hear the Titus Jones and quack, and the quack represents the Will It Mash chat pod.

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The Will It Mash being a Twitch channel where he mashes up live on stream.

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I’m a regular on there.

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Quack.

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And yeah, that was going to be Elton John section.

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I don’t play enough Elton John.

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I play bits on mashups.

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Elton John mostly has passed me by.

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I don’t know why.

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Maybe because I never really liked Tiny Dancer.

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I’m not sure.

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Then before that, we had Lobsterdust with Bonfire Vision.

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I’m not exactly sure it’s Childish Gambino versus something.

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And I can’t remember exactly what the dubstep is.

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But yeah, I think I heard that or a version with Bonfire.

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I think it was a version with Bonfire.

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But I think I heard that on the PDSMix’s summer camp, which is just finished.

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Because it mentions a bit about summer camp.

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I think someone did a mash with it and then they played that one.

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Or I found it via that.

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I was looking for mashups using the Bonfire vocal.

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I just love that.

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I’m going to burn everything you talk about.

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Yes, I like the anger of that.

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Then before that, similarly angry.

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We have Vixoria Drift with I really like you.

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Who gives a fuck?

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A mix of Carly-Rae Jepsen, Nightwish, Lamb of God, Tate McRae,

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and sort of a cast of millions.

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I forgot somewhere else that was also in there.

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But yeah, it’s a whole bunch of things.

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And that’s from the new ish album, Vivid.

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It’s really difficult to do multi-layered.

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So to multi-mash well in a way that it flows in a narrative.

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And it’s something I’ve been working on when I do my mashups.

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It’s not all of them.

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It’s one I threw out just before I left on holiday, which was a bit like,

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but usually I try and work on that flow between the interplay.

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And a lot of multi-mashes fail on that.

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They just sound like a medley.

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And what I like about that one is that does have that interplay where things

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seem to relate to each other.

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And they’re not suddenly just switching to one thing.

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It seems like a cohesive flow.

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And there’s a couple of tracks on the album, which are like that.

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Whereas I thought the passages, there was far too much switching.

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It sort of switched back and forth.

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And it was a bit like, I’d be ready to gain something and going,

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oh, that’s really good.

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And then they just switch.

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Whereas this, it feels like it’s sort of callbacks.

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And it doesn’t feel like you just suddenly switch the channel and,

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oh, you know, bad luck.

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That’s gone.

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And then, you know, a little bit, rather than, you know,

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but then main, there’s main bits of lamb and golden and whitewish,

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nightwish and color A Jepsen and a little bit of Gaga and a little bit of this.

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I think that works better than trying to do the sort of Mighty Mike,

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Norwegian Recycling thing of you can set your clock by every 10,

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20 seconds, switch to another diva, switch to another diva, switch to another diva,

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that I’m not a fan of.

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And it’s really difficult.

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Earworm was very good at it.

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Girl Talk wasn’t.

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So it’s not an easy thing to do.

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And I really think that album is a step forward.

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That’s a good idea.

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Before that, we had Freed from Desire,

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Gala cover from We Hate You, Please Die,

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which is a brilliant name for a band.

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When was that from?

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2020.

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I think I found that on there.

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Yeah, it was a bunch of COVID related, anti-COVID covers,

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Six Sad World, Vol 1 is on Bandcamp.

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I was looking for Freed from Desire covers and I found that went perfect.

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Yeah.

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And I think that Lobsterdust is from 2011, although it’s dated 2021,

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but it’s as Extraterrestrial 2011.

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So I don’t know when the childish Gambino came out.

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It’s not that new, but who knows?

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Who knows?

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So we’re going to play some more mashups.

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Whoa.

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I know, right?

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And this is by someone digging a lot recently.

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That’s Sir Hank.

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And this is Jump Around with Big Energy.

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And I didn’t know.

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It’s one of those cases where I didn’t really know the vocal.

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And I heard it and went, oh, that’s perfect.

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That is absolutely perfect.

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You know, it’s like the combination of the two things,

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because there’s been so many Jump Around mashups,

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but not, not, not like this.

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Finally

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I have been

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looking for a track from

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Black Eye, another track

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but there was an instrumental

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sort of theme released by Mort Garson

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on a compilation a long

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time ago. I was like I couldn’t believe that

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a film scored by Mort Garson and was only

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one tune

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and finally

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on the journey to the moon

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and beyond was released very recently

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I think it was just a few months ago

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or a month ago. We have Black Eye

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end credits because I think the other one

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was like in maybe the intro

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theme. I just knew

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I’ve been searching for it for years. I was like

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Mort Garson and Black Eye on Soulseek

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yes I do still use Soulseek

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and that just popped up and went

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what what we’ve actually got a Black Eye

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you know not the

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just the one that was excellent

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and I do recommend the journey to the moon

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and beyond. There’s the NASA

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he did the official

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music to this

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moon landing

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and there’s various other things on there

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but yes it’s a bit of a mixed bag as it always

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is with Mort Garson

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but that was worth it alone

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just for that. That was beautiful. Soulful

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and kind of like almost

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disco. I mean there was a disco section

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it’s kind of a good way to end a disco section

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though what was before was Marc

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Johnce with I Can See Discoproof

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Daisies that was released literally a day

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or so ago or a couple

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days ago. It’s very new

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new shit that’s LaRoux

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Bulletproof versus Chromeo

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versus Taylor Swift versus Kylie Minogue

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a bit Tension in there. I’ve not listened to

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tension but I’ve been hearing all the queens going

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on about it so I need to listen to Tension

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Katy Perry’s

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Daisies and Jesse Ware

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I’m not sure what the Jesse Ware is but I love the

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Katy Perry’s Daisies. The question is where’s the magic

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gone and why did we put all our

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dreams in the attic. Yes

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and then before that we had

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I mean you can’t have a disco section without Say

