Tag: Just Can’t Get Enough (Depeche Mode song)

We say hello and wave goodbye to summer, holidays and camping, Autumn is here and so we have a autumnal podcast about change and endings with mashups from virtual camping with PDS Mix's Mashup Summer Camp, and actual camping with music and chat relating to Jaunt 4 where I was walking along the Jurassic Coast. New music from Mark David Hadley, and new-ish shiny mashups from reconthuse, Sir Hank, DJ Giac, Marc Johnce, Vixoria Drift, DJNoNo and Titus Jones with the Will It Mash chatpod, and a tune from the new Mort Garson compilation Journey to the Moon and Beyond. Also more Nick Drake covers and focus on Jimmy Webb, the Pet Shop Boys and Elton John, 90's trance metal covers and big beat indie remixes, Japanese Soft Cell covers and an 80's Duckie-inspired section as Duckie goes monthly. Listen to RC 388: Autumn - Everything Must Go byRadio Clash on hearthis.at In Autumn Everything Stops For T (2:31, 211Mb) David Cain & Ronald Duncan - Autumn Manic Street Preachers - Everything Must Go (The Chemical Brothers Remix) We Hate You Please Die - Freed From Desire Vixoria Drift - I Really Like You! (Who Gives A Fuck?) lobsterdust - Bonfire Vision Titus Jones feat. The "Will It Mash" Chatpod - The Croc Days Are Over (Florence & The Machine vs. Elton John) DJNoNo - Barbra And The Jets On The Bimmelbahn (Elton John vs Buddy Poke vs Duck Sauce) Not the Nine O’Clock News - Typical, Bloody Typical Jimmy Webb - Ocean In His Eyes Elton John - Saturday Sun Sir Hank Mashup - Jump around with Big Energy (House of Pain vs. Latto) DJ Giac - West Heathens (Twenty One Pilots vs Pet Shop Boys) Pet Shop Boys - I’m Not Scared Copycat - Enjoy or leave in silence (A Copycat Mash) Salon Music - Say Hello, Wave Goodbye Fun Boy Three - Our Lips Are Sealed (Special Remix Version) Say She She - NORMA Marc Johnce - I Can See Discoproof Daisies (La Roux x Chromeo Vs. Taylor Swift Vs. Kylie Minogue Vs. Katy Perry Vs. Jessie Ware) Mort Garson - Black Eye (End Credits) Mark David Hadley - Echoes µ-ziq - Éire Doug Ashdown - Pocketful Of Keys Joni Mitchell - The Arrangement Pet Shop Boys - Invisible Fissunix - is Schubert a crime (Sade vs Thylacine) Stick in the Wheel - Parasite Lil Peep - Life Is Beautiful Cara Dillon - I Am A Youth That's Inclined To Ramble Brown Dust - Autumn reconthuse - Summer Camp is Over (Dusty Springfield vs. 'The Lightning Thief' Cast vs. The Neighbourhood) Transcript WEBVTT 00:53.000 --> 00:57.000Welcome to Radio Clash 01:08.000 --> 01:13.000This is 388 and it's Autumn: Everything Must Go. Yes especially those pesky leaves. 01:13.000 --> 01:16.000Let us acknowledge that this passage constitutes a musical interlude 06:36.000 --> 06:43.000That was Manic Street Preachers with Everything Must Go, the Chemical Brothers remix from 1996. 06:43.000 --> 06:48.000And at the start, you heard Autumn, something I've had in the stack for a very long time. 06:49.000 --> 06:56.000And that's David Cain and Ronald Duncan from their very scary The Seasons album, 06:56.000 --> 06:58.000a Radiophonic workshop. 07:02.000 --> 07:08.000And yes, it is 388. I've come back from my hollibobs. 07:08.000 --> 07:14.000And it is Autumn. Everything Must Go. Suddenly all the leaves must go. 07:14.000 --> 07:17.000It's weird. It wasn't named that till the last minute. 07:17.000 --> 07:21.000Either of them. Until stuff. Stuff has happened. 07:21.000 --> 07:25.000Sometimes I have to podcast kind of as a distraction. 07:25.000 --> 07:30.000A lot of my work is a distraction from what is going on in my life sometimes. 07:30.000 --> 07:33.000And I have to say, this is no exception. 07:35.000 --> 07:38.000So yes, you're all a distraction, you are. 07:38.000 --> 07:40.000I have to just focus on something. 07:40.000 --> 07:45.000And I have to say that Chemical Brothers remix at the time, I didn't really understand it. 07:45.000 --> 07:48.000I don't know. Maybe it's because I hadn't taken certain drugs then. 07:48.000 --> 07:55.000But there is a certain schizophrenic dissociation, losing, just kind of falling into something, 07:55.000 --> 07:57.000which I really connect with at the moment. 07:57.000 --> 08:00.000Especially the lyric, I look to the future and it makes me cry. 08:00.000 --> 08:05.000Because, hmm, anyway, the holiday was a success. 08:05.000 --> 08:10.000Jaunt 4. I mean, kind of. I managed to damage my knee. 08:10.000 --> 08:16.000I managed to stab my inflatable mattress with a pen knife accidentally on like day 2. 08:16.000 --> 08:19.000I started out with 24 hours of rain. 08:19.000 --> 08:23.000And I walked through lots of cow shit. 08:23.000 --> 08:25.000And in the end, I just wanted to get it done. 08:25.000 --> 08:27.000There was something else and I've forgotten it now. 08:27.000 --> 08:30.000There's three major events in it. 08:30.000 --> 08:32.000Everything's going wrong. 08:32.000 --> 08:34.000But it's done now. 08:34.000 --> 08:39.000I've now walked the whole of the Jurassic Coast from Swanage to Exmouth. 08:39.000 --> 08:41.000I'm not usually sure why. 08:41.000 --> 08:44.000I've done quite a bit of artwork. I'll blog about it. 08:44.000 --> 08:49.000But yeah, I don't expect one of those for a long time, unfortunately. 08:49.000 --> 08:52.000And the song, when I was just thriving at Exmouth. 08:52.000 --> 08:55.000And weirdly, I didn't listen to a lot of music on that trip. 08:55.000 --> 08:58.000I did a lot of walking. I did like 21 miles in one day. 08:58.000 --> 09:00.000I worked out. 09:00.000 --> 09:03.000I usually do that, working out how much I walk. 09:03.000 --> 09:05.000Because it's not going to rain, right? 09:05.000 --> 09:11.000But that was the day when they were going to close the ranges at Lulworth for like a week. 09:11.000 --> 09:16.000And so I wanted to get all my stuff done for that area around Tyneham. 09:16.000 --> 09:21.000But yeah, as I came down the steps from the cliffs at Exmouth, 09:21.000 --> 09:26.000which is my own destination, strangely, I mean, it was kind of getting evening. 09:26.000 --> 09:29.000But there was a bunch of people doing kind of Zumba or something. 09:29.000 --> 09:34.000It was some kind of exercising with kettlebells, but it's kind of aerobic Zumba type of things. 09:34.000 --> 09:40.000And the song they were playing was Freed from Desire, the 90s trance hit, 09:40.000 --> 09:43.000which was a really strange thing to come down to. 09:43.000 --> 09:45.000I was literally coming down to it. 09:45.000 --> 09:48.000And listening to the lyrics is kind of very appropriate, 09:48.000 --> 09:53.000because I was freed from my desire to walk the Jurassic coast at that very moment. 09:53.000 --> 09:57.000And so here's a very strange rock cover of it. 38:26.000 --> 38:36.000That was Elton John covering Nick Drake, which, I mean, Elton John doesn't do many covers anyway, but that's from a Warlock sampler. 