Tag: Adam Schlesinger

A ghostly 'not halloween' edition of Radio Clash, more Halloween-adjacent than the plastic chinese proxy-Xmas junkfest that Halloween has become. Ghosts of Xmas Capitalism... So we have songs about ghosts, existence, falling out of planes, dark paths, a trance cover of Wendy Carlos, a hard house cover of Somewhere Over The Radio, feminist queer punk, proto-vapourwave, silly songs about vegetables and whales, ghosts and their swimmng pools, cranes, Beach Boys singing Nine Inch Nails, indie, jungle, rave, ambient, pop, electronica.... So the usual really! Ghosts In The Mean Machine (2:18, 192Mb) Listen to RC 389: Ghosts byRadio Clash on hearthis.at There I Ruined It - The Beach Boys sing Hurt - Hurtin' USA Lambrini Girls - Help Me I’m Gay Oneohtrix Point Never - A Barely Lit Path Mhaol - Bisexual Anxiety Max Tundra - This Woman's Work JARV IS... - Fuck This Big Joanie - Cranes In The Sky Instamatic - Lost In The Deep (The Lost Art of Rolling In The Deep) (Adele vs Queens of the Stone Age) Jacana People - Twist Forever (ft. Antony Szmierek) Sir Hank - Is it in? You should be dancing! (Jimmy 'Bo' Horne vs Bee Gees) Tickle Tune Typhoon - Vega Boogie Meatraffle - Lovesong Industrial Complex HallMighty - Where's Your Padam At? (Basement Jaxx vs Kylie) Michael the DJ - Movin Outta My Head (Billy Joel vs Kylie) Cygnus X - The Orange Theme (original version) Marusha - Somewhere Over The Rainbow Orca - 4AM (Remix 1) Dwarde - Forever Perk, Pixel Empire - Innocent Dreams (Flume vs Burial vs Fleetwood Mac vs Morcheeba) Enola Gay - terra firma (feat. Mount Palomar) Waldir Calmon - Afro Son Elizabeth Parker - Insects Revolt Tickle Tune Typhoon - The Blue Mammal Waltz LeeDM101 - LA Roads (John Denver vs. The Midnight) Mark David Hadley - Scratchings tbc aka Instamatic - Time To Hold On (Kylie Minogue vs Pink Floyd) Fake Jew - Ghost Swimming Pools (Kendrick Lamarr vs The Presets) Elizabeth Parker - Ghosts In The Abbey Tickle Tune Typhoon - Little Owlet (sung by Danny Deardorff) Courtney Barnett - Here's The Thing The Monkees - Me & Magdalena Rosita - Down Here Big Joanie - In My Arms (Reprise) tbc aka Instamatic - Ghosts of my Father (The Presets vs Cat Stevens) Transcript WEBVTT 00:15:17.880 --> 00:15:20.160Hello, welcome to Radio Clash. 00:15:20.160 --> 00:15:24.200I managed to wrest the podcast away from the robots, the Ghosts in The Machine. 00:15:24.200 --> 00:15:25.880Nice to take over. 00:15:25.880 --> 00:15:31.400It's 389 and it's called Ghosts as the AI voices said. 00:15:31.400 --> 00:15:36.000Yeah, that was because there was four tracks I wanted to play as the intro track. 00:15:36.000 --> 00:15:39.600And so I thought, well, why don't I play all four of them? 00:15:39.600 --> 00:15:40.520At least two of them. 00:15:40.520 --> 00:15:47.840You're not supposed to start with a downtempo track, but the fact that it was so queer left field choices. 00:15:47.840 --> 00:15:54.440Most of those, yeah, it seemed to fit, especially for a not Halloween episode of Radio Clash. 00:15:54.440 --> 00:15:58.160It's Halloween adjacent, hence called Ghosts. 00:15:58.160 --> 00:16:01.920You won't be hearing Monster Mash or Thriller or Ghostbusters. 00:16:01.920 --> 00:16:07.800Yay, or Dragula or any of those because I'm just tired of Halloween. 00:16:07.800 --> 00:16:12.000I'm tired of it becoming the spooky Christmas, commercial. 00:16:12.000 --> 00:16:19.760Even though DJNoNo did do a surprise Halloween mashup with Taylor Swift. 00:16:19.760 --> 00:16:26.480He's a bit of a Swifty versus Spooky Ccary Skeletons Skellingtons by Andrew Gold. 00:16:26.480 --> 00:16:27.480No, I don't know. 00:16:27.480 --> 00:16:31.520A drum and bass remix of that, especially for Adriana because she was saying how much she 00:16:31.520 --> 00:16:36.200didn't like spooky scary skeletons, but how they weren't enough mashups of Haunted. 00:16:36.200 --> 00:16:40.240But we're not playing on this podcast either. 00:16:40.240 --> 00:16:45.120This podcast is very much about defying expectation, especially for Halloween show. 00:16:45.120 --> 00:16:50.120So that was Max Tundra with This Woman's Work, which is a recent release from this year. 00:16:50.120 --> 00:16:52.320I heard it on Don Letts' show. 00:16:52.320 --> 00:16:53.720I don't know exactly when it was released. 00:16:53.720 --> 00:16:56.480I think it's released in the last month or so. 00:16:56.480 --> 00:16:57.480Similarly, M(h)aol. 00:16:57.480 --> 00:17:04.360We've played M(h)aol M Brackets H AOL before on this podcast. 00:17:04.360 --> 00:17:10.920And they recently released an album called Attachment Styles, and that's Bisexual Anxiety. 00:17:10.920 --> 00:17:12.920And there's not enough bisexual music. 00:17:12.920 --> 00:17:15.120There's not enough bi-pride on this podcast. 00:17:15.120 --> 00:17:16.960So putting that right. 00:17:16.960 --> 00:17:20.720Good how someone talk about that stuff because they seem to get it from both sides and not 00:17:20.720 --> 00:17:21.920in a good way. 00:17:21.920 --> 00:17:25.320Then before that, we had One Oh Trix Point Never with A Barely Lit Path. 00:17:25.320 --> 00:17:26.320I love the album. 00:17:26.320 --> 00:17:30.840It's an album called Again, which was recently released apparently about his 40 year old 00:17:30.840 --> 00:17:35.400self talking to his 20 year old self or his younger self. 00:17:35.400 --> 00:17:37.800And the video is amazing. 00:17:37.800 --> 00:17:42.400It seems to be a child as well because it's got two car crash dummies, but they're riding 00:17:42.400 --> 00:17:44.840the back of the car and they're not in control of where they're going. 00:17:44.840 --> 00:17:46.760It goes all very psychedelic. 00:17:46.760 --> 00:17:50.480But I think there's a lot of existential stuff in that track. 