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She She that’s NORMA

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which was their response to

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the

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rolling back of the abortion laws

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in America. Obviously Norma

01:27:47.000 –> 01:27:49.000
is referencing Jane Roe

01:27:49.000 –> 01:27:51.000
who was Norma McCorvey

01:27:51.000 –> 01:27:53.000
who was the

01:27:53.000 –> 01:27:55.000
Jane Roe in Roe versus Wade

01:27:55.000 –> 01:27:57.000
and so as they called it

01:27:57.000 –> 01:27:59.000
Norma in capitals but it’s

01:27:59.000 –> 01:28:01.000
a good song of resistance anyway

01:28:01.000 –> 01:28:03.000
but yeah it’d be fucked at the moment

01:28:03.000 –> 01:28:05.000
and things need to change

01:28:05.000 –> 01:28:07.000
I’ve been locking horns

01:28:07.000 –> 01:28:09.000
with the Gender Critical lot

01:28:09.000 –> 01:28:11.000
on Bluesky of all places

01:28:11.000 –> 01:28:13.000
I mean they’re on Twitter, you expect that

01:28:13.000 –> 01:28:15.000
to come on Twitter but

01:28:15.000 –> 01:28:17.000
they’re on Bluesky and putting out

01:28:17.000 –> 01:28:19.000
their dumb people are going to rape you in the

01:28:19.000 –> 01:28:21.000
toilets type stuff and you’re like oh for fuck’s sake

01:28:21.000 –> 01:28:23.000
there’s a

01:28:23.000 –> 01:28:25.000
really good video series which I’ve posted on

01:28:25.000 –> 01:28:27.000
RadioClash.com by Caelan Conrad

01:28:27.000 –> 01:28:29.000
which kind of a long

01:28:29.000 –> 01:28:31.000
time ago I posted an alt-right

01:28:31.000 –> 01:28:33.000
playbook video series

01:28:33.000 –> 01:28:35.000
where they go through

01:28:35.000 –> 01:28:37.000
you know this is what they do, this is the tactics

01:28:37.000 –> 01:28:39.000
this is the strategy, this is the scripts

01:28:39.000 –> 01:28:41.000
here we are, same thing

01:28:41.000 –> 01:28:43.000
very useful, I would really recommend

01:28:43.000 –> 01:28:45.000
it’s five hours, it’s long

01:28:45.000 –> 01:28:47.000
but I think it’d be a, horrified and be

01:28:47.000 –> 01:28:49.000
very much informed into

01:28:49.000 –> 01:28:51.000
what they’re trying to do

01:28:51.000 –> 01:28:53.000
to ‘peak’ you as in that’s their word

01:28:53.000 –> 01:28:55.000
for redpilling you

01:28:55.000 –> 01:28:57.000
make people into

01:28:57.000 –> 01:28:59.000
bring them into their cult

01:28:59.000 –> 01:29:01.000
and it is really, I mean

01:29:01.000 –> 01:29:03.000
is it really a cult? No it is

01:29:03.000 –> 01:29:05.000
the person who deep dived it called it a cult

01:29:05.000 –> 01:29:07.000
and you see his information

01:29:07.000 –> 01:29:09.000
and all the receipts and all the screenshots

01:29:09.000 –> 01:29:11.000
and also when you go yeah that’s pretty culty

01:29:11.000 –> 01:29:13.000
so yeah it’s not

01:29:13.000 –> 01:29:15.000
necessarily what it seems

01:29:15.000 –> 01:29:17.000
all this sort of ‘concerned about women’

01:29:17.000 –> 01:29:19.000
their misogynists and

01:29:19.000 –> 01:29:21.000
hemophobes and transphobes and the whole lot

01:29:21.000 –> 01:29:23.000
and racists and ableists and all

01:29:23.000 –> 01:29:25.000
the whole lot of shit

01:29:25.000 –> 01:29:27.000
yes

01:29:27.000 –> 01:29:29.000
I try and do my public service

01:29:29.000 –> 01:29:31.000
by you know facing up on stuff like that

01:29:31.000 –> 01:29:33.000
because it’s an unending battle

01:29:33.000 –> 01:29:35.000
but interesting thing

01:29:35.000 –> 01:29:37.000
was is that the person just went off on me

01:29:37.000 –> 01:29:39.000
and looked truly bad

01:29:39.000 –> 01:29:41.000
which is great

01:29:41.000 –> 01:29:43.000
usually I’m the bad one for that

01:29:43.000 –> 01:29:45.000
so I’m wary of doing it because I’m like

01:29:45.000 –> 01:29:47.000
oh yeah

01:29:47.000 –> 01:29:49.000
you don’t want to kind of be able to point to you

01:29:49.000 –> 01:29:51.000
and go oh look look that’s a classic

01:29:51.000 –> 01:29:53.000
trans rights activist

01:29:53.000 –> 01:29:55.000
there we are, we can see them

01:29:55.000 –> 01:29:57.000
they just get really annoyed

01:29:57.000 –> 01:29:59.000
because I was a calm one and they’re the one who pulled out the ad homs

01:29:59.000 –> 01:30:01.000
and stuff and they’re like I win, bye

01:30:01.000 –> 01:30:03.000
I was being civil

01:30:03.000 –> 01:30:05.000
you’re a dick

01:30:05.000 –> 01:30:07.000
and you’re probably a sock puppet as well

01:30:07.000 –> 01:30:09.000
I’m pretty sure you’re not who you say you are

01:30:09.000 –> 01:30:11.000
but you know it’s so funny

01:30:11.000 –> 01:30:13.000
that we’re complaining about people masking up

01:30:13.000 –> 01:30:15.000
and they just had some random pictures

01:30:15.000 –> 01:30:17.000
of probably Antifa

01:30:17.000 –> 01:30:19.000
I think

01:30:19.000 –> 01:30:21.000
oh look at these trans rights activists hiding their face