38:36.000 --> 38:41.000Pre-fame, he did a whole load of songs for a record label. 38:41.000 --> 38:47.000So like a kind of a demo, but kind of like to show Warlock was representing Nick Drake and a few other people. 38:48.000 --> 38:51.000John Martin, I think, is on there as well, I think. There's a few people. 38:51.000 --> 38:58.000It's got Way Too Blue, Saturday Sun, a few others from Nick Drake, which is just amazing. 38:58.000 --> 39:04.000And apparently, Elton John, a while ago, sold the whole of his record collection and he kept two records. 39:04.000 --> 39:11.000One was his white album signed personally from The Beatles, and the other one was that record. 39:11.000 --> 39:17.000And because it's so rare, it's like a hundred, it's been bootlegged, but there's like a hundred only ever pressed. 39:17.000 --> 39:20.000But it goes to show you, I think he likes that record. 39:20.000 --> 39:25.000But it's never had official release, so we might get into trouble for playing that. 39:25.000 --> 39:27.000Do I care? Not really. 39:27.000 --> 39:30.000Then before that, we had Jimmy Webb. 39:30.000 --> 39:35.000I've been on another Jimmy Webb kick. I have to blame Rick Beato for that. 39:35.000 --> 39:41.000I interviewed Jimmy Webb, and I watched that before I went off on holidays, I think. 39:41.000 --> 39:51.000Really good interview, too short. It's only like an hour, but it just shows you how good Jimmy Webb is and how not ego-y and very down to earth he is. 39:51.000 --> 39:56.000And that's from his mid-70s solo career. 39:56.000 --> 40:00.000Of course, the date is wrong. That's from a compilation. 40:00.000 --> 40:04.000But he did an album about gliding, I think, really. He was really into his gliding. 40:04.000 --> 40:07.000Apparently, after he did up, up and away, he really got into gliding. 40:07.000 --> 40:11.000So there's a picture of him gliding on the front cover, and that's ocean in his eyes. 40:11.000 --> 40:13.000It mentions things like kites. 40:13.000 --> 40:17.000There's sort of a brilliant theme throughout of flight and things like that. 40:17.000 --> 40:23.000And then before that, we had from the 1980s, Typical, Bloody Typical, I think it's 81 or 82. 40:23.000 --> 40:27.000Quite the end of the Not The 9 O'clock News era. 40:27.000 --> 40:32.000That was quite a bug as you get because it isn't officially released, but it's on an Audible thing. 40:32.000 --> 40:35.000So I had to go through fun trying to convert it. 40:35.000 --> 40:41.000Obviously, it's a pisstake of Olivia Newton-John, rest in peace. 40:41.000 --> 40:46.000But I was singing that while I was on holiday. I was singing it all the time. 40:46.000 --> 40:48.000Typical, bloody typical. 40:48.000 --> 40:52.000Because I mean, I forgot the other thing as well. I got attacked by dogs. 40:52.000 --> 40:55.000So yeah, there was about three things that happened on holiday. 40:55.000 --> 40:59.000It got to a point where I was like, there's one more fucking thing I'm going home. 40:59.000 --> 41:01.000Luckily there wasn't, but yeah. 41:01.000 --> 41:05.000Probably the reason why it sort of just sort of, I raced to finish it. 41:05.000 --> 41:09.000I might go back to the era I did like it, what I saw, the bit I saw of Xmas. 41:09.000 --> 41:14.000I love Sidmus, so I might go back, but not for a long while. 41:14.000 --> 41:20.000And then before the nOt The 9 O'clock News, that was Pamela Stephenson on the vocals. 41:20.000 --> 41:27.000And then before that, we had a new DJNoNo, that's Barbara and the Jets on the Bimmelbahn. 41:27.000 --> 41:29.000Bimmelbahn, yeah. 41:29.000 --> 41:34.000It's a long explanation of that track as Elton John versus Buddy Poke versus Duck Sauce. 41:34.000 --> 41:40.000Now Bimmelbahn, Hallo Bimmelbahn is the original tune for Gotta Go Home by Boney M. 41:40.000 --> 41:44.000Boney M used the vocal riff and basically the whole of the backing track. 41:44.000 --> 41:46.000They just change the lyrics. 41:46.000 --> 41:51.000The original lyrics of Hallo Bimmelbahn or Bimmelbahn is weirdly about… 41:51.000 --> 41:57.000Bimmelbahn is one of those trackless trains, you know, those really cute ones that go on the road. 41:57.000 --> 42:01.000I was saying Land Train and Road Train, but they're kind of big trucks. 42:01.000 --> 42:04.000No, it's one of those little things you see in theme parks. 42:04.000 --> 42:07.000And it's about someone's lover leaving on one. 42:07.000 --> 42:11.000And the lyrics are quite sad, but it's weird. 42:11.000 --> 42:13.000It's not exactly Leaving On A Jet Plane. 42:13.000 --> 42:18.000So then that became Gotta Go Home by Boney M, which was then sampled by Duck Sauce. 42:19.000 --> 42:22.000And it seemed to work really well with Bennie and the Jets. 42:22.000 --> 42:29.000And so did you know, no, put that together and made it all about Barbara and Bennie on the Bimmelbahn? 42:29.000 --> 42:31.000Yes. 42:31.000 --> 42:34.000And it is kind of inspired. 42:34.000 --> 42:37.000I think when I was playing it there, I was like, actually it probably is. 42:37.000 --> 42:43.000It has been sort of inspired by the track before it, which is Titus Jones featuring the Will It Mash chat pod. 42:43.000 --> 42:45.000I might have helped. 42:45.000 --> 42:49.000The croc days are over. Florence and the Machine versus Elton John. 42:49.000 --> 42:51.000I think I suggested the Florence and the Machine. 42:51.000 --> 42:53.000And also I said, hasn't that been done before? 42:53.000 --> 42:55.000And then Titus tried it. 42:55.000 --> 42:58.000It was like, result, keep that. That's brilliant. 42:58.000 --> 43:00.000And so hence why it's credited to the Will It Mash chat pod. 43:00.000 --> 43:03.000He usually doesn't do those, but you could hear that was such a good song. 43:03.000 --> 43:04.000So I was like, yes. 43:04.000 --> 43:05.000Hence the quack. 43:05.000 --> 43:10.000You hear the Titus Jones and quack, and the quack represents the Will It Mash chat pod. 43:10.000 --> 43:14.000The Will It Mash being a Twitch channel where he mashes up live on stream. 43:14.000 --> 43:16.000I'm a regular on there. 43:16.000 --> 43:17.000Quack. 43:17.000 --> 43:19.000And yeah, that was going to be Elton John section. 43:19.000 --> 43:20.000I don't play enough Elton John. 43:20.000 --> 43:23.000I play bits on mashups. 43:23.000 --> 43:26.000Elton John mostly has passed me by. 43:26.000 --> 43:27.000I don't know why. 43:27.000 --> 43:29.000Maybe because I never really liked Tiny Dancer. 43:29.000 --> 43:31.000I'm not sure. 43:31.000 --> 43:35.000Then before that, we had Lobsterdust with Bonfire Vision. 43:35.000 --> 43:39.000I'm not exactly sure it's Childish Gambino versus something. 43:39.000 --> 43:42.000And I can't remember exactly what the dubstep is. 43:42.000 --> 43:47.000But yeah, I think I heard that or a version with Bonfire. 