00:17:50.480 --> 00:17:55.920Lots of things about the Barely Lit Path and not really knowing anything and you know, 00:17:55.920 --> 00:17:56.920path to your house. 00:17:56.920 --> 00:18:01.360You don't know his childhood or talking about the barely lit path through life. 00:18:01.360 --> 00:18:03.200Then we had a bit of a riff. 00:18:03.200 --> 00:18:07.400Riffusion is an AI music generator where you can create your own songs. 00:18:07.400 --> 00:18:10.920They're all like 11 seconds, but they're brilliant for jingles. 00:18:10.920 --> 00:18:15.560So you will hear not more in this podcast, but in future you might hear some of those 00:18:15.560 --> 00:18:16.560popping up. 00:18:16.560 --> 00:18:18.000But I'm not a big thing on jingles. 00:18:18.000 --> 00:18:22.360I have to say I did a whole load of them and I was like Tim, you don't play many jingles 00:18:22.360 --> 00:18:23.360on the podcast. 00:18:23.360 --> 00:18:24.360I'm very anti-jingle. 00:18:24.360 --> 00:18:28.800But anyway, I found it bizarre because it was like some avant-garde kids thing that 00:18:28.800 --> 00:18:29.800one. 00:18:29.800 --> 00:18:32.960Then before that we had Help Me I'm Gay by Lambrini Girls. 00:18:32.960 --> 00:18:35.240I've been really digging Lambrini Girls. 00:18:35.240 --> 00:18:38.680Just a new EP, their first EP called You're Welcome. 00:18:38.680 --> 00:18:39.680They are brilliant. 00:18:39.680 --> 00:18:41.520Then 6Music, but that was Iggy Pop. 00:18:41.520 --> 00:18:44.640Iggy Pop's been playing them and that was the first one. 00:18:44.640 --> 00:18:47.480I was like, wow, yes, I like that. 00:18:47.480 --> 00:18:50.200I like that a lot. 00:18:50.200 --> 00:18:54.760Apparently the lead singer wasn't out to her mum when she first did that and her mum was 00:18:54.760 --> 00:18:55.760in the audience. 00:18:55.760 --> 00:18:57.240She had to quickly come out. 00:18:57.240 --> 00:19:00.440I think she came out to her mum on stage and said, "Hi, mum, I'm gay." 00:19:00.440 --> 00:19:02.440Then went into it. 00:19:02.440 --> 00:19:04.440Apparently everything was fine. 00:19:04.440 --> 00:19:08.240Then we had another of those very strange… 00:19:08.240 --> 00:19:12.280I was doing stuff like trying to do country polka. 00:19:12.280 --> 00:19:16.320I came up with this concept of Xylophone Rock, accordion rock. 00:19:16.320 --> 00:19:18.120That's the kind of things I was doing. 00:19:18.120 --> 00:19:19.880So yeah, there was a little jingle there. 00:19:19.880 --> 00:19:22.200Then in the start from There I Ruined It. 00:19:22.200 --> 00:19:26.520Also AI generated that's the Beach Boys Sing Hurt, Hurtin USA. 00:19:26.520 --> 00:19:31.720That's the Beach Boys Singing Nine Inch Nails, which I like a lot. 00:19:31.720 --> 00:19:35.920Now we go on to the track that actually I was planning to start before I came across 00:19:35.920 --> 00:19:36.920those other tracks. 00:19:36.920 --> 00:19:38.440So it's a bit of a false start. 00:19:38.440 --> 00:19:41.640A bit of a spooky, spooky false start. 00:19:41.640 --> 00:19:42.840The Hidden Door. 00:19:42.840 --> 00:19:47.640This is JARV IS… and I haven't seen what this is from. 00:19:47.640 --> 00:19:49.280This is from This Is Going to Hurt. 00:19:49.280 --> 00:19:51.480The series performed from the… 00:19:51.480 --> 00:19:52.920I suppose diaries or the book. 00:19:52.920 --> 00:19:55.800This is Going to Hurt by Adam Kay. 00:19:55.800 --> 00:20:01.040And you might go, who's Adam Kay, we've played him on the podcast long, long time ago. 00:20:01.040 --> 00:20:06.000We played his a formed band because he was in the Amateur Transplants and we played the 00:20:06.000 --> 00:20:07.000London Underground song. 00:20:07.000 --> 00:20:10.120We played a few of theirs and he's aware of that as well. 00:20:10.120 --> 00:20:13.640I know that through a third party that he was told about the podcast. 00:20:13.640 --> 00:20:20.240And so I'm not actually watched the series, but JARV IS…, the band run by Jarvis Cocker, 00:20:20.240 --> 00:20:21.240did the soundtrack. 00:20:21.240 --> 00:20:25.520I do this quite often, listen to the soundtrack and don't watch the thing. 00:20:25.520 --> 00:20:26.720So it's a tad out of context. 00:20:26.720 --> 00:20:30.720I don't know how this was used in the series, but I love this. 00:20:30.720 --> 00:20:33.240It's a bit like Cunts Are Running The World. 00:20:33.240 --> 00:20:35.360He says everything I'd like to say at the moment. 00:20:35.360 --> 00:20:37.360So this is Fuck This. 00:52:21.120 --> 00:52:22.880That's Michael the DJ. 00:52:22.880 --> 00:52:26.320with Move Out of my Head. 00:52:26.320 --> 00:52:28.720Billy Joel, Anthony, 00:52:28.720 --> 00:52:33.120versus Kylie's, get out of my head, obviously. 00:52:33.120 --> 00:52:36.960Now before that, we had Where's Your Padam at? 00:52:36.960 --> 00:52:37.840by Hallmighty. 00:52:37.840 --> 00:52:41.120Oh, I've got to say that Michael the DJ is from 2021. 00:52:41.120 --> 00:52:42.320It's an old one. 00:52:42.320 --> 00:52:48.240Before all of that, I don't understand why Anthony, Billy Joel, is everywhere. 00:52:48.240 --> 00:52:50.160It's kind of become this meme thing. 00:52:50.160 --> 00:52:52.720I assume TikTok is always just blame TikTok. 00:52:52.720 --> 00:52:56.640And then we had Where's Your Padam at? 00:52:56.640 --> 00:52:59.680Hallmighty, Basement Jaxx versus Kylie. 00:52:59.680 --> 00:53:02.560That's one of his secret tracks. 00:53:02.560 --> 00:53:07.680You have to go on a secret M(h)aoling list and knock three times and say the secret password to find 00:53:07.680 --> 00:53:08.240that one. 00:53:08.240 --> 00:53:10.480And then before that, we had Meatraffle. 00:53:10.480 --> 00:53:13.760We had a Brixton link there because Basement Jaxx is South of the River. 