01:30:21.000 –> 01:30:23.000
and of course on their profile no face

01:30:23.000 –> 01:30:25.000
no public information

01:30:25.000 –> 01:30:27.000
like I think you are a probably

01:30:27.000 –> 01:30:29.000
a Russian sock puppet

01:30:29.000 –> 01:30:31.000
say hi to Putin

01:30:31.000 –> 01:30:33.000
yeah

01:30:33.000 –> 01:30:35.000
and before that

01:30:35.000 –> 01:30:37.000
we had Fumboy3, Our Lips Are Sealed

01:30:37.000 –> 01:30:39.000
we had a special remix version

01:30:39.000 –> 01:30:41.000
with all the kiss from an enemy bits

01:30:41.000 –> 01:30:43.000
like was that Neville?

01:30:43.000 –> 01:30:45.000
and that’s played because I went to Duckie

01:30:45.000 –> 01:30:47.000
I went to the last Duckie

01:30:47.000 –> 01:30:49.000
the last weekly Duckie

01:30:49.000 –> 01:30:51.000
ever I think

01:30:51.000 –> 01:30:53.000
they’ve stopped doing the weekly things

01:30:53.000 –> 01:30:55.000
and they’ve now gone to monthly

01:30:55.000 –> 01:30:57.000
which is kind of an end of their era

01:30:57.000 –> 01:30:59.000
and they ended on the track before

01:30:59.000 –> 01:31:01.000
though not that version

01:31:01.000 –> 01:31:03.000
they ended on sOft Cell’s Say Hello Wave Goodbye

01:31:03.000 –> 01:31:05.000
but also they played Our Lips Are Sealed

01:31:05.000 –> 01:31:07.000
and that is a

01:31:07.000 –> 01:31:09.000
for me listening to the lyrics

01:31:09.000 –> 01:31:11.000
I love the lyrics

01:31:11.000 –> 01:31:13.000
‘there is a weapon to our defence silence’