43:47.000 --> 43:48.000I think it was a version with Bonfire. 43:48.000 --> 43:52.000But I think I heard that on the PDSMix's summer camp, which is just finished. 43:52.000 --> 43:54.000Because it mentions a bit about summer camp. 43:54.000 --> 43:57.000I think someone did a mash with it and then they played that one. 43:57.000 --> 43:58.000Or I found it via that. 43:58.000 --> 44:01.000I was looking for mashups using the Bonfire vocal. 44:01.000 --> 44:02.000I just love that. 44:02.000 --> 44:06.000I'm going to burn everything you talk about. 44:06.000 --> 44:08.000Yes, I like the anger of that. 44:08.000 --> 44:10.000Then before that, similarly angry. 44:10.000 --> 44:13.000We have Vixoria Drift with I really like you. 44:13.000 --> 44:14.000Who gives a fuck? 44:14.000 --> 44:21.000A mix of Carly-Rae Jepsen, Nightwish, Lamb of God, Tate McRae, 44:21.000 --> 44:24.000and sort of a cast of millions. 44:24.000 --> 44:27.000I forgot somewhere else that was also in there. 44:27.000 --> 44:30.000But yeah, it's a whole bunch of things. 44:30.000 --> 44:33.000And that's from the new ish album, Vivid. 44:33.000 --> 44:36.000It's really difficult to do multi-layered. 44:36.000 --> 44:41.000So to multi-mash well in a way that it flows in a narrative. 44:41.000 --> 44:44.000And it's something I've been working on when I do my mashups. 44:44.000 --> 44:45.000It's not all of them. 44:45.000 --> 44:49.000It's one I threw out just before I left on holiday, which was a bit like, 44:49.000 --> 44:54.000but usually I try and work on that flow between the interplay. 44:54.000 --> 44:58.000And a lot of multi-mashes fail on that. 44:58.000 --> 44:59.000They just sound like a medley. 44:59.000 --> 45:03.000And what I like about that one is that does have that interplay where things 45:03.000 --> 45:04.000seem to relate to each other. 45:04.000 --> 45:07.000And they're not suddenly just switching to one thing. 45:07.000 --> 45:10.000It seems like a cohesive flow. 45:10.000 --> 45:14.000And there's a couple of tracks on the album, which are like that. 45:14.000 --> 45:18.000Whereas I thought the passages, there was far too much switching. 45:18.000 --> 45:20.000It sort of switched back and forth. 45:20.000 --> 45:22.000And it was a bit like, I'd be ready to gain something and going, 45:22.000 --> 45:23.000oh, that's really good. 45:23.000 --> 45:25.000And then they just switch. 45:25.000 --> 45:27.000Whereas this, it feels like it's sort of callbacks. 45:27.000 --> 45:30.000And it doesn't feel like you just suddenly switch the channel and, 45:30.000 --> 45:31.000oh, you know, bad luck. 45:31.000 --> 45:32.000That's gone. 45:32.000 --> 45:34.000And then, you know, a little bit, rather than, you know, 45:34.000 --> 45:39.000but then main, there's main bits of lamb and golden and whitewish, 45:39.000 --> 45:43.000nightwish and color A Jepsen and a little bit of Gaga and a little bit of this. 45:43.000 --> 45:49.000I think that works better than trying to do the sort of Mighty Mike, 45:49.000 --> 45:53.000Norwegian Recycling thing of you can set your clock by every 10, 45:53.000 --> 45:56.00020 seconds, switch to another diva, switch to another diva, switch to another diva, 45:56.000 --> 45:58.000that I'm not a fan of. 45:58.000 --> 46:00.000And it's really difficult. 46:00.000 --> 46:03.000Earworm was very good at it. 46:03.000 --> 46:06.000Girl Talk wasn't. 46:06.000 --> 46:08.000So it's not an easy thing to do. 46:08.000 --> 46:10.000And I really think that album is a step forward. 46:10.000 --> 46:12.000That's a good idea. 46:12.000 --> 46:15.000Before that, we had Freed from Desire, 46:15.000 --> 46:18.000Gala cover from We Hate You, Please Die, 46:18.000 --> 46:20.000which is a brilliant name for a band. 46:20.000 --> 46:22.000When was that from? 46:22.000 --> 46:23.0002020. 46:23.000 --> 46:25.000I think I found that on there. 46:25.000 --> 46:29.000Yeah, it was a bunch of COVID related, anti-COVID covers, 46:29.000 --> 46:32.000Six Sad World, Vol 1 is on Bandcamp. 46:32.000 --> 46:36.000I was looking for Freed from Desire covers and I found that went perfect. 46:36.000 --> 46:37.000Yeah. 46:37.000 --> 46:41.000And I think that Lobsterdust is from 2011, although it's dated 2021, 46:41.000 --> 46:43.000but it's as Extraterrestrial 2011. 46:43.000 --> 46:46.000So I don't know when the childish Gambino came out. 46:46.000 --> 46:48.000It's not that new, but who knows? 46:48.000 --> 46:50.000Who knows? 46:50.000 --> 46:53.000So we're going to play some more mashups. 46:53.000 --> 46:54.000Whoa. 46:54.000 --> 46:55.000I know, right? 46:55.000 --> 47:00.000And this is by someone digging a lot recently. 47:00.000 --> 47:02.000That's Sir Hank. 47:02.000 --> 47:04.000And this is Jump Around with Big Energy. 47:04.000 --> 47:05.000And I didn't know. 47:05.000 --> 47:08.000It's one of those cases where I didn't really know the vocal. 47:08.000 --> 47:11.000And I heard it and went, oh, that's perfect. 47:11.000 --> 47:13.000That is absolutely perfect. 47:13.000 --> 47:16.000You know, it's like the combination of the two things, 47:16.000 --> 47:19.000because there's been so many Jump Around mashups, 47:19.000 --> 47:23.000but not, not, not like this. 01:25:43.000 --> 01:25:45.000Finally 01:25:45.000 --> 01:25:47.000I have been 01:25:47.000 --> 01:25:49.000looking for a track from 01:25:49.000 --> 01:25:51.000Black Eye, another track 01:25:51.000 --> 01:25:53.000but there was an instrumental 01:25:53.000 --> 01:25:55.000sort of theme released by Mort Garson 01:25:55.000 --> 01:25:57.000on a compilation a long 01:25:57.000 --> 01:25:59.000time ago. I was like I couldn't believe that 01:25:59.000 --> 01:26:01.000a film scored by Mort Garson and was only 01:26:01.000 --> 01:26:03.000one tune 01:26:03.000 --> 01:26:05.000and finally 01:26:05.000 --> 01:26:07.000on the journey to the moon 01:26:07.000 --> 01:26:09.000and beyond was released very recently 01:26:09.000 --> 01:26:11.000I think it was just a few months ago 01:26:11.000 --> 01:26:13.000or a month ago. We have Black Eye 01:26:13.000 --> 01:26:15.000end credits because I think the other one 01:26:15.000 --> 01:26:17.000was like in maybe the intro 01:26:17.000 --> 01:26:19.000theme. I just knew 01:26:19.000 --> 01:26:21.000I've been searching for it for years. I was like 01:26:21.000 --> 01:26:23.000Mort Garson and Black Eye on Soulseek 01:26:23.000 --> 01:26:25.000yes I do still use Soulseek 01:26:25.000 --> 01:26:27.000and that just popped up and went 01:26:27.000 --> 01:26:29.000what what we've actually got a Black Eye 01:26:29.000 --> 01:26:31.000you know not the 01:26:31.000 --> 01:26:33.000just the one that was excellent 01:26:33.000 --> 01:26:35.000and I do recommend the journey to the moon 01:26:35.000 --> 01:26:37.000and