Tag: Lana

Bagpipes are the new rock n' roll, as is fiddles, accordions and folk is not a four letter word. From London to Scotland via Ireland, we visit hiphop, mashups, deep house, the new ANOHNI album, new Grove and new-ish AFX, and visit two kinds of Drakes (and don't talk about one of them). And the Summer Night City ends up rather soggy, so we end up in a bothy with some bagpipe bass dancing to Caledonia Breaks (and probably drinking vodka and Irn Bru, is that a thing? I'm too sassenach to know...). And we play a pibroch on the bagpipes and pay our respects to the legend that is Sinead O'Connor, who died recently. Bagpipes, Big Smoke & Bling Are Not Part of the Four Elements And Never Will Be (2:31, 200MB) Listen to RC 386: Bagpipes, The Big Smoke & Bling byRadio Clash on hearthis.at DJNoNo - The Bitch Smack Track (Elton John vs Prodigy vs Frank Ski & Ms Tony) Reina el Cid - Why Did We Invent Ai? (American Pie parody) Instamatic - Welcome To London, Colin (The Clash vs Flow Dan vs Pet Shop Boys vs 808 State) Danny Macabre - Take Me Alive (The Lovin Spoonful vs Muse vs Justice?) Mr.B The Gentleman Rhymer - Mama Said Knock A Piece Of My Mind Out lil' oki - we dont talk about drake. Dominic Fike - Cancel Me Say She She - Trouble Lil Mariko - Eat Shit Grove Ft Bob Vylan - Stinkin Rich Families DJ Princess Lana - I'm Not Here To Make Fantasy (Sam Smith vs Space Law) Caserta - Ricky (Kon Remix) That Other Ted - Chained to the Radio (re-edit) (Katy Perry vs Sylvan Esso) Oki - Guerilla Voulez Vous (RATM vs. ABBA) Michael the DJ - oWnR of a h@$pipe (Yes vs Weezer vs Aerosmith vs Radiohead) Aphex Twin - Blackbox Life Recorder 21f GladiLord - Gladi (Lord Of The Bagpipes) (Death Grips & Mexican Girl vs Eminem & Urze De Lume) Martyn Bennett - 4 Notes Reyka - Hi-Land (feat. John Murdo Martin) Jean Redpath - Such a Parcel of Rogues in a Nation (Usurp's Awfy Fine Mix) Martyn Bennett - Rant Glaik and Plaices - Aye Min Break Alexzn - Maniac Bloodline (Ariana Grande vs Michael Sembello) Das Koolies - The Condemned Instamatic - It Doesn't Break My Soul (Feeling Good) (Siouxsie vs Beyoncé vs Muse) ANOHNI and the Johnsons - It Must Change Sinead O'Connor - Black Boys on Mopeds (Live From Iceland) Vixoria Drift - Everybody’s Singing (Interlude) John Grant - Day Is Done Sinead O'Connor - I Am Stretched On Your Grave Fissunix - Heart Shaped Tron Elysian Sounds - Castle Of Glass x Jolene (Dolly Parton, Linkin Park) CordiaLump - I Can Only Be Me /// Creep (Mars Argo vs Radiohead) DJ Schmolli - Chasing Bitches Transcript WEBVTT00:17.760 --> 00:23.720Hello and welcome to Radio Clash, this is 386 and it's Bagpipes, Big Smoke And Bling.00:23.720 --> 00:27.680Here's from Scotland to London, here we go.05:45.520 --> 05:47.960Yes, the bitch is back.05:47.960 --> 05:51.000This is Radio Clash 386.05:51.000 --> 05:54.560It's Bagpipes, Big Smoke and Bling.05:54.560 --> 06:02.440And that was DJ NoNo, oh yes, with the bitch smack track, Elton John vs Prodigy vs Frank06:02.440 --> 06:08.360Ski and the much-missed Miss Tony, that's dedicated to Miss Tony.06:08.360 --> 06:13.440Probably you will probably know Frank Ski more for Horses in this house, which is on06:13.440 --> 06:19.440the 12-inch, which I don't own, but I got that from that Tony's bitch track, the B-side06:19.440 --> 06:21.440is the Horses in the House.06:21.440 --> 06:22.920And I hope you're all well.06:22.920 --> 06:28.080As I said at the start, we're going to various Celtic places, like Ireland, because the sad06:28.080 --> 06:30.280death of Sinéad O'Connor.06:30.280 --> 06:35.240Because Scotland was sort of Bagpipes section, hence Bagpipes.06:35.240 --> 06:39.200And we're also going to go into a section about London as well.06:39.200 --> 06:42.360You've got the Bling from the hip hop, so we have a hip hop section.06:42.360 --> 06:45.160But first, we're about to head to London.06:45.160 --> 06:48.720Figuratively speaking, although I'm already in London, so I need to head there.06:48.720 --> 06:59.800But first, have a little song about AI, but you might recognise it.32:22.780 --> 32:36.300That was Grove, who I see has actually made the 6 Music main playlist, seemingly.32:36.300 --> 32:41.340I know Craig Charles usually plays some Grove and so does Don Letts, but it's nice to see32:41.340 --> 