00:53:13.760 --> 00:53:15.920Brixton, So is Meatraffle, I think. 00:53:16.640 --> 00:53:21.920That's the Lovesong Industrial Complex from a Base And Superstructure, the new album. 00:53:21.920 --> 00:53:24.160And yeah, it's always good to hear from them. 00:53:24.160 --> 00:53:29.040Then before that, we had Chickle, Chickle, Chickle, what Chickle? 00:53:29.040 --> 00:53:32.960Tickle Tune Typhoon with Vega Boogie. 00:53:32.960 --> 00:53:36.800And that's from 1984, I think. 00:53:36.800 --> 00:53:38.400Yep, from Circle Around. 00:53:38.400 --> 00:53:46.320And Tickle Tune Typhoon, an interesting group of people who did 00:53:46.560 --> 00:53:49.600well, it's kind of kid's tunes, but it's kind of Wiggles Before the Wiggles. 00:53:49.600 --> 00:53:51.200They were doing that kind of thing. 00:53:51.200 --> 00:53:57.360And Danny Deardorff, who we have played before in Danny and Joyce on this podcast. 00:53:57.360 --> 00:53:58.800Remember a track called Stars? 00:53:58.800 --> 00:54:00.800If you've heard it once, you'll never forget it. 00:54:00.800 --> 00:54:06.560I did a deep dive because someone posted that cover of the album, Ma La Lady, or 00:54:06.560 --> 00:54:07.520given it in a wheelchair. 00:54:07.520 --> 00:54:09.840It's something we made fun about in malady, obviously. 00:54:09.840 --> 00:54:15.920He went on to have quite a successful music career, opened many a time for Seals and Croft. 00:54:16.320 --> 00:54:22.800Did a duo with… Danny and Joseph after Danny and Joyce, because after he left his first wife, 00:54:22.800 --> 00:54:25.200then was in Tickle Typhoon with a lot of other people. 00:54:25.200 --> 00:54:29.840Though he's not on that track, but you will hear a track with Danny Deardorff later on. 00:54:29.840 --> 00:54:31.120That was Vega Boogie. 00:54:31.120 --> 00:54:32.800You don't get many raps to vegetables. 00:54:32.800 --> 00:54:36.320Then before that, we had Sank, with Is It In? 00:54:36.320 --> 00:54:39.520You Should Be Dancing, Jimmy 'Bo' Horne versus Bee Gees. 00:54:39.520 --> 00:54:41.760That got in because there's been so many Bee Gees mashups. 00:54:41.760 --> 00:54:44.240So not so many Jimmy 'Bo' Horne and it's rude. 00:54:44.800 --> 00:54:45.520And I like it. 00:54:45.520 --> 00:54:48.720And I like to mix in with children's tunes, as you do. 00:54:48.720 --> 00:54:54.400Then before that, we had Jacana People, another new track called Twist Forever. 00:54:54.400 --> 00:54:58.800I think Jacana People are Serbian house electronic producers, 00:54:58.800 --> 00:55:01.040featuring Antony Szmierek. 00:55:01.040 --> 00:55:02.560It's always good to hear from him. 00:55:02.560 --> 00:55:07.840And I seem to work with this sort of getting lost deep vibe from the previous track, 00:55:07.840 --> 00:55:08.880which is Lost in the Deep. 00:55:08.880 --> 00:55:10.480The Lost Art of Rolling in the Deep. 00:55:10.480 --> 00:55:13.520Adele versus Queens of the Stone Age by me Instamatic. 00:55:13.520 --> 00:55:14.800I'd forgotten about that mashup. 00:55:14.800 --> 00:55:18.000Have to say thank you to Will Battle. 00:55:18.000 --> 00:55:21.920iWillBattle for reminding me because he played on his Twitch show, 00:55:21.920 --> 00:55:23.520Mashups Rock, which is on Tuesdays. 00:55:23.520 --> 00:55:27.040And it was funny because the first 10, 15 was like, 00:55:27.040 --> 00:55:28.160this is really familiar. 00:55:28.160 --> 00:55:29.520Oh, it's one of mine. 00:55:29.520 --> 00:55:31.840I did it for a challenge and I completely forgot about it. 00:55:31.840 --> 00:55:34.960And I did have it in the stack to play on the podcast, but never did. 00:55:34.960 --> 00:55:37.600It is this year, but it's way earlier in the year. 00:55:37.600 --> 00:55:38.560It's six, eight months ago. 00:55:38.560 --> 00:55:39.840So I forget about mashups. 00:55:39.840 --> 00:55:41.040I forget what I've done. 00:55:41.040 --> 00:55:46.320And then before that, we had Big Joanie with Cranes in the Sky, Solange Knowles cover. 00:55:46.320 --> 00:55:49.120That came out in 2020. 00:55:49.120 --> 00:55:49.600It's weird. 00:55:49.600 --> 00:55:53.680Sometimes a song sells me on a band and there's a song from them, 00:55:53.680 --> 00:55:58.080which I'll play right at the end, which sold me on Big Joanie because 6Music, 00:55:58.080 --> 00:56:02.720sort of Lard, Lamacq, lots of people have been playing Big Joanie 00:56:02.720 --> 00:56:05.920because they're a London queer black feminist pong group. 00:56:05.920 --> 00:56:08.080So I knew the name. 00:56:08.080 --> 00:56:10.480I'd heard the songs, but nothing really struck me. 00:56:10.480 --> 00:56:12.720And I heard a song which was like, wow. 00:56:12.720 --> 00:56:15.840And then I went diving and then heard that. 00:56:15.840 --> 00:56:16.880Oh, Cranes in the Sky. 00:56:16.880 --> 00:56:18.000I draw a lot of cranes. 00:56:18.000 --> 00:56:21.520It's a bit neurodiverse and obsession with cranes. 00:56:21.520 --> 00:56:23.120So we're cranes. 00:56:23.120 --> 00:56:25.520I'll listen to a song about cranes in the sky because I like cranes. 00:56:25.520 --> 00:56:28.240And I found out it's a really good song. 00:56:28.240 --> 00:56:30.480And then I was like, oh, it's by Solange Knowles. 00:56:30.480 --> 00:56:35.040Because I really generally don't like Solange's work. 00:56:35.040 --> 00:56:37.760I appreciate what she does and she's very talented. 00:56:37.760 --> 00:56:40.640Her sister has to write with about 10 different people. 00:56:40.640 --> 00:56:45.920She does write a lot of this stuff and is really interesting. 