beyond. There's the NASA 01:26:37.000 --> 01:26:39.000he did the official 01:26:39.000 --> 01:26:41.000music to this 01:26:41.000 --> 01:26:43.000moon landing 01:26:43.000 --> 01:26:45.000and there's various other things on there 01:26:45.000 --> 01:26:47.000but yes it's a bit of a mixed bag as it always 01:26:47.000 --> 01:26:49.000is with Mort Garson 01:26:49.000 --> 01:26:51.000but that was worth it alone 01:26:51.000 --> 01:26:53.000just for that. That was beautiful. Soulful 01:26:53.000 --> 01:26:55.000and kind of like almost 01:26:55.000 --> 01:26:57.000disco. I mean there was a disco section 01:26:57.000 --> 01:26:59.000it's kind of a good way to end a disco section 01:26:59.000 --> 01:27:01.000though what was before was Marc 01:27:01.000 --> 01:27:03.000Johnce with I Can See Discoproof 01:27:03.000 --> 01:27:05.000Daisies that was released literally a day 01:27:05.000 --> 01:27:07.000or so ago or a couple 01:27:07.000 --> 01:27:09.000days ago. It's very new 01:27:09.000 --> 01:27:11.000new shit that's LaRoux 01:27:11.000 --> 01:27:13.000Bulletproof versus Chromeo 01:27:13.000 --> 01:27:15.000versus Taylor Swift versus Kylie Minogue 01:27:15.000 --> 01:27:17.000a bit Tension in there. I've not listened to 01:27:17.000 --> 01:27:19.000tension but I've been hearing all the queens going 01:27:19.000 --> 01:27:21.000on about it so I need to listen to Tension 01:27:21.000 --> 01:27:23.000Katy Perry's 01:27:23.000 --> 01:27:25.000Daisies and Jesse Ware 01:27:25.000 --> 01:27:27.000I'm not sure what the Jesse Ware is but I love the 01:27:27.000 --> 01:27:29.000Katy Perry's Daisies. The question is where's the magic 01:27:29.000 --> 01:27:31.000gone and why did we put all our 01:27:31.000 --> 01:27:33.000dreams in the attic. Yes 01:27:33.000 --> 01:27:35.000and then before that we had 01:27:35.000 --> 01:27:37.000I mean you can't have a disco section without Say 01:27:37.000 --> 01:27:39.000She She that's NORMA 01:27:39.000 --> 01:27:41.000which was their response to 01:27:41.000 --> 01:27:43.000the 01:27:43.000 --> 01:27:45.000rolling back of the abortion laws 01:27:45.000 --> 01:27:47.000in America. Obviously Norma 01:27:47.000 --> 01:27:49.000is referencing Jane Roe 01:27:49.000 --> 01:27:51.000who was Norma McCorvey 01:27:51.000 --> 01:27:53.000who was the 01:27:53.000 --> 01:27:55.000Jane Roe in Roe versus Wade 01:27:55.000 --> 01:27:57.000and so as they called it 01:27:57.000 --> 01:27:59.000Norma in capitals but it's 01:27:59.000 --> 01:28:01.000a good song of resistance anyway 01:28:01.000 --> 01:28:03.000but yeah it'd be fucked at the moment 01:28:03.000 --> 01:28:05.000and things need to change 01:28:05.000 --> 01:28:07.000I've been locking horns 01:28:07.000 --> 01:28:09.000with the Gender Critical lot 01:28:09.000 --> 01:28:11.000on Bluesky of all places 01:28:11.000 --> 01:28:13.000I mean they're on Twitter, you expect that 01:28:13.000 --> 01:28:15.000to come on Twitter but 01:28:15.000 --> 01:28:17.000they're on Bluesky and putting out 01:28:17.000 --> 01:28:19.000their dumb people are going to rape you in the 01:28:19.000 --> 01:28:21.000toilets type stuff and you're like oh for fuck's sake 01:28:21.000 --> 01:28:23.000there's a 01:28:23.000 --> 01:28:25.000really good video series which I've posted on 01:28:25.000 --> 01:28:27.000RadioClash.com by Caelan Conrad 01:28:27.000 --> 01:28:29.000which kind of a long 01:28:29.000 --> 01:28:31.000time ago I posted an alt-right 01:28:31.000 --> 01:28:33.000playbook video series 01:28:33.000 --> 01:28:35.000where they go through 01:28:35.000 --> 01:28:37.000you know this is what they do, this is the tactics 01:28:37.000 --> 01:28:39.000this is the strategy, this is the scripts 01:28:39.000 --> 01:28:41.000here we are, same thing 01:28:41.000 --> 01:28:43.000very useful, I would really recommend 01:28:43.000 --> 01:28:45.000it's five hours, it's long 01:28:45.000 --> 01:28:47.000but I think it'd be a, horrified and be 01:28:47.000 --> 01:28:49.000very much informed into 01:28:49.000 --> 01:28:51.000what they're trying to do 01:28:51.000 --> 01:28:53.000to 'peak' you as in that's their word 01:28:53.000 --> 01:28:55.000for redpilling you 01:28:55.000 --> 01:28:57.000make people into 01:28:57.000 --> 01:28:59.000bring them into their cult 01:28:59.000 --> 01:29:01.000and it is really, I mean 01:29:01.000 --> 01:29:03.000is it really a cult? No it is 01:29:03.000 --> 01:29:05.000the person who deep dived it called it a cult 01:29:05.000 --> 01:29:07.000and you see his information 01:29:07.000 --> 01:29:09.000and all the receipts and all the screenshots 01:29:09.000 --> 01:29:11.000and also when you go yeah that's pretty culty 01:29:11.000 --> 01:29:13.000so yeah it's not 01:29:13.000 --> 01:29:15.000necessarily what it seems 01:29:15.000 --> 01:29:17.000all this sort of 'concerned about women' 01:29:17.000 --> 01:29:19.000their misogynists and 01:29:19.000 --> 01:29:21.000hemophobes and transphobes and the whole lot 01:29:21.000 --> 01:29:23.000and racists and ableists and all 01:29:23.000 --> 01:29:25.000the whole lot of shit 01:29:25.000 --> 01:29:27.000yes 01:29:27.000 --> 01:29:29.000I try and do my public service 01:29:29.000 --> 01:29:31.000by you know facing up on stuff like that 01:29:31.000 --> 01:29:33.000because it's an unending battle 01:29:33.000 --> 01:29:35.000but interesting thing 01:29:35.000 --> 01:29:37.000was is that the person just went off on me 01:29:37.000 --> 01:29:39.000and looked truly bad 01:29:39.000 --> 01:29:41.000which is great 01:29:41.000 --> 01:29:43.000usually I'm the bad one for that 01:29:43.000 --> 01:29:45.000so I'm wary of doing it because I'm like 01:29:45.000 --> 01:29:47.000oh yeah 01:29:47.000 --> 01:29:49.000you don't want to kind of be able to point to you 01:29:49.000 --> 01:29:51.000and go oh look look that's a classic 01:29:51.000 --> 01:29:53.000trans rights activist 01:29:53.000 --> 01:29:55.000there we are, we can see them 01:29:55.000 --> 01:29:57.000they just get really annoyed 01:29:57.000 --> 01:29:59.000because I was a calm one and they're the one who pulled out the ad homs 01:29:59.000 --> 01:30:01.000and stuff and they're like I win, bye 01:30:01.000 --> 01:30:03.000I was being civil 01:30:03.000 --> 01:30:05.000you're a dick 01:30:05.000 --> 01:30:07.000and you're probably a sock puppet as well 01:30:07.000 --> 01:30:09.000I'm pretty sure you're not who you say you are 01:30:09.000 --> 01:30:11.000but you know it's so funny 01:30:11.000 --> 01:30:13.000that we're complaining about people masking up 01:30:13.000 --> 01:30:15.000and they just had some random pictures 01:30:15.000 --> 01:30:17.000of probably Antifa 01:30:17.000 --> 01:30:19.000I think 01:30:19.000 --> 01:30:21.000oh look at these trans rights activists hiding their face 01:30:21.000 --> 01:30:23.000and of course on their profile no face 01:30:23.000 --> 01:30:25.000no public information 01:30:25.000 --> 01:30:27.000like I think you are a probably 01:30:27.000 --> 01:30:29.000a Russian sock puppet 01:30:29.000 --> 01:30:31.000say hi to Putin 01:30:31.000 --> 01:30:33.000yeah 01:30:33.000 --> 01:30:35.000and before that 01:30:35.000 --> 01:30:37.000we had Fumboy3, Our Lips Are Sealed 01:30:37.000 --> 01:30:39.000we had a special remix version 01:30:39.000 --> 01:30:41.000with all the kiss from an enemy bits 01:30:41.000 --> 01:30:43.000like was that Neville? 