32:48.540Grove, who I've been supporting on this podcast for years, literal years, get some success32:48.540 --> 32:54.180because that's Stinking Rich Families with Bob Vylan.32:54.180 --> 32:58.620I think maybe the Bob Vylan is the reason why they have glommed onto that, but it's32:58.620 --> 32:59.620good to see.32:59.620 --> 33:05.220I mean, I know I ranted about the music that they weren't playing.33:05.220 --> 33:09.740If they played Kid Kapichi, then all will be well, but they haven't got there yet, but33:09.740 --> 33:14.380they have played all the others that have been like, oh, you know, Bob Vylan, Grove.33:14.380 --> 33:15.740Why does he not play on 6 Music?33:15.940 --> 33:19.140He's like, it's a little bit catch up at the back there, but, you know, they get there33:19.140 --> 33:20.620in the end.33:20.620 --> 33:29.060And then before that, we had Lil Mariko with each shit from 2023's Lil Mariko Deluxe.33:29.060 --> 33:30.580Oh, I love that.33:30.580 --> 33:31.860That's a bit of an anthem of mine.33:31.860 --> 33:38.740And then before that, we had Say She She, the Chic obsessed trio of singers.33:38.740 --> 33:44.100That's Trouble from 2022's Single Trouble Slash In My Head.33:44.100 --> 33:47.140And again, glad to see them get some love.33:47.140 --> 33:49.860I might have actually heard them via Don Letts.33:49.860 --> 33:55.860I'm not sure where I first heard Say She She, but certainly they were not on the main 633:55.860 --> 33:59.300Music playlist and they seem to be creeping into their like Grove, which is good to see.33:59.300 --> 34:03.300I've been listening to a lot of Dandelion Radio actually as well, picking up a few things34:03.300 --> 34:04.300ago.34:04.300 --> 34:05.300Wow.34:05.300 --> 34:06.300Wow.34:06.300 --> 34:07.300There's the new μ-Ziq.34:07.420 --> 34:08.420I missed it.34:08.420 --> 34:09.420A new music album.34:09.420 --> 34:14.740And there's a few other things which are not in this podcast, but will be in future podcasts,34:14.740 --> 34:15.980which I've got from there.34:15.980 --> 34:20.500So things are getting interesting with 6 Music because they've got that new music34:20.500 --> 34:25.380show in the early evening and some moving away from this idea that we're just doing34:25.380 --> 34:26.780music for Gen X boomers.34:26.780 --> 34:27.780Boomers.34:27.780 --> 34:28.780No, not really boomers.34:28.780 --> 34:29.780They're more Gen X.34:29.780 --> 34:30.780So the John Peele adoring types.34:30.780 --> 34:36.500And they kind of starting to do more new music and, you know, look beyond the major labels.34:36.500 --> 34:38.620At least be very major label based.34:38.620 --> 34:43.580They missed out on some amazing stuff on Bandcamp and whatever reason they didn't seem to be34:43.580 --> 34:48.900promoting things that were independent that much a bit, but very much avoiding that.34:48.900 --> 34:52.980Now it seems to be there actually are promoting things on the mentioning of that's on Bandcamp.34:52.980 --> 34:57.780It's like, whoa, during daytime as well, you know, not just the new shows.34:57.780 --> 35:00.940So yes, things are moving better, I think.35:00.940 --> 35:07.220And then before that, we had Dominic Fike with Cancel Me from 2020's.35:07.220 --> 35:08.700What Could Possibly Grow Wrong?35:08.700 --> 35:13.500Which I love that as the title of a album as a brilliant album title.35:13.500 --> 35:18.940And yeah, Dominic Fike, I think someone was saying how he's on some soundtrack or some35:18.940 --> 35:19.940other.35:19.940 --> 35:25.180And I was like, Dominic Fike and very big on the, I don't know, I'll say TikToks, but35:25.180 --> 35:29.540certainly the Gen Z, but I like that a lot because I totally get that vibe and that whole35:29.620 --> 35:33.940sort of like, oh, well, you know, haters are going to hate similar to the little Mariko.35:33.940 --> 35:35.620And sometimes you just want to say, oh, fuck it.35:35.620 --> 35:36.620Just Cancel Me.35:36.620 --> 35:37.620I don't care anymore.35:37.620 --> 35:41.340And in a similar fashion, although more to do with us, bit of an in-joke about the Crumpl35:41.340 --> 35:45.500Bangers Discord is Oki, well, a Lil' Oki.35:45.500 --> 35:46.900We don't talk about Drake.35:46.900 --> 35:51.700That's from the Crumplstock 11 session from the Lil' Oki.35:51.700 --> 35:52.700And I don't know35:52.700 --> 35:53.700I assume it's Drake in there.35:53.700 --> 35:54.860I don't know all the other bits.35:54.860 --> 35:57.540It's not tagged who the artists are.35:57.540 --> 36:02.100And it comes from a big argument where Drake is banned now, partly because of me and other36:02.100 --> 36:07.980people were just kicked off, seemed to be always drama around Drake.36:07.980 --> 36:09.980I'm not a fan of Drake, really.36:09.980 --> 36:10.980I found it funny.36:10.980 --> 36:15.500It was just that whole censoring of Drake and then how we don't talk about, I just laugh36:15.500 --> 36:18.820so much when I heard that on the, on Crumplstock 11.36:18.820 --> 36:23.900And I mean to put it in since then, because Crumplstock 11 was, wow, back in June and36:23.900 --> 36:24.900now it's August.36:25.260 --> 36:27.460Well, where does the time go?36:27.460 --> 36:34.940And then before that, we had Mr. B, the Gentleman Rhymer from 2021's Chop Happy.36:34.940 --> 36:37.820That's Mamma Says Knock A Piece Of My Mind Out.36:37.820 --> 36:40.820I'm not exactly sure where the other bits are from.36:40.820 --> 36:41.820I love that.36:41.820 --> 36:42.820It's sort of mashing up.36:42.820 --> 36:47.300He released a band camp collection of his mashups and edits, and that's from there.36:47.300 --> 36:52.300And then before that, we have a new to this podcast and fairly new to me, Mashup producer36:52.300 --> 36:59.740Danny Macabre with Take Me Alive, The Lovin' Spoonful versus Muse versus Justice.36:59.740 --> 37:00.740I think it's Justice.37:00.740 --> 37:04.940It sounds like Stress, but I'm not totally sure which one it is.37:04.940 --> 37:08.180That's mainly because that line, you know, it's hot town somewhere in the city, you37:08.180 --> 37:11.740know, somewhere in the city seem to work very well with the London theme.37:11.740 --> 37:13.380And also it's a brilliant track.37:13.380 --> 37:16.340It gets a little bit messy in places, but it works.37:16.340 --> 37:17.340It's great ideas.37:17.340 --> 37:21.380I've been there with Justice or Daft Punk, especially with Justice, because they have37:21.420 --> 37:24.460so much wide range of frequency and so much going on.37:24.460 --> 37:29.660It's very hard to get anything to work with it and difficult to actually get things placed37:29.660 --> 37:36.060because if you filter out the big electro house synths, almost rock type of synths,37:36.060 --> 37:37.980then it just sounds a bit pants.37:37.980 --> 37:39.500So yeah, it's always difficult on that.37:39.500 --> 37:41.060But I know I like that a lot.37:41.060 --> 37:46.180And there's a couple of Danny Macabre tracks I'll be playing in future podcasts.37:46.180 --> 37:49.220And then before that, we had one of mine again.37:49.260 --> 37:50.700That's Instamatic.37:50.700 --> 37:55.660Welcome to London Colin, The Clash versus London Calling.37:55.660 --> 37:58.940London Colin, London Calling, London Colin, that's the joke.37:58.940 --> 38:02.740Versus Flow Dan versus Pet Shop Boys versus 808 State.38:02.740 --> 38:07.500And that won the Discord challenge set by Lee Spoons.38:07.500 --> 38:10.300He did a 1989 challenge.38:10.300 --> 38:15.900And unfortunately, my first one got disqualified because Pump Up the Padam,38:15.900 --> 38:19.420Kylie versus Technotronic because it had been done before.38:19.420 --> 38:21.780I didn't realise it had been done before or a few weeks before.38:21.780 --> 38:23.220And so it was accidental reboot.38:23.220 --> 38:24.140Another one.38:24.140 --> 38:25.380I'm doing too many of those.38:25.380 --> 38:28.540Hence why I did four sources in that one.38:28.540 --> 38:31.220I was like, no one's done this one, surely.38:31.220 --> 38:33.260That would have been crazy if they had.38:33.260 --> 38:34.740And I almost didn't do another one.38:34.740 --> 38:38.180I think DJ NoNo did another one, which I'm not totally sure about.38:38.180 --> 38:39.900And then right at the end, I did that one.38:39.900 --> 38:43.700And it is all about London and a part of 808 State, which is Manchester,38:43.700 --> 38:44.700which is where I'm from.38:44.940 --> 38:46.820There are so many layers with this mashup,38:46.820 --> 38:49.620but it's my love-hate relationship with London.38:49.620 --> 38:51.780The whole thing about