01:31:13.000 –> 01:31:15.000
and there I go to Duckie

01:31:15.000 –> 01:31:17.000
and I don’t really speak to anyone

01:31:17.000 –> 01:31:19.000
I just dance

01:31:19.000 –> 01:31:21.000
I try and have a good time

01:31:21.000 –> 01:31:23.000
and it’s slightly weird

01:31:23.000 –> 01:31:25.000
I had a good conversation afterwards

01:31:25.000 –> 01:31:27.000
with an Irish bear actually

01:31:27.000 –> 01:31:29.000
weirdly in the park

01:31:29.000 –> 01:31:31.000
but yeah

01:31:31.000 –> 01:31:33.000
the way it is with that place

01:31:33.000 –> 01:31:35.000
and not really fitting in

01:31:35.000 –> 01:31:37.000
but then kind of that is a power

01:31:37.000 –> 01:31:39.000
in a way as well

01:31:39.000 –> 01:31:41.000
and then before that we had Salon Music

01:31:41.000 –> 01:31:43.000
with Say Hello Wave Goodbye

01:31:43.000 –> 01:31:45.000
and yes

01:31:45.000 –> 01:31:47.000
that is Sparks in there

01:31:47.000 –> 01:31:49.000
around 1988 they visited Japan

01:31:49.000 –> 01:31:51.000
and we were fans of Salon Music

01:31:51.000 –> 01:31:53.000
cut from the album O Boy

01:31:53.000 –> 01:31:55.000
and they did that cover

01:31:55.000 –> 01:31:57.000
and they appear in the middle of it

01:31:57.000 –> 01:31:59.000
but Salon were more

01:31:59.000 –> 01:32:01.000
kind of shoegazy

01:32:01.000 –> 01:32:03.000
I would say shoegazy rock

01:32:03.000 –> 01:32:05.000
that’s a little bit pop for them

01:32:05.000 –> 01:32:07.000
but I like it a lot

01:32:07.000 –> 01:32:09.000
then before that we had an old remix

01:32:09.000 –> 01:32:11.000
that’s from 2007

01:32:11.000 –> 01:32:13.000
that’s Copycat with Enjoy or Leave in Silence

01:32:13.000 –> 01:32:15.000
it’s a Depeche Mode vs Depeche Mode mashup

01:32:15.000 –> 01:32:17.000
but you don’t get anyone

01:32:17.000 –> 01:32:19.000
doing mashups of Leave in Silence

01:32:19.000 –> 01:32:21.000
so I’m playing it

01:32:21.000 –> 01:32:23.000
because I mean there was a whole 80’s section there

01:32:23.000 –> 01:32:25.000
a random 80’s section

01:32:25.000 –> 01:32:27.000
but yeah you just

01:32:27.000 –> 01:32:29.000
you get loads of Enjoy the Silence

01:32:29.000 –> 01:32:31.000
and no Leave In Silence mashups

01:32:31.000 –> 01:32:33.000
even though it’s a perfect thing

01:32:33.000 –> 01:32:35.000
yeah to sort of mash the two together

01:32:35.000 –> 01:32:37.000
but also why does everyone mash

01:32:37.000 –> 01:32:39.000
Personal Jesus

01:32:39.000 –> 01:32:41.000
Enjoy the Silence

01:32:41.000 –> 01:32:43.000
usually just enjoy the Silence actually

01:32:43.000 –> 01:32:45.000
and maybe Just Can’t Get Enough

01:32:45.000 –> 01:32:47.000
it’s kind of annoying as a Depeche Mode fan

01:32:47.000 –> 01:32:49.000
that people don’t mash other songs so much

01:32:49.000 –> 01:32:51.000
a few people do

01:32:51.000 –> 01:32:53.000
you know who you are

01:32:53.000 –> 01:32:55.000
but not so many general mashups

01:32:55.000 –> 01:32:57.000
which is a bit sad

01:32:57.000 –> 01:32:59.000
and when a new album comes out

01:32:59.000 –> 01:33:01.000
there’s a few of those

01:33:01.000 –> 01:33:03.000
but yeah it’s always kind of the same

01:33:03.000 –> 01:33:05.000
3, 2, 3 Personal Jesus, Enjoy the Silence

01:33:05.000 –> 01:33:07.000
Just Can’t Get Enough

01:33:07.000 –> 01:33:09.000
so it’s nice to hear

01:33:09.000 –> 01:33:11.000
a rarely mashed song

01:33:11.000 –> 01:33:13.000
and very strange I have to say

01:33:13.000 –> 01:33:15.000
it’s kind of a bit of a remix

01:33:15.000 –> 01:33:17.000
and some very strange off beats in there

01:33:17.000 –> 01:33:19.000
it was an interesting one to mix

01:33:19.000 –> 01:33:21.000
then before that

01:33:21.000 –> 01:33:23.000
we had Pet Shop Boys I’m Not Scared

01:33:23.000 –> 01:33:25.000
from Introspective

01:33:25.000 –> 01:33:27.000
1968 which is their

01:33:27.000 –> 01:33:29.000
version of the

01:33:29.000 –> 01:33:31.000
Patsy Kensit 8th Wonder

01:33:31.000 –> 01:33:33.000
hit and I actually prefer

01:33:33.000 –> 01:33:35.000
it very much sums up the time

01:33:35.000 –> 01:33:37.000
they’ve got these 1968

01:33:37.000 –> 01:33:39.000
sort of French student protests

01:33:39.000 –> 01:33:41.000
in there and

01:33:41.000 –> 01:33:43.000
yeah I went on a Pet Shop Boys kick

01:33:43.000 –> 01:33:45.000
and you’ll hear some more Pet Shop Boys in a little bit

01:33:45.000 –> 01:33:47.000
I’m not sure why

01:33:47.000 –> 01:33:49.000
it’s kind of just

01:33:49.000 –> 01:33:51.000
regularly do that

01:33:51.000 –> 01:33:53.000
check out what they’re up to

01:33:53.000 –> 01:33:55.000
stuff is, what the older stuff is

01:33:55.000 –> 01:33:57.000
and I was like I haven’t played

01:33:57.000 –> 01:33:59.000
I’m Not Scared by Pet Shop Boys in the podcast

01:33:59.000 –> 01:34:01.000
I was like why, why?