01:30:43.000 --> 01:30:45.000and that's played because I went to Duckie 01:30:45.000 --> 01:30:47.000I went to the last Duckie 01:30:47.000 --> 01:30:49.000the last weekly Duckie 01:30:49.000 --> 01:30:51.000ever I think 01:30:51.000 --> 01:30:53.000they've stopped doing the weekly things 01:30:53.000 --> 01:30:55.000and they've now gone to monthly 01:30:55.000 --> 01:30:57.000which is kind of an end of their era 01:30:57.000 --> 01:30:59.000and they ended on the track before 01:30:59.000 --> 01:31:01.000though not that version 01:31:01.000 --> 01:31:03.000they ended on sOft Cell's Say Hello Wave Goodbye 01:31:03.000 --> 01:31:05.000but also they played Our Lips Are Sealed 01:31:05.000 --> 01:31:07.000and that is a 01:31:07.000 --> 01:31:09.000for me listening to the lyrics 01:31:09.000 --> 01:31:11.000I love the lyrics 01:31:11.000 --> 01:31:13.000'there is a weapon to our defence silence' 01:31:13.000 --> 01:31:15.000and there I go to Duckie 01:31:15.000 --> 01:31:17.000and I don't really speak to anyone 01:31:17.000 --> 01:31:19.000I just dance 01:31:19.000 --> 01:31:21.000I try and have a good time 01:31:21.000 --> 01:31:23.000and it's slightly weird 01:31:23.000 --> 01:31:25.000I had a good conversation afterwards 01:31:25.000 --> 01:31:27.000with an Irish bear actually 01:31:27.000 --> 01:31:29.000weirdly in the park 01:31:29.000 --> 01:31:31.000but yeah 01:31:31.000 --> 01:31:33.000the way it is with that place 01:31:33.000 --> 01:31:35.000and not really fitting in 01:31:35.000 --> 01:31:37.000but then kind of that is a power 01:31:37.000 --> 01:31:39.000in a way as well 01:31:39.000 --> 01:31:41.000and then before that we had Salon Music 01:31:41.000 --> 01:31:43.000with Say Hello Wave Goodbye 01:31:43.000 --> 01:31:45.000and yes 01:31:45.000 --> 01:31:47.000that is Sparks in there 01:31:47.000 --> 01:31:49.000around 1988 they visited Japan 01:31:49.000 --> 01:31:51.000and we were fans of Salon Music 01:31:51.000 --> 01:31:53.000cut from the album O Boy 01:31:53.000 --> 01:31:55.000and they did that cover 01:31:55.000 --> 01:31:57.000and they appear in the middle of it 01:31:57.000 --> 01:31:59.000but Salon were more 01:31:59.000 --> 01:32:01.000kind of shoegazy 01:32:01.000 --> 01:32:03.000I would say shoegazy rock 01:32:03.000 --> 01:32:05.000that's a little bit pop for them 01:32:05.000 --> 01:32:07.000but I like it a lot 01:32:07.000 --> 01:32:09.000then before that we had an old remix 01:32:09.000 --> 01:32:11.000that's from 2007 01:32:11.000 --> 01:32:13.000that's Copycat with Enjoy or Leave in Silence 01:32:13.000 --> 01:32:15.000it's a Depeche Mode vs Depeche Mode mashup 01:32:15.000 --> 01:32:17.000but you don't get anyone 01:32:17.000 --> 01:32:19.000doing mashups of Leave in Silence 01:32:19.000 --> 01:32:21.000so I'm playing it 01:32:21.000 --> 01:32:23.000because I mean there was a whole 80's section there 01:32:23.000 --> 01:32:25.000a random 80's section 01:32:25.000 --> 01:32:27.000but yeah you just 01:32:27.000 --> 01:32:29.000you get loads of Enjoy the Silence 01:32:29.000 --> 01:32:31.000and no Leave In Silence mashups 01:32:31.000 --> 01:32:33.000even though it's a perfect thing 01:32:33.000 --> 01:32:35.000yeah to sort of mash the two together 01:32:35.000 --> 01:32:37.000but also why does everyone mash 01:32:37.000 --> 01:32:39.000Personal Jesus 01:32:39.000 --> 01:32:41.000Enjoy the Silence 01:32:41.000 --> 01:32:43.000usually just enjoy the Silence actually 01:32:43.000 --> 01:32:45.000and maybe Just Can't Get Enough 01:32:45.000 --> 01:32:47.000it's kind of annoying as a Depeche Mode fan 01:32:47.000 --> 01:32:49.000that people don't mash other songs so much 01:32:49.000 --> 01:32:51.000a few people do 01:32:51.000 --> 01:32:53.000you know who you are 01:32:53.000 --> 01:32:55.000but not so many general mashups 01:32:55.000 --> 01:32:57.000which is a bit sad 01:32:57.000 --> 01:32:59.000and when a new album comes out 01:32:59.000 --> 01:33:01.000there's a few of those 01:33:01.000 --> 01:33:03.000but yeah it's always kind of the same 01:33:03.000 --> 01:33:05.0003, 2, 3 Personal Jesus, Enjoy the Silence 01:33:05.000 --> 01:33:07.000Just Can't Get Enough 01:33:07.000 --> 01:33:09.000so it's nice to hear 01:33:09.000 --> 01:33:11.000a rarely mashed song 01:33:11.000 --> 01:33:13.000and very strange I have to say 01:33:13.000 --> 01:33:15.000it's kind of a bit of a remix 01:33:15.000 --> 01:33:17.000and some very strange off beats in there 01:33:17.000 --> 01:33:19.000it was an interesting one to mix 01:33:19.000 --> 01:33:21.000then before that 01:33:21.000 --> 01:33:23.000we had Pet Shop Boys I'm Not Scared 01:33:23.000 --> 01:33:25.000from Introspective 01:33:25.000 --> 01:33:27.0001968 which is their 01:33:27.000 --> 01:33:29.000version of the 01:33:29.000 --> 01:33:31.000Patsy Kensit 8th Wonder 01:33:31.000 --> 01:33:33.000hit and I actually prefer 01:33:33.000 --> 01:33:35.000it very much sums up the time 01:33:35.000 --> 01:33:37.000they've got these 1968 01:33:37.000 --> 01:33:39.000sort of French student protests 01:33:39.000 --> 01:33:41.000in there and 01:33:41.000 --> 01:33:43.000yeah I went on a Pet Shop Boys kick 01:33:43.000 --> 01:33:45.000and you'll hear some more Pet Shop Boys in a little bit 01:33:45.000 --> 01:33:47.000I'm not sure why 01:33:47.000 --> 01:33:49.000it's kind of just 01:33:49.000 --> 01:33:51.000regularly do that 01:33:51.000 --> 01:33:53.000check out what they're up to 01:33:53.000 --> 01:33:55.000stuff is, what the older stuff is 01:33:55.000 --> 01:33:57.000and I was like I haven't played 01:33:57.000 --> 01:33:59.000I'm Not Scared by Pet Shop Boys in the podcast 01:33:59.000 --> 01:34:01.000I was like why, why? 01:34:01.000 --> 01:34:03.000it is one of my favourite songs of all time 01:34:03.000 --> 01:34:05.000and then before that 01:34:05.000 --> 01:34:07.000we had DJ Giac with West Heathens 01:34:07.000 --> 01:34:09.000Twenty One Pilots vs Pet Shop Boys 01:34:09.000 --> 01:34:11.000that's the 01:34:11.000 --> 01:34:13.000special slow down version 01:34:13.000 --> 01:34:15.000of Pet Shop Boys 01:34:15.000 --> 01:34:17.000by the Shanti Capturing the Light 01:34:17.000 --> 01:34:19.000of Down Remix I looked it up 01:34:19.000 --> 01:34:21.000on Remix.audio 01:34:21.000 --> 01:34:23.000and that sort of slow groove 01:34:23.000 --> 01:34:25.000and then at the start we had 01:34:25.000 --> 01:34:27.000again a sort of an 80s thing 01:34:27.000 --> 01:34:29.000because although 01:34:29.000 --> 01:34:31.000House of Pain vs Latto doesn't sound very 80s 01:34:31.000 --> 01:34:33.000Latto sampled Tom Tom Club 01:34:33.000 --> 01:34:35.000more than sampled like Interpolated 01:34:35.000 --> 01:34:37.000did a whole vocal thing with it 01:34:37.000 --> 01:34:39.000Big Dick Energy 01:34:39.000 --> 01:34:41.000although I think that's the polite version 01:34:41.000 --> 01:34:43.000Big Big Energy 01:34:43.000 --> 01:34:45.000and as she explained Big Dick Energy 01:34:45.000 --> 01:34:47.000is for everyone 01:34:47.000 --> 01:34:49.000not necessarily those with dicks 01:34:49.000 --> 01:34:51.000but I kind of 01:34:51.000 --> 01:34:53.000I wouldn't say I didn't know that track 01:34:53.000 --> 01:34:55.000I kind of came across it at some point 01:34:55.000 --> 01:34:57.000but I've forgotten about it 01:34:57.000 --> 01:34:59.000and it works so well with 01:34:59.000 --> 01:35:01.000House of Pain Jump Around 01:35:01.000 --> 01:35:03.000Jump Around with Big Dick Energy 01:35:03.000 --> 01:35:05.000yes 01:35:05.000 --> 01:35:07.000jump around with Big Dick Energy 01:35:07.000 --> 01:35:09.000but that's the G-rated version 01:35:09.000 --> 01:35:11.000so I'm going to go more 01:35:11.000 --> 01:35:13.000into a track, a new track 01:35:13.000 --> 01:35:15.000by Mark 01:35:15.000 --> 01:35:17.000David Hadley 01:35:17.000 --> 01:35:19.000all of them out, you can find it on 01:35:19.000 --> 01:35:21.000Bandcamp 01:35:21.000 --> 01:35:23.000is it Sound by Mark, I think it's called 01:35:23.000 --> 01:35:25.000yeah soundbymark 01:35:25.000 --> 01:35:27.000on Bandcamp.com 01:35:27.000 --> 01:35:29.000and it's a new album called Through Trains 01:35:29.000 --> 01:35:31.000although interestingly the one 01:35:31.000 --> 01:35:33.000one of the ones, not this one 01:35:33.000 --> 01:35:35.000but one of the ones I heard 01:35:35.000 --> 01:35:37.000remind me more of sailing on my dad's boat 01:35:37.000 --> 01:35:39.000apparently my dad was just sold 01:35:39.000 --> 01:35:41.000I didn't realize he'd sold his boat 01:35:41.000 --> 01:35:43.000which is a bit sad 01:35:43.000 --> 01:35:45.000but this is a bit more of a darker one 01:35:45.000 --> 01:35:47.000and this is Echoes 01:35:47.000 --> 01:35:49.000off the album 02:17:05.000 --> 02:17:07.000That was Brown Dust 02:17:07.000 --> 02:17:09.000yes that is the name of the band 02:17:09.000 --> 02:17:11.000terrible name 02:17:11.000 --> 02:17:13.000with Autumn from 02:17:13.000 --> 02:17:15.0001972 02:17:15.000 --> 02:17:17.000I don't know if that's a cover or not 02:17:17.000 --> 02:17:19.000but it seemed appropriate for the end of summer 02:17:19.000 --> 02:17:21.000in the start of autumn 02:17:21.000 --> 02:17:23.000and then before that we had 02:17:23.000 --> 02:17:25.000Cara Dillon from Cara Dillon 02:17:25.000 --> 02:17:27.0002001 that's I Am A Youth That's 02:17:27.000 --> 02:17:29.000Inclined To Ramble and I am 02:17:29.000 --> 02:17:31.000well I'm not a youth I'm an old man 02:17:31.000 --> 02:17:33.000that's inclined to ramble but 02:17:33.000 --> 02:17:35.000yeah 02:17:35.000 --> 02:17:37.000that's such a beautiful song it moves me to tears that song 02:17:37.000 --> 02:17:39.000it's a very very old 02:17:39.000 --> 02:17:41.00018th century 02:17:41.000 --> 02:17:43.000I think Scottish tune 02:17:43.000 --> 02:17:45.000Scottish Irish 02:17:45.000 --> 02:17:47.000yeah it is a very old traditional tune 02:17:47.000 --> 02:17:49.000then before that we had 02:17:49.000 --> 02:17:51.000Lil Peep 02:17:51.000 --> 02:17:53.000with Life Is Beautiful 02:17:53.000 --> 02:17:55.000which came out after he died I think 02:17:55.000 --> 02:17:57.000from Come Over When You're Sober Part 2 02:17:57.000 --> 02:17:59.000I have to say I kind of avoided 02:17:59.000 --> 02:18:01.000I knew of Lil Peep 02:18:01.000 --> 02:18:03.000because vice articles 02:18:03.000 --> 02:18:05.000and all these people talking about 02:18:05.000 --> 02:18:07.000this new person 02:18:07.000 --> 02:18:09.000but there does seem to be a bunch of 02:18:09.000 --> 02:18:11.000I'm really just getting older 02:18:11.000 --> 02:18:13.000but a bunch of rappers that died 02:18:13.000 --> 02:18:15.000before they even really made it 02:18:15.000 --> 02:18:17.000I had a few mixtapes or one album 02:18:17.000 --> 02:18:19.000and then they were gone 02:18:19.000 --> 02:18:21.000and he's one of those 02:18:21.000 --> 02:18:23.000referenced a lot of Cobain 02:18:23.000 --> 02:18:25.000it's all a bit kind of 02:18:25.000 --> 02:18:27.000worryingly self perpetuating 02:18:27.000 --> 02:18:29.000when someone's idolising Cobain 02:18:29.000 --> 02:18:31.000and then they die young themselves 02:18:31.000 --> 02:18:33.000it's not the 27 club anymore 02:18:33.000 --> 02:18:35.000it's like the 21 club or the 02:18:35.000 --> 02:18:37.00019 club or the 22 club isn't it 02:18:37.000 --> 02:18:39.000the 27 grandad compared to 02:18:39.000 --> 02:18:41.000some of these 02:18:41.000 --> 02:18:43.000and before that we had 02:18:43.000 --> 02:18:45.000Stick In The Wheel With Parasite 02:18:45.000 --> 02:18:47.000which is from 02:18:47.000 --> 02:18:49.000I've been trying not to play all of The Endless 02:18:49.000 --> 02:18:51.000Coloured Ways 02:18:51.000 --> 02:18:53.000The Songs of Nick Drake compilation 02:18:53.000 --> 02:18:55.000but it is one of my favourites 02:18:55.000 --> 02:18:57.000even though it's so bleak and it is a bleak song 02:18:57.000 --> 02:18:59.000it's hard listening 02:18:59.000 --> 02:19:01.000and then before that we had Fissunix 02:19:01.000 --> 02:19:03.000with Is Schubert A Crime 02:19:03.000 --> 02:19:05.000Sade versus 02:19:05.000 --> 02:19:07.000Thylacine 02:19:07.000 --> 02:19:09.000who did that 02:19:09.000 --> 02:19:11.000originally Wendy Carlos thing 02:19:11.000 --> 02:19:13.000but also William Orbit 02:19:13.000 --> 02:19:15.000of taking a bunch of 02:19:15.000 --> 02:19:17.000classical tunes 02:19:17.000 --> 02:19:19.000and doing some ambient 02:19:19.000 --> 02:19:21.000trance music with it 02:19:21.000 --> 02:19:23.000that works very well 02:19:23.000 --> 02:19:25.000there isn't enough Schubert in mashups 02:19:25.000 --> 02:19:27.000I do like to 02:19:27.000 --> 02:19:29.000as I said it before 02:19:29.000 --> 02:19:31.000I do like to creep 02:19:31.000 --> 02:19:33.000sneak classical music 02:19:33.000 --> 02:19:35.000into things 02:19:35.000 --> 02:19:37.000it's like a spoonful of sugar just underneath the door 02:19:37.000 --> 02:19:39.000for a little bit of classical music 02:19:39.000 --> 02:19:41.000and yeah we just sort of sneak it in there 02:19:41.000 --> 02:19:43.000take all the posh things and sort of 02:19:43.000 --> 02:19:45.000put them in the liquidiser 02:19:45.000 --> 02:19:47.000and put them into milkshake secretly 02:19:47.000 --> 02:19:49.000that's what we like to do 02:19:49.000 --> 02:19:51.000a little bit of art around here 02:19:51.000 --> 02:19:53.000and then before that we had Pet Shop Boys Invisible 02:19:53.000 --> 02:19:55.000which is from Elysium 02:19:55.000 --> 02:19:57.000from 2017 02:19:57.000 --> 02:19:59.000well that was 02:19:59.000 --> 02:20:01.000at least it was Further Listening than 2017 02:20:01.000 --> 02:20:03.000but I think it was actually 2011 or 2012 02:20:03.000 --> 02:20:05.000something like that 02:20:05.000 --> 02:20:07.000some point in the 11's 02:20:07.000 --> 02:20:09.000and that is about 02:20:09.000 --> 02:20:11.000basically being gay 02:20:11.000 --> 02:20:13.000and over 50 and being invisible and gay bars 02:20:13.000 --> 02:20:15.000which you know obviously 02:20:15.000 --> 02:20:17.000I just talked about Duckie 02:20:17.000 --> 02:20:19.000and that sort of thing of where 02:20:19.000 --> 02:20:21.000yeah it's a younger generation 02:20:21.000 --> 02:20:23.000you don't exist it's like an invisibility cloak 02:20:23.000 --> 02:20:25.000it happens to older women 02:20:25.000 --> 02:20:27.000it happens to gay men 02:20:27.000 --> 02:20:29.000they're just like hello we're over here no 02:20:29.000 --> 02:20:31.000they actually literally bump into me as if like I'm 02:20:31.000 --> 02:20:33.000that's when it gets a bit much 02:20:33.000 --> 02:20:35.000when they actually walk into you as if like 02:20:35.000 --> 02:20:37.000you are literally invisible 02:20:37.000 --> 02:20:39.000that's like 02:20:39.000 --> 02:20:41.000hmm and I'm not your target market 02:20:41.000 --> 02:20:43.000and I'm not interested in 20 year olds either 02:20:43.000 --> 02:20:45.000so you know it works best ways 02:20:45.000 --> 02:20:47.000it's a bit offensive when they're like 02:20:47.000 --> 02:20:49.000it's to walk into you as if like you 02:20:49.000 --> 02:20:51.000aren't even there 02:20:51.000 --> 02:20:53.000and scowl at you like it's your fault 02:20:53.000 --> 02:20:55.000it's like I'm not the one who's completely 02:20:55.000 --> 02:20:57.000twatted 02:20:57.000 --> 02:20:59.000then before that we had The Arrangement 02:20:59.000 --> 02:21:01.000by Joni Mitchell from 02:21:01.000 --> 02:21:03.0001970's Ladies of the Canyon 02:21:03.000 --> 02:21:05.000there's two songs there 02:21:05.000 --> 02:21:07.000very linked well there's like three 02:21:07.000 --> 02:21:09.000I suppose Invisible 02:21:09.000 --> 02:21:11.000The Arrangement which is about 02:21:11.000 --> 02:21:13.000how people sort of sell 02:21:13.000 --> 02:21:15.000their dreams down the river 02:21:15.000 --> 02:21:17.000for a life in the suburbs 02:21:17.000 --> 02:21:19.000and then before that 02:21:19.000 --> 02:21:21.000Jimmy Webb's song Pocketful of Keys 02:21:21.000 --> 02:21:23.000I wanted to play Thelma Houston 02:21:23.000 --> 02:21:25.000because Thelma Houston before she was all Disco 02:21:25.000 --> 02:21:27.000she did an album with 02:21:27.000 --> 02:21:29.000Jimmy Webb but I can't because 02:21:29.000 --> 02:21:31.000I guess who big bad 02:21:31.000 --> 02:21:33.000record company but 02:21:33.000 --> 02:21:35.000that version isn't 02:21:35.000 --> 02:21:37.000and I think it's more interesting and more 02:21:37.000 --> 02:21:39.000not really well known that Doug Ashton 02:21:39.000 --> 02:21:41.000with Pocketful of Keys from 02:21:41.000 --> 02:21:43.0001977's Empty Without You 02:21:43.000 --> 02:21:45.000and Pocketful of Keys 02:21:45.000 --> 02:21:47.000is all about a similar sort of alienation 02:21:47.000 --> 02:21:49.000I love the fact that it's like 02:21:49.000 --> 02:21:51.000jangle the Pocketful of Keys 02:21:51.000 --> 02:21:53.000makes the spider scuttle away 02:21:53.000 --> 02:21:55.000you just get a very visible idea that 02:21:55.000 --> 02:21:57.000there's nothing in the mailbox 02:21:57.000 --> 02:21:59.000it hasn't been for a long time for the spiders 02:21:59.000 --> 02:22:01.000in there 02:22:01.000 --> 02:22:03.000very lonely existence 02:22:03.000 --> 02:22:05.000then before that 02:22:05.000 --> 02:22:07.000interestingly from the album called 1977 02:22:07.000 --> 02:22:09.000I don't remember there's a link there 02:22:09.000 --> 02:22:11.000that's Music's Éire 02:22:11.000 --> 02:22:13.000and yeah I'm liking 02:22:13.000 --> 02:22:15.000what I'm hearing from that album 02:22:15.000 --> 02:22:17.000and at the start of the section we heard 02:22:17.000 --> 02:22:19.000Echoes Mark David Hadley 02:22:19.000 --> 02:22:21.000from the recent album Through Trains 02:22:21.000 --> 02:22:23.000Check It Out 02:22:23.000 --> 02:22:25.000I need to feature it on the 02:22:25.000 --> 02:22:27.000I'm very bad at featuring things on blogs 02:22:27.000 --> 02:22:29.000I launched it when I was away 02:22:29.000 --> 02:22:31.000but there's two or three I specifically like 02:22:31.000 --> 02:22:33.000and there'll be one of two to 02:22:33.000 --> 02:22:35.000play in future podcasts 02:22:35.000 --> 02:22:37.000and thank you Mark for giving me a copy of that 02:22:37.000 --> 02:22:39.000and I hope 02:22:39.000 --> 02:22:41.000people go and check it out because 02:22:41.000 --> 02:22:43.000Mark is 02:22:43.000 --> 02:22:45.000I've said so many times before 02:22:45.000 --> 02:22:47.000someone I'm out on my art degree 02:22:47.000 --> 02:22:49.000and has always been a musician 02:22:49.000 --> 02:22:51.000and into making 02:22:51.000 --> 02:22:53.000sound sculptures 02:22:53.000 --> 02:22:55.000and sound pieces 02:22:55.000 --> 02:22:57.000and musical pieces 02:22:57.000 --> 02:22:59.000is very talented I have 02:22:59.000 --> 02:23:01.000there's a couple of people I knew 02:23:01.000 --> 02:23:03.000you work with musically 02:23:03.000 --> 02:23:05.000Sean was the other one 02:23:05.000 --> 02:23:07.000who was just so talented musically 02:23:07.000 --> 02:23:09.000it was quite spooky 02:23:09.000 --> 02:23:11.000there I am 02:23:11.000 --> 02:23:13.000playing one finger keyboard 02:23:13.000 --> 02:23:15.000not saying I was in a band 02:23:15.000 --> 02:23:17.000but the closest thing I came to being in a band 02:23:17.000 --> 02:23:19.000I suppose working on experimental music 02:23:19.000 --> 02:23:21.000the Nether Edge Experimental Music Collective 02:23:21.000 --> 02:23:23.000N-E-E-M-C 02:23:23.000 --> 02:23:25.000yes there's more clanging 02:23:25.000 --> 02:23:27.000more clanging things than 02:23:27.000 --> 02:23:29.000music making but I mean 02:23:29.000 --> 02:23:31.000some people like my Reality Engine stuff 02:23:31.000 --> 02:23:33.000which is all over at my bank 02:23:33.000 --> 02:23:35.000realityengine.co.uk 02:23:35.000 --> 02:23:37.000if you dig back past the mashups 02:23:37.000 --> 02:23:39.000you