it's expensive place to live.38:51.780 --> 38:54.220And I'm sort of clinging on the edge of London at the moment.38:54.220 --> 38:56.620Because, yeah, if you don't have a lot of money,38:56.620 --> 38:59.460London is not necessarily a friendly place to be.38:59.460 --> 39:04.420And also the apocalyptic stuff, which led into the Reina El Cid before,39:04.420 --> 39:07.700which is the Why Did We Invent AI? American Pie parody,39:07.700 --> 39:09.940which has been doing the TikToks.39:09.940 --> 39:14.500I think there's a theme called dystopian campfire songs on TikTok.39:14.580 --> 39:18.700I don't know, I don't do TikTok, but that was posted on Facebook, actually.39:18.700 --> 39:22.100And I was like, oh, check out Reina El Cid over at TikTok.39:22.820 --> 39:24.700There's a lot of acoustic songs.39:24.700 --> 39:27.740People seem to really like the Welcome to London Colin mashup.39:27.740 --> 39:31.540And it's a weird one, because I was never totally sure about some of the volumes39:31.540 --> 39:32.820and stuff with a bit of a faff to do.39:32.820 --> 39:36.900But what I like about that is I've got the 808 State Donkey Doctor39:36.900 --> 39:42.340from 808 State 90 who just qualified because they released that in December 89.39:42.460 --> 39:46.380And that was a big album for me after Pacific State.39:46.380 --> 39:51.660Then I got my hands on Quadrastate, which is pre that and 90.39:51.900 --> 39:56.780And of course, XL, which was that came out in 1990 or 1991.39:57.140 --> 39:58.900But yeah, came out later.39:58.900 --> 40:02.860So we're now going to go into more of a tempo section.40:03.220 --> 40:05.620We've done the hippity hoppety things.40:05.620 --> 40:09.980And we're going to do an upbeat section with this track, which is from my challenge.40:09.980 --> 40:13.980Because, of course, I won the Discord challenge last week.40:14.100 --> 40:17.460The previous challenge that just finished on Monday was set by me.40:17.460 --> 40:22.460And I set a challenge for songs that are about your firsts,40:22.460 --> 40:25.620about you have a memory attached, like you use at least one song40:25.620 --> 40:30.740that has a memory attached to you, like, you know, weddings or births40:30.740 --> 40:33.060or first record you bought and that kind of thing.40:33.060 --> 40:35.660You know, so some kind of not necessarily first as a number,40:35.660 --> 40:37.620but those can landmark memories.40:37.660 --> 40:42.100And Princess Lana posted that you just done their first DJ set,40:42.100 --> 40:45.900which is a big thing, certainly if you're into production and DJing.40:45.900 --> 40:47.980And I think I'm not totally sure.40:48.100 --> 40:52.140I'm not sure if that was the Bucharest Pride because Princess Lana40:52.140 --> 40:57.340posted onto their remix audio page a set from Bucharest Pride.40:57.340 --> 40:59.780And so I assume that was where it was.40:59.780 --> 41:03.420And this is, I think, a complete banger.41:03.420 --> 41:05.180Although I can just hear in the back of my head.41:05.220 --> 41:08.180I mean, it's like, yes, I have a personal Adriana in the back of my head.41:08.180 --> 41:11.620You know, just I've watched too many Mashup Listening Hours.41:11.620 --> 41:14.300I know they're not on at the moment because of, you know, live stuff.41:15.020 --> 41:19.100But yeah, they won't be coming back till October, which is never very much missed.41:19.980 --> 41:23.940My personal Adriana in the back of my head is saying, oh, this is this is like a remix.41:23.940 --> 41:28.540But it's like, well, no, but it's just because I don't know the the Space Law track.41:28.540 --> 41:32.820This is I'm Not Here To Make Fantasy Sam Smith versus Space Law.41:32.820 --> 41:35.260And I can imagine this went down very well at Pride.58:30.220 --> 58:32.540That was Michael the DJ58:33.260 --> 58:36.740from 2023's Mixtape Number One from Bandcamp.58:37.380 --> 58:40.580I thought it was Owner Of A Host Pipe58:40.700 --> 58:41.940because I'm dumb.58:42.060 --> 58:45.860It turns out, looking closer, it's got a little hash symbol.58:45.980 --> 58:47.500Well, no, it's an @ symbol.58:47.620 --> 58:48.620Oh.58:48.740 --> 58:52.380It's owner, OWNR, of a…58:52.940 --> 58:54.700Well, I'm not sure it's hash pipe58:54.820 --> 58:59.580because it's got the @ symbol, but