01:34:01.000 –> 01:34:03.000
it is one of my favourite songs of all time

01:34:03.000 –> 01:34:05.000
and then before that

01:34:05.000 –> 01:34:07.000
we had DJ Giac with West Heathens

01:34:07.000 –> 01:34:09.000
Twenty One Pilots vs Pet Shop Boys

01:34:09.000 –> 01:34:11.000
that’s the

01:34:11.000 –> 01:34:13.000
special slow down version

01:34:13.000 –> 01:34:15.000
of Pet Shop Boys

01:34:15.000 –> 01:34:17.000
by the Shanti Capturing the Light

01:34:17.000 –> 01:34:19.000
of Down Remix I looked it up

01:34:19.000 –> 01:34:21.000
on Remix.audio

01:34:21.000 –> 01:34:23.000
and that sort of slow groove

01:34:23.000 –> 01:34:25.000
and then at the start we had

01:34:25.000 –> 01:34:27.000
again a sort of an 80s thing

01:34:27.000 –> 01:34:29.000
because although

01:34:29.000 –> 01:34:31.000
House of Pain vs Latto doesn’t sound very 80s

01:34:31.000 –> 01:34:33.000
Latto sampled Tom Tom Club

01:34:33.000 –> 01:34:35.000
more than sampled like Interpolated

01:34:35.000 –> 01:34:37.000
did a whole vocal thing with it

01:34:37.000 –> 01:34:39.000
Big Dick Energy

01:34:39.000 –> 01:34:41.000
although I think that’s the polite version

01:34:41.000 –> 01:34:43.000
Big Big Energy

01:34:43.000 –> 01:34:45.000
and as she explained Big Dick Energy

01:34:45.000 –> 01:34:47.000
is for everyone

01:34:47.000 –> 01:34:49.000
not necessarily those with dicks

01:34:49.000 –> 01:34:51.000
but I kind of

01:34:51.000 –> 01:34:53.000
I wouldn’t say I didn’t know that track

01:34:53.000 –> 01:34:55.000
I kind of came across it at some point

01:34:55.000 –> 01:34:57.000
but I’ve forgotten about it

01:34:57.000 –> 01:34:59.000
and it works so well with

01:34:59.000 –> 01:35:01.000
House of Pain Jump Around

01:35:01.000 –> 01:35:03.000
Jump Around with Big Dick Energy

01:35:03.000 –> 01:35:05.000
yes

01:35:05.000 –> 01:35:07.000
jump around with Big Dick Energy

01:35:07.000 –> 01:35:09.000
but that’s the G-rated version

01:35:09.000 –> 01:35:11.000
so I’m going to go more

01:35:11.000 –> 01:35:13.000
into a track, a new track

01:35:13.000 –> 01:35:15.000
by Mark

01:35:15.000 –> 01:35:17.000
David Hadley

01:35:17.000 –> 01:35:19.000
all of them out, you can find it on

01:35:19.000 –> 01:35:21.000
Bandcamp

01:35:21.000 –> 01:35:23.000
is it Sound by Mark, I think it’s called

01:35:23.000 –> 01:35:25.000
yeah soundbymark

01:35:25.000 –> 01:35:27.000
on Bandcamp.com

01:35:27.000 –> 01:35:29.000
and it’s a new album called Through Trains

01:35:29.000 –> 01:35:31.000
although interestingly the one

01:35:31.000 –> 01:35:33.000
one of the ones, not this one

01:35:33.000 –> 01:35:35.000
but one of the ones I heard

01:35:35.000 –> 01:35:37.000
remind me more of sailing on my dad’s boat

01:35:37.000 –> 01:35:39.000
apparently my dad was just sold

01:35:39.000 –> 01:35:41.000
I didn’t realize he’d sold his boat

01:35:41.000 –> 01:35:43.000
which is a bit sad

01:35:43.000 –> 01:35:45.000
but this is a bit more of a darker one

01:35:45.000 –> 01:35:47.000
and this is Echoes

01:35:47.000 –> 01:35:49.000
off the album

02:17:05.000 –> 02:17:07.000
That was Brown Dust

02:17:07.000 –> 02:17:09.000
yes that is the name of the band

02:17:09.000 –> 02:17:11.000
terrible name

02:17:11.000 –> 02:17:13.000
with Autumn from

02:17:13.000 –> 02:17:15.000
1972

02:17:15.000 –> 02:17:17.000
I don’t know if that’s a cover or not

02:17:17.000 –> 02:17:19.000
but it seemed appropriate for the end of summer

02:17:19.000 –> 02:17:21.000
in the start of autumn

02:17:21.000 –> 02:17:23.000
and then before that we had

02:17:23.000 –> 02:17:25.000
Cara Dillon from Cara Dillon

02:17:25.000 –> 02:17:27.000
2001 that’s I Am A Youth That’s

02:17:27.000 –> 02:17:29.000
Inclined To Ramble and I am

02:17:29.000 –> 02:17:31.000
well I’m not a youth I’m an old man

02:17:31.000 –> 02:17:33.000
that’s inclined to ramble but

02:17:33.000 –> 02:17:35.000
yeah

02:17:35.000 –> 02:17:37.000
that’s such a beautiful song it moves me to tears that song

02:17:37.000 –> 02:17:39.000
it’s a very very old

02:17:39.000 –> 02:17:41.000
18th century

02:17:41.000 –> 02:17:43.000
I think Scottish tune

02:17:43.000 –> 02:17:45.000
Scottish Irish

02:17:45.000 –> 02:17:47.000
yeah it is a very old traditional tune

02:17:47.000 –> 02:17:49.000
then before that we had

02:17:49.000 –> 02:17:51.000
Lil Peep

02:17:51.000 –> 02:17:53.000
with Life Is Beautiful

02:17:53.000 –> 02:17:55.000
which came out after he died I think

02:17:55.000 –> 02:17:57.000
from Come Over When You’re Sober Part 2

02:17:57.000 –> 02:17:59.000
I have to say I kind of avoided

02:17:59.000 –> 02:18:01.000
I knew of Lil Peep

02:18:01.000 –> 02:18:03.000
because vice articles

02:18:03.000 –> 02:18:05.000
and all these people talking about

02:18:05.000 –> 02:18:07.000
this new person

02:18:07.000 –> 02:18:09.000
but there does seem to be a bunch of

02:18:09.000 –> 02:18:11.000
I’m really just getting older

02:18:11.000 –> 02:18:13.000
but a bunch of rappers that died

02:18:13.000 –> 02:18:15.000
before they even really made it

02:18:15.000 –> 02:18:17.000
I had a few mixtapes or one album

02:18:17.000 –> 02:18:19.000
and then they were gone

02:18:19.000 –> 02:18:21.000
and he’s one of those

02:18:21.000 –> 02:18:23.000
referenced a lot of Cobain

02:18:23.000 –> 02:18:25.000
it’s all a bit kind of

02:18:25.000 –> 02:18:27.000
worryingly self perpetuating

02:18:27.000 –> 02:18:29.000
when someone’s idolising Cobain

02:18:29.000 –> 02:18:31.000
and then they die young themselves

02:18:31.000 –> 02:18:33.000
it’s not the 27 club anymore

02:18:33.000 –> 02:18:35.000
it’s like the 21 club or the

02:18:35.000 –> 02:18:37.000
19 club or the 22 club isn’t it

02:18:37.000 –> 02:18:39.000
the 27 grandad compared to

02:18:39.000 –> 02:18:41.000
some of these

02:18:41.000 –> 02:18:43.000
and before that we had

02:18:43.000 –> 02:18:45.000
Stick In The Wheel With Parasite

02:18:45.000 –> 02:18:47.000
which is from

02:18:47.000 –> 02:18:49.000
I’ve been trying not to play all of The Endless

02:18:49.000 –> 02:18:51.000
Coloured Ways

02:18:51.000 –> 02:18:53.000
The Songs of Nick Drake compilation

02:18:53.000 –> 02:18:55.000
but it is one of my favourites

02:18:55.000 –> 02:18:57.000
even though it’s so bleak and it is a bleak song

02:18:57.000 –> 02:18:59.000
it’s hard listening

02:18:59.000 –> 02:19:01.000
and then before that we had Fissunix

02:19:01.000 –> 02:19:03.000
with Is Schubert A Crime

02:19:03.000 –> 02:19:05.000
Sade versus

02:19:05.000 –> 02:19:07.000
Thylacine

02:19:07.000 –> 02:19:09.000
who did that

02:19:09.000 –> 02:19:11.000
originally Wendy Carlos thing

02:19:11.000 –> 02:19:13.000
but also William Orbit

02:19:13.000 –> 02:19:15.000
of taking a bunch of

02:19:15.000 –> 02:19:17.000
classical tunes

02:19:17.000 –> 02:19:19.000
and doing some ambient

02:19:19.000 –> 02:19:21.000
trance music with it

02:19:21.000 –> 02:19:23.000
that works very well

02:19:23.000 –> 02:19:25.000
there isn’t enough Schubert in mashups

02:19:25.000 –> 02:19:27.000
I do like to

02:19:27.000 –> 02:19:29.000
as I said it before

02:19:29.000 –> 02:19:31.000
I do like to creep

02:19:31.000 –> 02:19:33.000
sneak classical music

02:19:33.000 –> 02:19:35.000
into things

02:19:35.000 –> 02:19:37.000
it’s like a spoonful of sugar just underneath the door