will see the 02:23:39.000 --> 02:23:41.000hidden da Vinci Code 02:23:41.000 --> 02:23:43.000style 02:23:43.000 --> 02:23:45.000underneath the altar and you will see 02:23:45.000 --> 02:23:47.000my previous incarnation as Reality Engine 02:23:47.000 --> 02:23:49.000which is where I was doing experimental music 02:23:49.000 --> 02:23:51.000and ambient music 02:23:51.000 --> 02:23:53.000I don't usually do it 02:23:53.000 --> 02:23:55.000I haven't done it for a long time 02:23:55.000 --> 02:23:57.000I've done any original pieces 02:23:57.000 --> 02:23:59.000it's just when it's a mood thing 02:23:59.000 --> 02:24:01.000and I think weirdly doing mashups 02:24:01.000 --> 02:24:03.000and music production in mashups 02:24:03.000 --> 02:24:05.000even though it's not my music 02:24:05.000 --> 02:24:07.000it kind of doesn't really scratch that edge 02:24:07.000 --> 02:24:09.000but it kind of means that 02:24:09.000 --> 02:24:11.000you know I'm busy doing that 02:24:11.000 --> 02:24:13.000I don't really get to do the original stuff 02:24:13.000 --> 02:24:15.000which is a shame 02:24:15.000 --> 02:24:17.000it's very much a mood thing to me 02:24:17.000 --> 02:24:19.000and it's very much where I'm playing around 02:24:19.000 --> 02:24:21.000bored very quickly 02:24:21.000 --> 02:24:23.000and I tend to do 02:24:23.000 --> 02:24:25.000original sort of one minute, two minute pieces 02:24:25.000 --> 02:24:27.000and I'm not really interested in extending them 02:24:27.000 --> 02:24:29.000it goes oh that'll be really good as a full piece 02:24:29.000 --> 02:24:31.000and I'm like no it's 02:24:31.000 --> 02:24:33.000perfect as it is 02:24:33.000 --> 02:24:35.000it just documents a little time when I was playing around with something 02:24:35.000 --> 02:24:37.000I like that 02:24:37.000 --> 02:24:39.000it's like why is it 02:24:39.000 --> 02:24:41.000say something in five minutes you can say in one minute 02:24:41.000 --> 02:24:43.000you know, seriously, punk 02:24:43.000 --> 02:24:45.000hello 02:24:45.000 --> 02:24:47.000so as I mentioned about the 02:24:47.000 --> 02:24:49.000Summer Camp 02:24:49.000 --> 02:24:51.000they just finished last night 02:24:51.000 --> 02:24:53.000and this is a mashup that was created for that 02:24:53.000 --> 02:24:55.000DJNono created a mashup for 02:24:55.000 --> 02:24:57.000the summer camp 02:24:57.000 --> 02:24:59.000the summer is coming in one 02:24:59.000 --> 02:25:01.000very recommend and there's a few others that were played 02:25:01.000 --> 02:25:03.000which might have been like compilation because I think PDSMix 02:25:03.000 --> 02:25:05.000is going to order a compilation of 02:25:05.000 --> 02:25:07.000the mashups for Mashup Summer Camp 02:25:07.000 --> 02:25:09.000which would be good and apparently next year 02:25:09.000 --> 02:25:11.000it's going to start earlier and it's going to be a longer thing 02:25:11.000 --> 02:25:13.000and I think 02:25:13.000 --> 02:25:15.000it could start in August partly to fill the whole 02:25:15.000 --> 02:25:17.000space 02:25:17.000 --> 02:25:19.000created by 02:25:19.000 --> 02:25:21.000Adriana being away I think she's going to be back soon 02:25:21.000 --> 02:25:23.000but 02:25:23.000 --> 02:25:25.000apparently it's going to be a longer thing and it's going to be good I think 02:25:25.000 --> 02:25:27.000I think it'll be good to build on that 02:25:27.000 --> 02:25:29.000because it was a little bit hurried and of course I was actually away camping 02:25:29.000 --> 02:25:31.000which is 02:25:31.000 --> 02:25:33.000very hard to be involved in mashup summer camp 02:25:33.000 --> 02:25:35.000virtual camp was actually real camping 02:25:35.000 --> 02:25:37.000that probably won't be a problem 02:25:37.000 --> 02:25:39.000next year 02:25:39.000 --> 02:25:41.000so this is a great mashup 02:25:41.000 --> 02:25:43.000by reconthuse and it's kind of 02:25:43.000 --> 02:25:45.000a similar thing to the whole 02:25:45.000 --> 02:25:47.000this whole podcast which has been like the end of summer 02:25:47.000 --> 02:25:49.000sort of endings 02:25:49.000 --> 02:25:51.000I mean it's kind of funny how I started 02:25:51.000 --> 02:25:53.000with everything must go because 02:25:53.000 --> 02:25:55.000Everything Must Go when I moved 02:25:55.000 --> 02:25:57.000out of 02:25:57.000 --> 02:25:59.000my old flat in 2016 02:25:59.000 --> 02:26:01.000that's what I labeled 02:26:01.000 --> 02:26:03.000that post was Everything Must Go 02:26:03.000 --> 02:26:05.000because I was selling all my stuff on ebay 02:26:05.000 --> 02:26:07.000and there was another 02:26:07.000 --> 02:26:09.000major life change oh the thing 02:26:09.000 --> 02:26:11.000with my 02:26:11.000 --> 02:26:13.0002008 having to 02:26:13.000 --> 02:26:15.000empty the childhood home against 02:26:15.000 --> 02:26:17.000I used the song in one of the Child 02:26:17.000 --> 02:26:19.000hood's End videos 02:26:19.000 --> 02:26:21.000so it's a song 02:26:21.000 --> 02:26:23.000which has kind of haunted me 02:26:23.000 --> 02:26:25.000through various life changes 02:26:25.000 --> 02:26:27.000and there's another one coming 02:26:27.000 --> 02:26:29.000so yeah it's 02:26:29.000 --> 02:26:31.000sort of this autumn theme and an ending theme 02:26:31.000 --> 02:26:33.000or chain work and not ending 02:26:33.000 --> 02:26:35.000it's more of a change theme everything must go 02:26:35.000 --> 02:26:37.000it's not necessarily a negative song 02:26:37.000 --> 02:26:39.000it was obviously a post 02:26:39.000 --> 02:26:41.000Richie's disappearance of the 02:26:41.000 --> 02:26:43.000Manics but the song is also saying 02:26:43.000 --> 02:26:45.000this is going to change 02:26:45.000 --> 02:26:47.000to the fans which is the intention 02:26:47.000 --> 02:26:49.000it's not necessarily negative it's more like 02:26:49.000 --> 02:26:51.000you know we need to clear out everything 02:26:51.000 --> 02:26:53.000to start again or do something different 02:26:53.000 --> 02:26:55.000and that's how I feel at the moment so 02:26:55.000 --> 02:26:57.000yeah watch this space 02:26:57.000 --> 02:26:59.000so this is a song by reconthuse 02:26:59.000 --> 02:27:01.000and there aren't enough Dusty Springfield mashups 02:27:01.000 --> 02:27:03.000I can say it right here 02:27:03.000 --> 02:27:05.000there needs to be more Dusty Springfield mashups 02:27:05.000 --> 02:27:07.000this Summer Camp Is Over 02:27:07.000 --> 02:27:09.000and it's versus the Lightning 02:27:09.000 --> 02:27:11.000Thief cast versus The Neighborhood 02:27:11.000 --> 02:27:13.000I don't know the backing so much but I know the dusty 02:27:13.000 --> 02:27:15.000and 02:27:15.000 --> 02:27:17.000yeah I'll speak to you soon

Tag: Just Can’t Get Enough (Depeche Mode song)

RC 388: Autumn – Everything Must Go

Final mashups #2 – Impact Mode

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