that hashes the little crossed lines, isn't it?58:59.620 --> 59:02.620So, it's the @ $ pipe.59:02.740 --> 59:05.460So, I don't know if it's Owner Of A Host Pipe, Owner Of A Hash Pipe.59:05.580 --> 59:08.980Yes versus Weezer versus Aerosmith versus Radiohead.59:09.100 --> 59:13.140And I found out about Michael the DJ59:13.260 --> 59:18.140and Danny Macabre from the r/mashups Discord Server59:18.260 --> 59:22.460because of the ongoing industrial dispute.59:23.060 --> 59:25.380It seems to be the common line nowadays.59:25.500 --> 59:28.460The ongoing… Because of the ongoing industrial dispute…59:29.460 --> 59:34.700With Reddit, most of the business that usually went on r/mashups Reddit page59:34.820 --> 59:35.820is actually on Discord.59:35.940 --> 59:38.260I really prefer it because you couldn't just scroll through59:38.380 --> 59:42.820and listen to things there or see the links all in one thread.59:42.940 --> 59:44.860They might have gone to threaded things now,59:44.980 --> 59:46.380but for a while you could do that.59:46.500 --> 59:47.860And that, I thought, was great.59:47.980 --> 59:51.780People, of course, complain about having lots of things to scroll through, obviously.59:51.900 --> 59:54.580But I actually prefer that to the old forum idea59:54.700 --> 59:56.460because you have to keep clicking and then go inside59:56.580 --> 59:59.140and you have to click on whatever link they've got59:59.260 --> 01:00:02.060or the thing or maybe go off to another site.01:00:02.180 --> 01:00:03.820And it's all just like, faff.01:00:03.940 --> 01:00:06.100It's like, you really want… I feel like remix the audio.01:00:06.220 --> 01:00:10.060You want just the things there and very much press play in a stack.01:00:10.180 --> 01:00:13.940You don't really want them all in different forum things.01:00:14.060 --> 01:00:15.580Then before that, we had Oki.01:00:15.700 --> 01:00:18.820And that made the Bootie Top 10 for our last month, July.01:00:18.940 --> 01:00:19.900Deservedly so.01:00:20.020 --> 01:00:24.220That's Guerrilla Voulez Vous, Rage Against the Machine versus ABBA.01:00:24.300 --> 01:00:26.860Yeah, you know, me and ABBA. Me and ABBA mashups.01:00:26.980 --> 01:00:30.380That would have been a brilliant one to have on ABBAstard.01:00:30.500 --> 01:00:33.060Although, obviously, that was many months ago.01:00:33.180 --> 01:00:36.940Rage Against the Machine, Guerrilla Radio, also used to be part of our jingle.01:00:37.060 --> 01:00:39.340One of the old jingles uses the cover of Guerrilla Radio.01:00:39.460 --> 01:00:41.860So that was a bit of a radio theme there01:00:41.980 --> 01:00:47.020because the previous mashup is using one of the tracks01:00:47.140 --> 01:00:49.940that's in our current jingle, which is from Fnogg.01:00:50.060 --> 01:00:52.980But this mashup is by That Other Ted.01:00:53.060 --> 01:00:54.700That's Chained to the Radio.01:00:54.820 --> 01:00:57.100Re-edit Katy Berry versus Sylvan Esso.01:00:57.220 --> 01:01:02.420So Sylvan Esso is used in the hAteful Radio jingle01:01:02.540 --> 01:01:05.460that we use at the start of this podcast, I've got to say.01:01:05.580 --> 01:01:08.620So I thought those worked well together in radio theme.01:01:08.740 --> 01:01:13.820And then before that, we had Caserta with Ricky the Kon remix.01:01:13.940 --> 01:01:17.980I love that greatly because I'm not much about Caserta.01:01:18.100 --> 01:01:20.900There's a house, a deep house producer.01:01:21.020 --> 01:01:22.900But they seem to do vocal things over the top.01:01:23.020 --> 01:01:27.260I don't think they're sampling the spoken bits, which is what I love.01:01:27.380 --> 01:01:29.740I mean, we need more spoken word.01:01:29.860 --> 01:01:34.420They used to be common in pop singles and things with little spoken interludes.01:01:34.540 --> 01:01:36.020I love those.01:01:36.140 --> 01:01:37.580I think they were foreign out of fashion.01:01:37.700 --> 01:01:39.580But then it goes into Rick James.01:01:39.700 --> 01:01:41.140Love, love, love.01:01:41.260 --> 01:01:44.020Yeah, so it's sort of a hence Ricky, Rick James.01:01:44.140 --> 01:01:46.340It's a bit of a naughty sample.01:01:46.460 --> 01:01:49.340Then before that, we had DJ Princess Lana.01:01:49.420 --> 01:01:52.780I'm Not Here To Make Fantasy, Sam Smith versus Space Law.01:01:52.900 --> 01:01:54.260So we had a bit of pride.01:01:54.380 --> 01:01:57.660I know some places, I mean, including Brighton, having pride this month.01:01:57.780 --> 01:02:00.260So there's pride going on somewhere in the world.01:02:00.380 --> 01:02:03.020It's also about the year, so it's decided of pride month.01:02:03.140 --> 01:02:05.100There's pride months. Every month is pride month.01:02:05.220 --> 01:02:09.420So we're going to start going to almost going to go into the Bagpipe Mix.01:02:09.540 --> 01:02:12.740This, just before the bagpipe mix, we're going to play a track.01:02:12.860 --> 01:02:16.780Again, I heard on 6 Music and I was surprised.01:02:16.900 --> 01:02:18.900There's a lot of stuff I've missed, I think.01:02:18.980 --> 01:02:23.660I've been trying to catch up on various things like the new ANOHNI album.01:02:23.780 --> 01:02:27.420And I think there's a new Aphex Twin album coming, I think.01:02:27.540 --> 01:02:30.020This is first release of a bigger release, I think.01:02:30.140 --> 01:02:34.020And so I'm with a music album and all kinds of things.01:02:34.140 --> 01:02:41.660But this is Black Box Life Recorder 21F in Aphex Twin's usual naming schema.01:02:41.780 --> 01:02:45.420I'm surprised it's not named after viruses. That was the last lot.01:02:45.540 --> 01:02:47.500And yeah, no, I like this a lot.01:02:47.580 --> 01:02:50.580It's very, I had to say, classic AFX.01:02:50.700 --> 01:02:55.580Because as soon as you try and pin down Richard D. James, he goes and does nothing else.01:02:55.700 --> 01:02:58.860So yeah, so this is Black Box Life Recorder.01:39:13.580 --> 01:39:15.580That was, well, me again.01:39:15.700 --> 01:39:20.420I don't usually put this many of my mashups in a podcast,01:39:20.540 --> 01:39:22.860but I feel like I'm on a roll recently.01:39:22.980 --> 01:39:27.100That was Instamatic with, It Doesn't Break My Soul,01:39:27.220 --> 01:39:28.780(Feeling Good),01:39:28.900 --> 01:39:32.460Suxy vs. Beyonce vs. Muse,01:39:32.580 --> 01:39:35.580and, yeah, that's very much it.01:39:35.700 --> 01:39:37.700I think it's a good thing to do.01:39:38.700 --> 01:39:41.700I don't know if they're welcomed,01:39:41.820 --> 01:39:46.820but, you know, sometimes why mashups have a support message for certain people.01:39:46.940 --> 01:39:49.900And then before that, we had the Das Koolies,01:39:50.020 --> 01:39:54.180the Super Furry Animal's break-off band without Gruff Rhys,01:39:54.300 --> 01:39:58.940The Condemned from 2023's The Condemned EP,01:39:59.060 --> 01:40:01.420and, yeah, that's pretty much it.01:40:01.540 --> 01:40:03.620Well, I described them as support mashup,01:40:03.740 --> 01:40:06.580occasionally mashups for people that seem to be having a hard time.01:40:06.660 --> 01:40:08.460The Condemned EP.01:40:08.580 --> 01:40:11.100Then before that, we had Mash of the Titans 12.01:40:11.220 --> 01:40:13.780Mash of the Titans is the compilation that Panos T puts together,01:40:13.900 --> 01:40:16.260and it's the 12th and final one, apparently.01:40:16.380 --> 01:40:20.260And I'm not necessarily into a lot of the multi-mashups,01:40:20.380 --> 01:40:22.780the Bosh Bosh EDM on there, but that's really good.01:40:22.900 --> 01:40:25.220I mean, anybody uses Maniac.01:40:25.340 --> 01:40:27.980She said Maniac is good to me,01:40:28.100 --> 01:40:31.500and I didn't know the Ariana Grande bloodline song.01:40:31.620 --> 01:40:34.660That's by, I don't know how to pronounce this, Alexzn.01:40:34.780 --> 01:40:36.980Alex Zed N, Alexzn.01:40:38.100 --> 01:40:39.540Sounds like I've got a pronunciation problem,01:40:39.660 --> 01:40:41.340but, yeah, that's very good, I like that.01:40:41.460 --> 01:40:44.700And then before that, we had the, well, I call it the bagpipe mix,01:40:44.820 --> 01:40:47.140but I realised when I was doing it though,01:40:47.260 --> 01:40:49.740there aren't all bagpipes all the way through.01:40:49.860 --> 01:40:52.580It's sort of bagpipes, fiddles, accordions,01:40:52.700 --> 01:40:55.500it's all Scottish-folk remix.01:40:56.180 --> 01:40:59.580Very much inspired by two mixes on YouTube,01:40:59.700 --> 01:41:03.460by a group of people doing what they call Bothy Bass,01:41:03.540 --> 01:41:05.820and two of the songs is from those mixes,01:41:05.940 --> 01:41:09.300but I was like, well, they