02:19:37.000 –> 02:19:39.000
for a little bit of classical music

02:19:39.000 –> 02:19:41.000
and yeah we just sort of sneak it in there

02:19:41.000 –> 02:19:43.000
take all the posh things and sort of

02:19:43.000 –> 02:19:45.000
put them in the liquidiser

02:19:45.000 –> 02:19:47.000
and put them into milkshake secretly

02:19:47.000 –> 02:19:49.000
that’s what we like to do

02:19:49.000 –> 02:19:51.000
a little bit of art around here

02:19:51.000 –> 02:19:53.000
and then before that we had Pet Shop Boys Invisible

02:19:53.000 –> 02:19:55.000
which is from Elysium

02:19:55.000 –> 02:19:57.000
from 2017

02:19:57.000 –> 02:19:59.000
well that was

02:19:59.000 –> 02:20:01.000
at least it was Further Listening than 2017

02:20:01.000 –> 02:20:03.000
but I think it was actually 2011 or 2012

02:20:03.000 –> 02:20:05.000
something like that

02:20:05.000 –> 02:20:07.000
some point in the 11’s

02:20:07.000 –> 02:20:09.000
and that is about

02:20:09.000 –> 02:20:11.000
basically being gay

02:20:11.000 –> 02:20:13.000
and over 50 and being invisible and gay bars

02:20:13.000 –> 02:20:15.000
which you know obviously

02:20:15.000 –> 02:20:17.000
I just talked about Duckie

02:20:17.000 –> 02:20:19.000
and that sort of thing of where

02:20:19.000 –> 02:20:21.000
yeah it’s a younger generation

02:20:21.000 –> 02:20:23.000
you don’t exist it’s like an invisibility cloak

02:20:23.000 –> 02:20:25.000
it happens to older women

02:20:25.000 –> 02:20:27.000
it happens to gay men

02:20:27.000 –> 02:20:29.000
they’re just like hello we’re over here no

02:20:29.000 –> 02:20:31.000
they actually literally bump into me as if like I’m

02:20:31.000 –> 02:20:33.000
that’s when it gets a bit much

02:20:33.000 –> 02:20:35.000
when they actually walk into you as if like

02:20:35.000 –> 02:20:37.000
you are literally invisible

02:20:37.000 –> 02:20:39.000
that’s like

02:20:39.000 –> 02:20:41.000
hmm and I’m not your target market

02:20:41.000 –> 02:20:43.000
and I’m not interested in 20 year olds either

02:20:43.000 –> 02:20:45.000
so you know it works best ways

02:20:45.000 –> 02:20:47.000
it’s a bit offensive when they’re like

02:20:47.000 –> 02:20:49.000
it’s to walk into you as if like you

02:20:49.000 –> 02:20:51.000
aren’t even there

02:20:51.000 –> 02:20:53.000
and scowl at you like it’s your fault

02:20:53.000 –> 02:20:55.000
it’s like I’m not the one who’s completely

02:20:55.000 –> 02:20:57.000
twatted

02:20:57.000 –> 02:20:59.000
then before that we had The Arrangement

02:20:59.000 –> 02:21:01.000
by Joni Mitchell from

02:21:01.000 –> 02:21:03.000
1970’s Ladies of the Canyon

02:21:03.000 –> 02:21:05.000
there’s two songs there

02:21:05.000 –> 02:21:07.000
very linked well there’s like three

02:21:07.000 –> 02:21:09.000
I suppose Invisible

02:21:09.000 –> 02:21:11.000
The Arrangement which is about

02:21:11.000 –> 02:21:13.000
how people sort of sell

02:21:13.000 –> 02:21:15.000
their dreams down the river

02:21:15.000 –> 02:21:17.000
for a life in the suburbs

02:21:17.000 –> 02:21:19.000
and then before that

02:21:19.000 –> 02:21:21.000
Jimmy Webb’s song Pocketful of Keys

02:21:21.000 –> 02:21:23.000
I wanted to play Thelma Houston

02:21:23.000 –> 02:21:25.000
because Thelma Houston before she was all Disco

02:21:25.000 –> 02:21:27.000
she did an album with

02:21:27.000 –> 02:21:29.000
Jimmy Webb but I can’t because

02:21:29.000 –> 02:21:31.000
I guess who big bad

02:21:31.000 –> 02:21:33.000
record company but

02:21:33.000 –> 02:21:35.000
that version isn’t

02:21:35.000 –> 02:21:37.000
and I think it’s more interesting and more

02:21:37.000 –> 02:21:39.000
not really well known that Doug Ashton

02:21:39.000 –> 02:21:41.000
with Pocketful of Keys from

02:21:41.000 –> 02:21:43.000
1977’s Empty Without You

02:21:43.000 –> 02:21:45.000
and Pocketful of Keys

02:21:45.000 –> 02:21:47.000
is all about a similar sort of alienation

02:21:47.000 –> 02:21:49.000
I love the fact that it’s like

02:21:49.000 –> 02:21:51.000
jangle the Pocketful of Keys

02:21:51.000 –> 02:21:53.000
makes the spider scuttle away

02:21:53.000 –> 02:21:55.000
you just get a very visible idea that

02:21:55.000 –> 02:21:57.000
there’s nothing in the mailbox

02:21:57.000 –> 02:21:59.000
it hasn’t been for a long time for the spiders

02:21:59.000 –> 02:22:01.000
in there

02:22:01.000 –> 02:22:03.000
very lonely existence

02:22:03.000 –> 02:22:05.000
then before that

02:22:05.000 –> 02:22:07.000
interestingly from the album called 1977

02:22:07.000 –> 02:22:09.000