00:56:45.920 --> 00:56:52.560But the music doesn't really match up to the sort of indie Beyonce type thing, does it? 00:56:52.560 --> 00:56:53.360Not really the same. 00:56:53.360 --> 00:56:56.960But I actually really liked that video and the original song as well, 00:56:56.960 --> 00:57:01.760because what it's talking about about kind of like roaming around and running away from 00:57:01.760 --> 00:57:04.320your problems and never really finding home. 00:57:04.320 --> 00:57:06.800Yeah, of course I'd resonate with that. 00:57:06.800 --> 00:57:09.600Then before that we had JARV IS… with Fuck This. 00:57:09.600 --> 00:57:14.320I don't know if they cover in that about Adam Kay leaving for comedy and 00:57:14.320 --> 00:57:16.720jacking in his job. 00:57:16.720 --> 00:57:17.600I think they alluded to it. 00:57:17.600 --> 00:57:18.880But yeah, it might be about that. 00:57:18.880 --> 00:57:21.120Or maybe it's about consultants and the NHS. 00:57:21.120 --> 00:57:21.920I don't really know. 00:57:21.920 --> 00:57:23.680I must watch it. 00:57:23.680 --> 00:57:31.920So are you going to play a track which goes out to Lee Spoons because he mentioned it. 00:57:31.920 --> 00:57:32.800On Blue Sky. 00:57:32.800 --> 00:57:33.920I'm on Blue Sky. 00:57:33.920 --> 00:57:38.400If you look on fingertrable.bsky.social. 00:57:38.400 --> 00:57:40.480So I'm on Blue Sky. 00:57:40.480 --> 00:57:45.520The thing taking over from Twitter because Twitter is becoming a complete dumpster fire. 00:57:45.520 --> 00:57:50.000And he mentioned it on there and I was like, oh wow, I like this. 00:57:50.000 --> 00:57:56.000I never realised that not only does this have apparently according to him like 23, 24 key changes in it. 00:57:56.000 --> 00:58:03.520But also I never realised someone that had done a sort of a trance house cover of Wendy Carlos. 00:58:03.520 --> 00:58:05.680This is The Orang Theme by Cygnus X. 01:17:37.160 --> 01:18:06.160That was Terra Firma by Enola Gay featuring Mount Palomar. 01:18:07.160 --> 01:18:10.240Not either band, I know very well. 01:18:10.240 --> 01:18:12.400I went and checked them out after I heard that song. 01:18:12.400 --> 01:18:16.400I love that song and it's like a folk dance song. 01:18:16.400 --> 01:18:19.680And Enola Gay are usually much more noisy and shoutier. 01:18:19.680 --> 01:18:22.000So it's kind of very different from what they usually do. 01:18:22.000 --> 01:18:23.000But I like it. 01:18:23.000 --> 01:18:24.720I like it a lot. 01:18:24.720 --> 01:18:26.400And I heard that via Round Table. 01:18:26.400 --> 01:18:32.080I think one of the last Lamacq Round Table because Steve Lamacq is doing one show a week. 01:18:32.080 --> 01:18:35.640He spent last 30 odd years doing the drive time show. 01:18:35.640 --> 01:18:38.440Obviously not on 6Music, he's been going that long. 01:18:38.440 --> 01:18:41.080But yeah, I'm ready one and then 6Music. 01:18:41.080 --> 01:18:42.920And that went down very well with them. 01:18:42.920 --> 01:18:46.760Usually things are a bit more electronic, a bit more off kilter. 01:18:46.760 --> 01:18:49.160Don't go down very well with the Round Table. 01:18:49.160 --> 01:18:51.440I guess, but I did. 01:18:51.440 --> 01:18:58.720Then before that we had Perk and Pixel Empire with Innocent Dreams from an album, a collaboration 01:18:58.720 --> 01:19:00.960album called Matchup with Mild Sauce. 01:19:00.960 --> 01:19:04.920Which I heard of via MixMstrStel. 01:19:04.920 --> 01:19:11.160And that includes Flume, Burial, Fleetwood Mac, obviously Fleetwood Mac. 01:19:11.160 --> 01:19:14.280And the Burial and Fleetwood Mac is what's selling on me. 01:19:14.280 --> 01:19:16.880And Morcheeba, Moog Island. 01:19:16.880 --> 01:19:17.880Interesting compilation. 01:19:17.880 --> 01:19:22.120The people I don't really know apart from MixMstrStel. 01:19:22.120 --> 01:19:24.920It's always good to check out stuff via our mashups. 01:19:24.920 --> 01:19:25.920Discord and the Reddit. 01:19:25.920 --> 01:19:27.920Which I do from times to times. 01:19:27.920 --> 01:19:32.560Before I heard the Michael the DJ track, a few other things. 01:19:32.560 --> 01:19:35.440Then before that we had Dwarde with Forever. 01:19:35.440 --> 01:19:38.160I have to thank Aaron for that. 01:19:38.160 --> 01:19:40.880Paige's brother who posted about that on his Facebook. 01:19:40.880 --> 01:19:43.240So actually not about that, I wanted to do the tracks. 01:19:43.240 --> 01:19:45.120And I actually preferred that one more. 01:19:45.120 --> 01:19:47.840Because I love that Jungle meets soul vocals. 01:19:47.840 --> 01:19:48.840I'm always a sucker for that. 01:19:48.840 --> 01:19:52.360And I know of Dwarde via their work with Tim Reaper. 01:19:52.360 --> 01:19:56.080And that's from a record label called Deep Jungle. 01:19:56.080 --> 01:19:58.760Who also re-released track before it. 01:19:58.760 --> 01:20:01.320Which is 4AM by Orca. 01:20:01.320 --> 01:20:03.520I don't know if they re-released that mix. 01:20:03.520 --> 01:20:05.200But I like that mix the best. 01:20:05.200 --> 01:20:06.600That's remix one. 01:20:06.600 --> 01:20:08.120Although sometimes it's called remix two. 01:20:08.120 --> 01:20:09.840It's very confusing. 01:20:09.840 --> 01:20:11.640And that's originally from 1993. 01:20:11.640 --> 01:20:13.6404AM, the remixes and originals. 01:20:13.640 --> 01:20:15.200There's a white label. 01:20:15.200 --> 01:20:18.000They tend to, not completely. 01:20:18.000 --> 01:20:19.200They do some new stuff now. 01:20:19.200 --> 01:20:22.040But they started out releasing, and still do, 01:20:22.040 --> 01:20:26.480release a lot of 90s Jungle on the Deep Jungle label. 01:20:26.480 --> 01:20:28.600But they seem to be branching out to more newer things. 01:20:28.600 --> 01:20:30.280Hence the Dwarde and the Tim Reaper. 01:20:30.280 --> 01:20:32.760Who have released things on that label. 01:20:32.760 --> 01:20:36.400But I like this idea of taking, they had like Dillinja. 01:20:36.400 --> 01:20:37.560Old Dillinja tracks on there. 