focus very specifically01:41:09.420 --> 01:41:11.780on a geographical area, on the sort of music01:41:11.900 --> 01:41:15.340that would have been in the Bossies in the,01:41:15.460 --> 01:41:17.500I think it was in North-East of Scotland.01:41:17.620 --> 01:41:20.660And I heard that and thought, oh, well,01:41:20.780 --> 01:41:24.140I know some bagpipe mashups and Martyn Bennett01:41:24.260 --> 01:41:26.340There's a few other things I wanted to put in there,01:41:26.460 --> 01:41:31.140so I just opened it out into a sort of more of a Scottish mix.01:41:31.260 --> 01:41:36.940So that's, then there we had Amen Break by Glaik & Plaices,01:41:37.060 --> 01:41:39.500which was one of the tracks I could locate.01:41:39.620 --> 01:41:44.980A lot of the tracks in the Bothy Bass mix I couldn't find.01:41:45.100 --> 01:41:47.420I didn't wonder how many of them were there under a steam name.01:41:47.540 --> 01:41:50.180Apparently they put out a call from songs,01:41:50.300 --> 01:41:54.500but what I find unusual is that there's usually a digital footprint01:41:54.620 --> 01:41:59.620or a footprint of releases or 12-inch white labels or demos01:41:59.820 --> 01:42:03.140or a lot of them, absolutely nothing.01:42:03.260 --> 01:42:08.140And yes, some people save kind of the tracks themselves,01:42:08.260 --> 01:42:11.660the DJ tools, but not over several years.01:42:11.780 --> 01:42:13.620And usually if it's used in a mix, people post it and say,01:42:13.740 --> 01:42:14.980oh, that's mine, I was in here.01:42:15.100 --> 01:42:19.180So it's suspiciously few of them I could actually find from elsewhere.01:42:19.300 --> 01:42:21.980So I did wonder how many of them were there under another name.01:42:23.100 --> 01:42:25.820But that was one of them, Glaik & Plaices.01:42:25.940 --> 01:42:27.860Aye Min Break, I don't know if I pronounced that wrong.01:42:27.980 --> 01:42:29.500Probably pronounced it totally wrong.01:42:29.620 --> 01:42:32.860So before that was Martyn Bennett, we ran from 2003's Grit.01:42:32.980 --> 01:42:38.700And then before that we had Jean Redpath, remixed by Usurp.01:42:38.820 --> 01:42:43.660That's the Usurp's Awfy Fine mix of Such A Parcel Of Rogues In A Nation,01:42:43.780 --> 01:42:45.460the Rabbie Burns song.01:42:45.580 --> 01:42:47.100Oh, I don't know if you actually wrote the music,01:42:47.220 --> 01:42:49.780but certainly you wrote the lyrics, the poem.01:42:49.900 --> 01:42:52.020And before that we had another one.01:42:52.140 --> 01:42:55.500Also there's three, three from that mix stolen from Bothy Bass.01:42:55.500 --> 01:43:02.500That's Reyka with Hi-Land featuring John Murdo Martin from 2021's Alba.01:43:02.620 --> 01:43:07.180And that is Scottish Gaelic singing, well, religious singing.01:43:07.300 --> 01:43:09.100Almost like a plain song, I think.01:43:09.220 --> 01:43:10.700Plain chant, I think.01:43:10.820 --> 01:43:13.620It might be wrong, but yeah, it's not just Gaelic singing,01:43:13.740 --> 01:43:17.700it's specifically Gaelic musical singing,01:43:17.820 --> 01:43:20.620which is unusual to have, yeah, Gaelic plain song in the mashup.01:43:20.740 --> 01:43:23.380I don't think there are many more remixes, I think many of that.01:43:23.940 --> 01:43:25.540That's probably the only one in the world.01:43:25.660 --> 01:43:28.300Then before that, Martyn Bennett again with Four Notes.01:43:28.420 --> 01:43:30.940And then at the start of that section we had GladiLord,01:43:31.060 --> 01:43:34.380because bagpipes are not just for Christmas and not just for Scotland.01:43:34.500 --> 01:43:36.980The bagpipes are all over the world.01:43:37.100 --> 01:43:39.980In fact, I think are they a Pakistani thing?01:43:40.100 --> 01:43:42.140There's certainly that from that part of the world.01:43:42.260 --> 01:43:46.940But a lot of cultures, independently or otherwise, have bagpipes.01:43:47.060 --> 01:43:48.780And one of those is Portugal.01:43:48.900 --> 01:43:52.260And I think Italy and Spain.01:43:52.340 --> 01:43:54.260There's a few places to have them.01:43:54.380 --> 01:43:57.180And so that's GladiLord of the bagpipes, Death Grips,01:43:57.300 --> 01:44:01.180a Mexican Girl versus Eminem and Urze de Lume,01:44:01.300 --> 01:44:02.740who's the bagpipes there.01:44:02.860 --> 01:44:04.540And then at the start of that