I don’t remember there’s a link there

02:22:09.000 –> 02:22:11.000
that’s Music’s Éire

02:22:11.000 –> 02:22:13.000
and yeah I’m liking

02:22:13.000 –> 02:22:15.000
what I’m hearing from that album

02:22:15.000 –> 02:22:17.000
and at the start of the section we heard

02:22:17.000 –> 02:22:19.000
Echoes Mark David Hadley

02:22:19.000 –> 02:22:21.000
from the recent album Through Trains

02:22:21.000 –> 02:22:23.000
Check It Out

02:22:23.000 –> 02:22:25.000
I need to feature it on the

02:22:25.000 –> 02:22:27.000
I’m very bad at featuring things on blogs

02:22:27.000 –> 02:22:29.000
I launched it when I was away

02:22:29.000 –> 02:22:31.000
but there’s two or three I specifically like

02:22:31.000 –> 02:22:33.000
and there’ll be one of two to

02:22:33.000 –> 02:22:35.000
play in future podcasts

02:22:35.000 –> 02:22:37.000
and thank you Mark for giving me a copy of that

02:22:37.000 –> 02:22:39.000
and I hope

02:22:39.000 –> 02:22:41.000
people go and check it out because

02:22:41.000 –> 02:22:43.000
Mark is

02:22:43.000 –> 02:22:45.000
I’ve said so many times before

02:22:45.000 –> 02:22:47.000
someone I’m out on my art degree

02:22:47.000 –> 02:22:49.000
and has always been a musician

02:22:49.000 –> 02:22:51.000
and into making

02:22:51.000 –> 02:22:53.000
sound sculptures

02:22:53.000 –> 02:22:55.000
and sound pieces

02:22:55.000 –> 02:22:57.000
and musical pieces

02:22:57.000 –> 02:22:59.000
is very talented I have

02:22:59.000 –> 02:23:01.000
there’s a couple of people I knew

02:23:01.000 –> 02:23:03.000
you work with musically

02:23:03.000 –> 02:23:05.000
Sean was the other one

02:23:05.000 –> 02:23:07.000
who was just so talented musically

02:23:07.000 –> 02:23:09.000
it was quite spooky

02:23:09.000 –> 02:23:11.000
there I am

02:23:11.000 –> 02:23:13.000
playing one finger keyboard

02:23:13.000 –> 02:23:15.000
not saying I was in a band

02:23:15.000 –> 02:23:17.000
but the closest thing I came to being in a band

02:23:17.000 –> 02:23:19.000
I suppose working on experimental music

02:23:19.000 –> 02:23:21.000
the Nether Edge Experimental Music Collective

02:23:21.000 –> 02:23:23.000
N-E-E-M-C

02:23:23.000 –> 02:23:25.000
yes there’s more clanging

02:23:25.000 –> 02:23:27.000
more clanging things than

02:23:27.000 –> 02:23:29.000
music making but I mean

02:23:29.000 –> 02:23:31.000
some people like my Reality Engine stuff

02:23:31.000 –> 02:23:33.000
which is all over at my bank

02:23:33.000 –> 02:23:35.000
realityengine.co.uk

02:23:35.000 –> 02:23:37.000
if you dig back past the mashups

02:23:37.000 –> 02:23:39.000
you will see the

02:23:39.000 –> 02:23:41.000
hidden da Vinci Code

02:23:41.000 –> 02:23:43.000
style

02:23:43.000 –> 02:23:45.000
underneath the altar and you will see

02:23:45.000 –> 02:23:47.000
my previous incarnation as Reality Engine

02:23:47.000 –> 02:23:49.000
which is where I was doing experimental music

02:23:49.000 –> 02:23:51.000
and ambient music

02:23:51.000 –> 02:23:53.000
I don’t usually do it

02:23:53.000 –> 02:23:55.000
I haven’t done it for a long time

02:23:55.000 –> 02:23:57.000
I’ve done any original pieces

02:23:57.000 –> 02:23:59.000
it’s just when it’s a mood thing

02:23:59.000 –> 02:24:01.000
and I think weirdly doing mashups

02:24:01.000 –> 02:24:03.000
and music production in mashups

02:24:03.000 –> 02:24:05.000
even though it’s not my music

02:24:05.000 –> 02:24:07.000
it kind of doesn’t really scratch that edge

02:24:07.000 –> 02:24:09.000
but it kind of means that

02:24:09.000 –> 02:24:11.000
you know I’m busy doing that

02:24:11.000 –> 02:24:13.000
I don’t really get to do the original stuff

02:24:13.000 –> 02:24:15.000
which is a shame

02:24:15.000 –> 02:24:17.000
it’s very much a mood thing to me

02:24:17.000 –> 02:24:19.000
and it’s very much where I’m playing around

02:24:19.000 –> 02:24:21.000
bored very quickly

02:24:21.000 –> 02:24:23.000
and I tend to do

02:24:23.000 –> 02:24:25.000
original sort of one minute, two minute pieces

02:24:25.000 –> 02:24:27.000
and I’m not really interested in extending them

02:24:27.000 –> 02:24:29.000
it goes oh that’ll be really good as a full piece

02:24:29.000 –> 02:24:31.000
and I’m like no it’s

02:24:31.000 –> 02:24:33.000
perfect as it is

02:24:33.000 –> 02:24:35.000
it just documents a little time when I was playing around with something

02:24:35.000 –> 02:24:37.000
I like that

02:24:37.000 –> 02:24:39.000
it’s like why is it

02:24:39.000 –> 02:24:41.000
say something in five minutes you can say in one minute