01:20:37.560 --> 01:20:40.480So that's the first time capsule that's old. 01:20:40.480 --> 01:20:42.720I suspect someone might be off tape. 01:20:42.720 --> 01:20:44.560But it's always fascinating here. 01:20:44.560 --> 01:20:47.120There's old Jungle Pirate Radio classic. 01:20:47.120 --> 01:20:49.680You never hear again, usually. 01:20:49.680 --> 01:20:52.160Then before that we had Marusha. 01:20:52.160 --> 01:20:53.600Also from the 90s. 01:20:53.600 --> 01:20:56.360'94, that's Somewhere Over The Rainbow. 01:20:56.360 --> 01:20:59.640And I have to thank PDSMix for introducing me to that. 01:20:59.640 --> 01:21:01.920And that's a bit of sort of Berlin Electronica. 01:21:01.920 --> 01:21:03.280So Berlin DJ, I think. 01:21:03.280 --> 01:21:05.280Love parade, like stuff. 01:21:05.280 --> 01:21:08.080But I love the fact that there's a hardcore. 01:21:08.080 --> 01:21:10.320Is that hardcore? 01:21:10.320 --> 01:21:12.200Is that more, it's not really trance. 01:21:12.200 --> 01:21:13.160I wouldn't call that trance. 01:21:13.160 --> 01:21:14.800So I would call that more Hardhouse, 01:21:14.800 --> 01:21:16.480or not really Fat as Gabba, 01:21:16.480 --> 01:21:19.520but yeah, sort of Gabba-ry Hardhouse remix 01:21:19.520 --> 01:21:22.600of Cover of Somewhere Over the Rainbow. 01:21:22.600 --> 01:21:26.960Then before that we had Cygnus X from 2000. 01:21:26.960 --> 01:21:29.680Although again, I'm not sure if that's correct, that date. 01:21:29.680 --> 01:21:31.520The Orange theme, the original mix. 01:21:31.520 --> 01:21:34.800'Cause it's always a problem with compilations 01:21:34.800 --> 01:21:37.640and re-releases and remixes and stuff. 01:21:37.640 --> 01:21:41.560You never totally know if that's actually the correct date. 01:21:41.560 --> 01:21:44.640But somewhere around then, somewhence. 01:21:44.640 --> 01:21:49.120So yes, we're now gonna play a more of a spooky, 01:21:49.120 --> 01:21:50.840well, it's not really a spooky track, 01:21:50.840 --> 01:21:54.280but you'll find the ghost theme running through 01:21:54.280 --> 01:21:55.200in some of the sounds. 01:21:55.200 --> 01:21:57.640It's more being inspired by things 01:21:57.640 --> 01:21:58.920that are a little bit more spooky 01:21:58.920 --> 01:22:01.200and a bit more dark and a bit more, 01:22:01.200 --> 01:22:03.440even just the woo, noise. 01:22:03.440 --> 01:22:04.800Yeah, don't do that again. 01:22:04.800 --> 01:22:06.640And this has it a lot. 01:22:06.640 --> 01:22:10.800It's a trend that actually has been in a lot of podcasts 01:22:10.800 --> 01:22:11.640having taken out. 01:22:11.640 --> 01:22:13.440And it seemed to be more appropriate for this. 01:22:13.440 --> 01:22:15.520And this is from 1982, 01:22:15.520 --> 01:22:18.040Waldir Calmon and Afro Son. 01:22:18.040 --> 01:22:19.920But you probably will recognize this 01:22:19.920 --> 01:22:24.600'cause it's a very naughty, I think, Brazilian or South American 01:22:24.600 --> 01:22:27.040steal of a track you might recognize. 02:02:43.320 --> 02:02:46.120That was, Big Joanie. 02:02:46.760 --> 02:02:49.920Into My Arms (Reprise) 02:02:49.920 --> 02:02:52.080from their album, 02:02:52.080 --> 02:02:53.800from last year Back Home, 02:02:53.800 --> 02:02:55.280and checked out Big Joanie partly 02:02:55.280 --> 02:02:57.760because I saw an article about 02:02:57.760 --> 02:03:00.480Lambrini Girls and M(h)aol 02:03:00.480 --> 02:03:01.480animation Big Joanie, 02:03:01.480 --> 02:03:02.320and I was like, oh yeah, 02:03:02.320 --> 02:03:03.360never really checked them out. 02:03:03.360 --> 02:03:06.400The original of that sounds very New-Ordery. 02:03:06.400 --> 02:03:08.320Sounds almost like New Order to me. 02:03:08.320 --> 02:03:10.160New Order maybe crossed with a bit of 02:03:10.160 --> 02:03:12.360doo-wop Motown girl group, 02:03:12.360 --> 02:03:15.080but it's still quite new-ordery in the synths 02:03:15.080 --> 02:03:17.000and the guitars. 02:03:17.000 --> 02:03:19.040I much prefer that Be My Baby 02:03:19.040 --> 02:03:22.120Ronettes version rather than the actual single. 02:03:22.120 --> 02:03:24.040The video's brilliant as well. 02:03:24.040 --> 02:03:26.000Then before that, we heard Rosita. 02:03:26.000 --> 02:03:26.720with Down Here, 02:03:26.720 --> 02:03:28.320Rosita being the band formed 02:03:28.320 --> 02:03:30.960by two of the members of Kenickie. 02:03:30.960 --> 02:03:34.400And that's from 2000's Santa Pocas Dream EP. 02:03:34.400 --> 02:03:36.200I'd heard the odd thing from Rosita, 02:03:36.200 --> 02:03:38.320and it hadn't really stuck. 02:03:38.320 --> 02:03:40.240And I kind of did a bigger dive 02:03:40.240 --> 02:03:41.880because I was reading about, you know, 02:03:41.880 --> 02:03:43.040the end of Kenickie and thinking, 02:03:43.040 --> 02:03:44.560what did they do? 02:03:44.560 --> 02:03:48.480Johnny X became J Xaverre. 02:03:48.480 --> 02:03:49.800And you can find him on band camp. 02:03:49.800 --> 02:03:51.520He's still producing music. 02:03:51.520 --> 02:03:54.560I think one of them became a lecturer in sociology. 02:03:54.560 --> 02:03:56.760And obviously, Lauren Laverne is on, 02:03:56.760 --> 02:03:59.000as I present her now, but it's very sad. 02:03:59.000 --> 02:04:00.840I'm still pissed off about Kenickie splitting. 02:04:00.840 --> 02:04:01.800They were my group. 02:04:01.800 --> 02:04:04.240Pulp and them were like my groups really. 02:04:04.240 --> 02:04:07.760And I was really, really upset when they split. 02:04:07.760 --> 02:04:09.120And I really liked that. 02:04:09.120 --> 02:04:10.960And it's kind of weird 02:04:10.960 --> 02:04:13.120because some of the songs I don't really get, 02:04:13.120 --> 02:04:16.240but that one, I'm like, oh, that's really good. 02:04:16.240 --> 02:04:17.200But there's a few bits in it. 02:04:17.200 --> 02:04:19.240Like my old name doesn't mean anything, you know, 02:04:19.240 --> 02:04:20.080that kind of thing. 02:04:20.080 --> 02:04:22.560I'm like, hmm, yes. 02:04:22.560 --> 02:04:23.520I don't know when it was written, 02:04:23.520 --> 02:04:26.040but bits of it sounded a little bit 02:04:26.040 --> 02:04:28.640possibly referring to the end of Kenickie. 02:04:28.640 --> 02:04:30.320Something has that vibe. 02:04:30.320 --> 02:04:33.240And then before that, we had The Monkees 02:04:33.240 --> 02:04:35.320with Me and Magdalena. 02:04:35.320 --> 02:04:39.560That's from their last album, Good Times from 2016. 02:04:39.560 --> 02:04:41.440And that was written by Ben Gibbard, 02:04:41.440 --> 02:04:44.120otherwise known as Death Cab for Cutie. 02:04:44.120 --> 02:04:46.680And I think I did hear at the time. 02:04:46.680 --> 02:04:47.600I'm pretty sure I heard it, 02:04:47.600 --> 02:04:52.440but I checked it out again and I was like, wow. 02:04:52.440 --> 02:04:55.440That's, it's surprisingly good song 02:04:55.440 --> 02:04:56.600for The Monkees to sing, 02:04:56.600 --> 02:04:59.280but they do it justice and it's very sad to hear. 02:04:59.280 --> 02:05:02.400You didn't hear a Mike's Nesmith and Mickey 02:05:02.400 --> 02:05:03.240on the same track. 02:05:03.240 --> 02:05:05.240Generally they did their own backing vocals, 02:05:05.240 --> 02:05:06.560or they might do some backing vocals, 02:05:06.560 --> 02:05:08.560not as like a duet. 02:05:08.560 --> 02:05:09.960And that worked really well. 02:05:09.960 --> 02:05:11.160The rest of the album is kind of like, 02:05:11.160 --> 02:05:14.920Bubblegum, Pop, Surfy, Adam Schlesinger 02:05:14.920 --> 02:05:17.000RIP, put the album together. 02:05:17.000 --> 02:05:19.240But there's also things like weirdly Paul Weller, 02:05:19.240 --> 02:05:22.200and Noel Gallagher did a song for it and things like that, 02:05:22.200 --> 02:05:24.320which I don't think totally works, but. 02:05:24.320 --> 02:05:25.160Well, I mean, I suppose they didn't, 02:05:25.160 --> 02:05:26.520they're totally their last album. 02:05:26.520 --> 02:05:27.520They did a Christmas album. 02:05:27.520 --> 02:05:30.080This last full album, they did a Christmas album. 02:05:30.080 --> 02:05:32.080And that was the last, then Peter Tork died 02:05:32.080 --> 02:05:34.120and then Mike Nessith. 02:05:34.120 --> 02:05:36.320And so it's only just Micey Dolenz anymore. 02:05:36.320 --> 02:05:38.040And I've not heard that R.E.M album yet. 02:05:38.040 --> 02:05:39.240I'm not sure it's out yet. 02:05:39.240 --> 02:05:40.920They did an R.E.M. covers album, 02:05:40.920 --> 02:05:42.320which I posted about on the blog, 02:05:42.320 --> 02:05:44.560which I would like to hear. 02:05:44.560 --> 02:05:46.920And then before that, we had Courtney Barnett 02:05:46.920 --> 02:05:51.920with He's the Thing from 2021's Things Take Time, Take Time. 02:05:51.920 --> 02:05:53.080It's interesting. 02:05:53.080 --> 02:05:54.360I don't know what's going on with Courtney Barnett. 02:05:54.360 --> 02:05:58.400She's ended her record label a few months ago, 02:05:58.400 --> 02:06:02.560released an album of really a live jam soundtrack 02:06:02.560 --> 02:06:05.480to a tour film about her. 02:06:05.480 --> 02:06:07.160And that was the last thing on that label. 02:06:07.160 --> 02:06:09.160So I don't know what's going on with that, 02:06:09.160 --> 02:06:10.520'cause she ran that label for, 02:06:10.520 --> 02:06:12.800must be at least 15, maybe 20 years. 02:06:12.800 --> 02:06:15.640I was kind of passed by some of the singles, 02:06:15.640 --> 02:06:17.880but that one is really good. 02:06:17.880 --> 02:06:20.440I don't know, it was a weird time to do very upbeat, 02:06:20.440 --> 02:06:21.280happy music. 02:06:21.280 --> 02:06:24.360It was a very downbeat time during the lockdown. 02:06:24.360 --> 02:06:27.000I think the timing was wrong for that album. 02:06:27.000 --> 02:06:30.360Then before that, we had Tickle Tune Typhoon. 02:06:30.360 --> 02:06:31.680That's Little Owket, 02:06:31.680 --> 02:06:36.680sung by Danny Deardoff from 1994's Baby Tickle Tunes, 02:06:36.680 --> 02:06:39.000Patty Cakes and Peek-A-Boo's. 02:06:39.000 --> 02:06:41.440Danny Deardoff sadly died in 2018. 02:06:41.440 --> 02:06:45.440I didn't know that until I did my deep dive onto his work. 02:06:45.440 --> 02:06:49.440He had to be lifted on stage and used a wheelchair 02:06:49.440 --> 02:06:52.320and sang sort of lying down. 02:06:52.320 --> 02:06:55.560And the story goes is that Seals and Croft, 02:06:55.560 --> 02:07:00.320he ended up a tape to them and they loved his work. 02:07:00.320 --> 02:07:04.280And so he was supporting them with his Danny and Joseph band. 02:07:04.280 --> 02:07:06.680And the promoters were like, 02:07:06.680 --> 02:07:08.680"Oh, we want you back" but were horrified. 02:07:08.680 --> 02:07:11.520They wanted them to drop the support act. 02:07:11.520 --> 02:07:13.600And they were like, "Sorry, if Danny doesn't play, 02:07:13.600 --> 02:07:15.120"we're not playing." 02:07:15.120 --> 02:07:18.960And they stuck with that, even as promoters were upset. 02:07:18.960 --> 02:07:19.800They were like, "Nope." 02:07:19.800 --> 02:07:23.000And that's the way it was back then in the '70s and '80s. 02:07:23.000 --> 02:07:25.880It was like, "Oh, no, we can't have disabled people 02:07:25.880 --> 02:07:27.040on the stage." 02:07:27.040 --> 02:07:29.280I remember them telling Robert Wyatt 02:07:29.280 --> 02:07:31.760not to have his wheelchair, 02:07:31.760 --> 02:07:33.640which he refused to comply with. 02:07:33.640 --> 02:07:35.840They wanted to put him into a chair and to sit there. 