02:24:41.000 –> 02:24:43.000
you know, seriously, punk

02:24:43.000 –> 02:24:45.000
hello

02:24:45.000 –> 02:24:47.000
so as I mentioned about the

02:24:47.000 –> 02:24:49.000
Summer Camp

02:24:49.000 –> 02:24:51.000
they just finished last night

02:24:51.000 –> 02:24:53.000
and this is a mashup that was created for that

02:24:53.000 –> 02:24:55.000
DJNono created a mashup for

02:24:55.000 –> 02:24:57.000
the summer camp

02:24:57.000 –> 02:24:59.000
the summer is coming in one

02:24:59.000 –> 02:25:01.000
very recommend and there’s a few others that were played

02:25:01.000 –> 02:25:03.000
which might have been like compilation because I think PDSMix

02:25:03.000 –> 02:25:05.000
is going to order a compilation of

02:25:05.000 –> 02:25:07.000
the mashups for Mashup Summer Camp

02:25:07.000 –> 02:25:09.000
which would be good and apparently next year

02:25:09.000 –> 02:25:11.000
it’s going to start earlier and it’s going to be a longer thing

02:25:11.000 –> 02:25:13.000
and I think

02:25:13.000 –> 02:25:15.000
it could start in August partly to fill the whole

02:25:15.000 –> 02:25:17.000
space

02:25:17.000 –> 02:25:19.000
created by

02:25:19.000 –> 02:25:21.000
Adriana being away I think she’s going to be back soon

02:25:21.000 –> 02:25:23.000
but

02:25:23.000 –> 02:25:25.000
apparently it’s going to be a longer thing and it’s going to be good I think

02:25:25.000 –> 02:25:27.000
I think it’ll be good to build on that

02:25:27.000 –> 02:25:29.000
because it was a little bit hurried and of course I was actually away camping

02:25:29.000 –> 02:25:31.000
which is

02:25:31.000 –> 02:25:33.000
very hard to be involved in mashup summer camp

02:25:33.000 –> 02:25:35.000
virtual camp was actually real camping

02:25:35.000 –> 02:25:37.000
that probably won’t be a problem

02:25:37.000 –> 02:25:39.000
next year

02:25:39.000 –> 02:25:41.000
so this is a great mashup

02:25:41.000 –> 02:25:43.000
by reconthuse and it’s kind of

02:25:43.000 –> 02:25:45.000
a similar thing to the whole

02:25:45.000 –> 02:25:47.000
this whole podcast which has been like the end of summer

02:25:47.000 –> 02:25:49.000
sort of endings

02:25:49.000 –> 02:25:51.000
I mean it’s kind of funny how I started

02:25:51.000 –> 02:25:53.000
with everything must go because

02:25:53.000 –> 02:25:55.000
Everything Must Go when I moved

02:25:55.000 –> 02:25:57.000
out of

02:25:57.000 –> 02:25:59.000
my old flat in 2016

02:25:59.000 –> 02:26:01.000
that’s what I labeled

02:26:01.000 –> 02:26:03.000
that post was Everything Must Go

02:26:03.000 –> 02:26:05.000
because I was selling all my stuff on ebay

02:26:05.000 –> 02:26:07.000
and there was another

02:26:07.000 –> 02:26:09.000
major life change oh the thing

02:26:09.000 –> 02:26:11.000
with my

02:26:11.000 –> 02:26:13.000
2008 having to

02:26:13.000 –> 02:26:15.000
empty the childhood home against

02:26:15.000 –> 02:26:17.000
I used the song in one of the Child

02:26:17.000 –> 02:26:19.000
hood’s End videos

02:26:19.000 –> 02:26:21.000
so it’s a song

02:26:21.000 –> 02:26:23.000
which has kind of haunted me

02:26:23.000 –> 02:26:25.000
through various life changes

02:26:25.000 –> 02:26:27.000
and there’s another one coming

02:26:27.000 –> 02:26:29.000
so yeah it’s

02:26:29.000 –> 02:26:31.000
sort of this autumn theme and an ending theme

02:26:31.000 –> 02:26:33.000
or chain work and not ending

02:26:33.000 –> 02:26:35.000
it’s more of a change theme everything must go

02:26:35.000 –> 02:26:37.000
it’s not necessarily a negative song

02:26:37.000 –> 02:26:39.000
it was obviously a post

02:26:39.000 –> 02:26:41.000
Richie’s disappearance of the

02:26:41.000 –> 02:26:43.000
Manics but the song is also saying

02:26:43.000 –> 02:26:45.000
this is going to change

02:26:45.000 –> 02:26:47.000
to the fans which is the intention

02:26:47.000 –> 02:26:49.000
it’s not necessarily negative it’s more like

02:26:49.000 –> 02:26:51.000
you know we need to clear out everything

02:26:51.000 –> 02:26:53.000
to start again or do something different

02:26:53.000 –> 02:26:55.000
and that’s how I feel at the moment so

02:26:55.000 –> 02:26:57.000
yeah watch this space

02:26:57.000 –> 02:26:59.000
so this is a song by reconthuse

02:26:59.000 –> 02:27:01.000
and there aren’t enough Dusty Springfield mashups

02:27:01.000 –> 02:27:03.000
I can say it right here

02:27:03.000 –> 02:27:05.000
there needs to be more Dusty Springfield mashups

02:27:05.000 –> 02:27:07.000
this Summer Camp Is Over

02:27:07.000 –> 02:27:09.000
and it’s versus the Lightning

02:27:09.000 –> 02:27:11.000
Thief cast versus The Neighborhood

02:27:11.000 –> 02:27:13.000
I don’t know the backing so much but I know the dusty

02:27:13.000 –> 02:27:15.000
and

02:27:15.000 –> 02:27:17.000
yeah I’ll speak to you soon