02:07:35.840 --> 02:07:36.960And he was like, "No." 02:07:36.960 --> 02:07:38.720And it was this idea of, 02:07:38.720 --> 02:07:40.320"Oh, no, we can't have disabled people 02:07:40.320 --> 02:07:42.360on a wheelchair in the public eye." 02:07:42.360 --> 02:07:44.720It's a bit like the way some people are with trans people 02:07:44.720 --> 02:07:48.160or queer people or it seems to be this whole thing of like, 02:07:48.160 --> 02:07:49.760"Oh, we can't, the people are different. 02:07:49.760 --> 02:07:53.600We're just gonna want them out of the way and it's horrible." 02:07:53.600 --> 02:07:54.560But to give credit, 02:07:54.560 --> 02:07:57.000and I'm not into Seal and Croft's work, 02:07:57.000 --> 02:07:58.880it's very, how do you describe it? 02:07:58.880 --> 02:08:01.880Not even folk, it's sort of like very middle of the road. 02:08:01.880 --> 02:08:02.840But they stuck with him 02:08:02.840 --> 02:08:05.760and I think he did several tours with them. 02:08:05.760 --> 02:08:07.680And then joined Tickle Tune Typhoon 02:08:07.680 --> 02:08:10.240and did songs about being different. 02:08:10.240 --> 02:08:11.920It was just part of the band. 02:08:11.920 --> 02:08:13.280Very talented man 02:08:13.280 --> 02:08:17.320and broke those doors down for other disabled musicians. 02:08:17.320 --> 02:08:20.280So good on you Danny Deardorff. 02:08:20.280 --> 02:08:24.080I mean, I've played the Stars tracks so long ago 02:08:24.080 --> 02:08:25.920'cause I think with WFMU, I heard it 02:08:25.920 --> 02:08:27.960and it was such a weird song, 02:08:27.960 --> 02:08:30.440but it's his voice, his voice is amazing. 02:08:30.440 --> 02:08:31.280And I liked it. 02:08:31.280 --> 02:08:32.560It wasn't the case of like me just playing it 02:08:32.560 --> 02:08:33.480just 'cause it's weird. 02:08:33.480 --> 02:08:35.400'Cause you know, I play weird stuff 02:08:35.400 --> 02:08:36.320but I like it. 02:08:36.320 --> 02:08:38.480I don't play weird shit, I don't like. 02:08:38.480 --> 02:08:39.320I love his voice. 02:08:39.320 --> 02:08:41.240In the thread on, for some reason, 02:08:41.240 --> 02:08:43.760someone posted onto shit record covers. 02:08:43.760 --> 02:08:45.880There's a Facebook group called Shit Record Covers 02:08:45.880 --> 02:08:47.200and it isn't a good, it is a true, 02:08:47.200 --> 02:08:49.960it is not a good record cover for his first record. 02:08:49.960 --> 02:08:54.960It is just, it's a bit kind of like that Little Britain 02:08:54.960 --> 02:08:58.320with the two, the carer and Matt Lucas in the chair. 02:08:58.320 --> 02:08:59.160It's a bit like that. 02:08:59.160 --> 02:09:02.560It's just, it's yeah, it's just, I mean, one sense, 02:09:02.560 --> 02:09:04.760like I just said, put it out and center, 02:09:04.760 --> 02:09:08.000but there's also, yeah, it is a cheesy record cover. 02:09:08.000 --> 02:09:10.760It doesn't really work as a record cover, but anyway. 02:09:10.760 --> 02:09:12.880Yeah, I was educating people on Danny Deardorff 02:09:12.880 --> 02:09:13.880'cause I did a bit of dive 02:09:13.880 --> 02:09:15.680I was like, oh yeah, I know this song. 02:09:15.680 --> 02:09:17.480I know this album, it's actually quite good. 02:09:17.480 --> 02:09:18.720You know, there's some good songs on there 02:09:18.720 --> 02:09:21.080that are quite strange and they are quite strange. 02:09:21.080 --> 02:09:22.720Some of the Danny and Joseph stuff is strange, 02:09:22.720 --> 02:09:25.880but they did a brilliant cover of "Sentimental Lady." 02:09:25.880 --> 02:09:27.760Bob Welch, which I mean, seriously, 02:09:27.760 --> 02:09:30.480covering Bob Welch is always gonna endear me. 02:09:30.480 --> 02:09:32.360But yeah, now check it out Stars. 02:09:32.360 --> 02:09:34.280I think you should find it on YouTube, 02:09:34.280 --> 02:09:35.200Danny and Joyce 02:09:35.200 --> 02:09:38.320As I said in that thread, it reminded me of Vic Chesnutt, 02:09:38.320 --> 02:09:40.400not just because they were both in wheelchairs, 02:09:40.400 --> 02:09:42.560but he had a similar voice. 02:09:42.560 --> 02:09:44.360I don't know whether it's a physical thing 02:09:44.360 --> 02:09:47.040'cause Gaelynn Lee as well has a similar voice. 02:09:47.040 --> 02:09:49.880It's very plaintive, but I think it might be very head voice, 02:09:49.880 --> 02:09:51.880very nasal, maybe the lack of muscles. 02:09:51.880 --> 02:09:52.720I'm not sure. 02:09:52.720 --> 02:09:55.680Very distinctive voice that I've heard 02:09:55.680 --> 02:09:57.400on a few disabled musicians, 02:09:57.400 --> 02:09:59.040and I don't know whether it's a physical thing 02:09:59.040 --> 02:10:00.600or just a thing like that, I don't know. 02:10:00.600 --> 02:10:03.120And then before that, we had Ghosts in the Abbey 02:10:03.120 --> 02:10:05.240by Elizabeth Parker from the new album. 02:10:05.240 --> 02:10:09.440There is an album of her work called Future Perfect. 02:10:09.440 --> 02:10:11.840Came out about a couple of weeks now. 02:10:11.840 --> 02:10:14.120Really well worth checking out. 02:10:14.120 --> 02:10:16.720I knew of Elizabeth Parker from the Radiophonic Workshop 02:10:16.720 --> 02:10:20.600and I knew of her work and I knew she did Living Planet 02:10:20.600 --> 02:10:22.040and Living Planet was a big hit. 02:10:22.040 --> 02:10:23.800They released that on record separately, 02:10:23.800 --> 02:10:25.240and things like that. 02:10:25.240 --> 02:10:26.720But I hadn't really checked her stuff. 02:10:26.720 --> 02:10:28.280And actually, you listen to it now and you go, 02:10:28.280 --> 02:10:33.280"Oh, you can hear all those influences for vapourwave 02:10:33.280 --> 02:10:37.200for One Oh Trix Point Never, and all that sort of stuff. 02:10:37.200 --> 02:10:39.120So she was really ahead of her time. 02:10:39.120 --> 02:10:40.480Then before that, we had Fake Jew 02:10:40.480 --> 02:10:43.080That's their name, not me. 02:10:43.080 --> 02:10:45.440With "Ghosts Swimming Pools" 02:10:45.440 --> 02:10:47.280that's Kendrick Lamar versus Presets 02:10:47.280 --> 02:10:49.360So a little more of a beat chopping up. 02:10:49.360 --> 02:10:52.320There aren't that many mashups, hardly any. 02:10:52.320 --> 02:10:53.960In fact, that's it. 02:10:53.960 --> 02:10:57.680And one or more, which is coming up shortly, 02:10:57.680 --> 02:10:59.840of Presets - Ghosts. 02:10:59.840 --> 02:11:01.920I've played them before and I wanted to play 02:11:01.920 --> 02:11:04.320a mashup or a cover and I couldn't find any covers. 02:11:04.320 --> 02:11:06.280No one's covered Ghosts by Presets. 02:11:06.280 --> 02:11:07.120It's weird. 02:11:07.120 --> 02:11:09.560I would sort of someone would have covered it at some point 02:11:09.560 --> 02:11:11.640on Triple J or something like that. 02:11:11.640 --> 02:11:14.680No, that's the only mashup I could find. 02:11:14.680 --> 02:11:16.840That one, and so I made another one 02:11:16.840 --> 02:11:19.040because I wanted to sort of fit with the theme 02:11:19.040 --> 02:11:23.960and I am obsessed, still obsessed with Ghosts by the Presets. 02:11:23.960 --> 02:11:25.960Very much talking about aging. 02:11:25.960 --> 02:11:29.120And that's kind of a running theme in this podcast. 02:11:29.120 --> 02:11:31.200Then before that, we had one of mine, 02:11:31.200 --> 02:11:33.800tbc aka Instamatic with Time to Hold On 02:11:33.800 --> 02:11:34.880talking about time. 02:11:34.880 --> 02:11:37.520That's Kylie Minogue versus Pink Floyd 02:11:37.520 --> 02:11:40.520Time versus Hold On To Now. 02:11:40.520 --> 02:11:41.920I think that works really well. 02:11:41.920 --> 02:11:45.320Some may differ, but I think that still holds up. 02:11:45.320 --> 02:11:47.520And there is a video, if you go and look at the timbearcub 02:11:47.520 --> 02:11:49.760mashup channel, you'll be able to see that. 02:11:49.760 --> 02:11:52.720A very rare video of my work. 02:11:52.720 --> 02:11:54.760Then before that, from the new album, 02:11:54.760 --> 02:11:58.520Through Trains that's Mark David Hadley with Scratchings 02:11:58.520 --> 02:12:01.080That was released about months ago again, 02:12:01.080 --> 02:12:02.600or maybe a few weeks ago. 02:12:02.600 --> 02:12:05.840You can find that on his bank account and buy a copy. 02:12:05.840 --> 02:12:09.720It's very good. It's soundbymark.bankamp.com. 02:12:09.720 --> 02:12:11.840And before that, we had LeeDM101 02:12:11.840 --> 02:12:15.400with a bit of synthwave, meets John Denver. 02:12:15.400 --> 02:12:19.040That's LA Roads John Denver versus The Midnight. 02:12:19.040 --> 02:12:20.680That's fairly recent as well. 02:12:20.680 --> 02:12:23.320And before that, oh no, not again. 02:12:23.320 --> 02:12:26.960We had Blue Whale yes, The Blue Mammal Waltz 02:12:26.960 --> 02:12:31.960by Tickle Tune Typhoon, which I had to play because, seriously, 02:12:31.960 --> 02:12:35.200me and Hitchhikers and Whales and also QI. 02:12:35.200 --> 02:12:38.640I'm a fan of QI, so "lue Whale is a running joke on QI. 02:12:38.640 --> 02:12:40.800When is that going to come back? 02:12:40.800 --> 02:12:44.000And that's from 2000's Singin' Science 02:12:44.000 --> 02:12:46.360Then before that, we had Elizabeth Parker again 02:12:46.360 --> 02:12:48.480with Insect Revolt 02:12:48.480 --> 02:12:51.680That's from the recent compilation. 02:12:51.680 --> 02:12:54.440And then at the start of that section, 02:12:54.440 --> 02:12:57.760we had Waldir Calmon with Afro Son. 02:12:57.760 --> 02:12:59.960Yes, you've probably forgotten about it now, 02:12:59.960 --> 02:13:04.960but yeah, complete ripoff of Jean-Jacques Perrey's EVA. 02:13:04.960 --> 02:13:07.000With a woo, no, it's supposed to be spacey. 02:13:07.000 --> 02:13:08.880It sounds a bit ghosty, actually, but anyway. 02:13:08.880 --> 02:13:10.720Ghosty space, space ghost, I don't know. 02:13:10.720 --> 02:13:13.240Brazilian composer I was right, it was Brazilian 02:13:13.240 --> 02:13:17.680Again, something that I was planning to put in many podcasts 02:13:17.680 --> 02:13:19.040and it never got there. 02:13:19.040 --> 02:13:21.080So I hope you're all well. 02:13:21.080 --> 02:13:22.360This is the end of the podcast 02:13:22.360 --> 02:13:24.440and I'll play out with a track, 02:13:24.440 --> 02:13:27.320another mashup of mine unusual amount of mashups, 02:13:27.320 --> 02:13:29.080four mashups of mine, is that, or three? 02:13:29.080 --> 02:13:30.880Is it four, is it three? 02:13:30.880 --> 02:13:33.080No, three, three, yeah, that's not too bad. 02:13:33.080 --> 02:13:38.960So I decided to mash up the Presets - Ghosts 02:13:38.960 --> 02:13:41.120with Cat Stevens. 02:13:41.120 --> 02:13:44.160One of the mashups became about something 02:13:44.160 --> 02:13:45.240while I was doing it. 02:13:45.240 --> 02:13:47.560And it's kind of a running theme in this podcast, 02:13:47.560 --> 02:13:49.200not just the ghosts bit. 02:13:49.200 --> 02:13:52.640And so this is "Ghosts of My Father" 02:13:52.640 --> 02:13:54.640with the presets versus Cat Stevens. 02:13:54.640 --> 02:13:56.000My dad's still alive. 02:13:56.000 --> 02:13:59.840The art of it is actually my great, great uncle Robert. 02:13:59.840 --> 02:14:03.720So it is kind of related to family and genealogy 02:14:03.720 --> 02:14:06.680and I've been doing a lot of genealogy recently. 02:14:06.680 --> 02:14:09.680And yeah, Father and Son is a very meaningful track 02:14:09.680 --> 02:14:11.640for a lot of people, partly because it was used 02:14:11.640 --> 02:14:13.640in Guardians of the Galaxy, 02:14:13.640 --> 02:14:17.480but it's always been one of those interesting tracks. 02:14:17.480 --> 02:14:19.440In Cat Stevens' career. 02:14:19.440 --> 02:14:23.240So anyway, I'll speak to you soon and I hope you enjoy this. A Ghostly Gallery!

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