section we had Aphex Twin,01:44:04.660 --> 01:44:07.140with Black Life Recorder to anyone, yeah.01:44:09.180 --> 01:44:12.700Oh, I've got to say the Four Notes were Martyn Bennett's 2012,01:44:12.820 --> 01:44:16.460and the Jean Rempath is 2020, and the Hi-Land is 2021.01:44:16.580 --> 01:44:18.340Not that anyone cares about the years.01:44:18.460 --> 01:44:20.820Does anyone really care? I probably don't.01:44:20.940 --> 01:44:27.140So I've been really checking out the excellent, excellent ANOHNI album.01:44:27.260 --> 01:44:29.780My Back Was A Bridge For You To Cross,01:44:29.900 --> 01:44:33.140which was released a few weeks ago now.01:44:33.260 --> 01:44:36.140And unusually, it's been some solo work,01:44:36.260 --> 01:44:39.740but this is the first album in a long, long time,01:44:39.860 --> 01:44:45.100I think 13 years, 2010, yeah, from ANOHNI and the Johnsons,01:44:45.220 --> 01:44:46.780formerly known as Antony and the Johnsons,01:44:46.900 --> 01:44:49.220but now ANOHNI and the Johnsons.01:44:49.340 --> 01:44:53.820And this is a track which I love dearly.01:44:53.940 --> 01:44:56.140This is called It Must Change.01:44:56.260 --> 01:44:58.580And yes, it must change. There's lots of things that change,01:44:58.700 --> 01:45:01.020but I think that's just the general feeling in the air,01:45:01.140 --> 01:45:02.900and back to industrial action again.01:45:03.020 --> 01:45:06.300But this is more about the climate,01:45:06.420 --> 01:45:10.380which given ANOHNI had just had the hottest tune on record,01:45:10.500 --> 01:45:14.060and apparently it's going to be another heatwave here.01:45:14.180 --> 01:45:15.740Obviously not at the moment, it's chucking it down,01:45:15.860 --> 01:45:17.460which is quite ironic about the…01:45:17.700 --> 01:45:19.220You know, hot times, some of those idiots are like,01:45:19.340 --> 01:45:20.740yeah, not very hot at the moment,01:45:20.860 --> 01:45:22.940but the weather's all over the place,01:45:23.060 --> 01:45:26.740and Greece is burning, literally burning,01:45:26.860 --> 01:45:30.14040 plus degrees in Greece and fires there.01:45:30.260 --> 01:45:32.940You know, it's like, yes, this is not normal, people,01:45:33.060 --> 01:45:35.660this is not normal, so this is It Must Change.02:14:17.940 --> 02:14:27.620That was CordiaLump with I Can Only Be Me Slash Creep by Mars Argo vs. Radiohead.02:14:28.660 --> 02:14:34.500That's a recent mash and a bit of an anthem of mine. Then before that, we had Elysian Sounds,02:14:35.140 --> 02:14:40.100which I think was part of one of the mashup challenges, so that's where I got it from.02:14:40.980 --> 02:14:47.140And that's Castle of Glass X Jolene. You see, these people don't actually put names for mashups,02:14:47.140 --> 02:14:52.660so it's just, yeah, I mean, you know, fair enough. Although, I will say, work on your fades.02:14:54.260 --> 02:14:58.020There's a reason why I had to have the echo there, is really, if you're going to have a fade,02:14:58.020 --> 02:15:05.140make sure it's on beat, or not early, you know, it's, yeah. But a brilliant mash,02:15:05.140 --> 02:15:10.980Dolly Parton vs. Linkin Park, yeah, me, me, with a Linkin Park mash. With my reputation,02:15:10.980 --> 02:15:17.460I'm not a Chester Bennington fan, I'm not a fan of Linkin Park, full stop, before or after02:15:18.340 --> 02:15:24.820his death, but yes, I've not heard that one. And I like the idea of making Linkin Park country,02:15:24.900 --> 02:15:30.100and that sort of country, it works with the vibe. One of the reasons I'm not a fan of Linkin Park02:15:30.100 --> 02:15:35.060is it's just, it gets a little bit, don't know how to say it, yeah, it gets a bit depressing,02:15:35.860 --> 02:15:40.340which is ironic, because I love, I love, I love depressing and melancholic music, but something02:15:40.340 --> 02:15:48.580about Linkin Park is just, it's like, if you stay there all the time, it stops having any form of02:15:48.580 --> 02:15:53.940kind of meaning, because if you're, everything you produce is always that in that sort of same02:15:53.940 --> 02:15:59.780space, you just expect it, and there's no surprise there, you know. Linkin Park done a happy, happy02:15:59.780 --> 02:16:05.300song, you know, like Baby Shark, that would have been a surprise, but you know, it's all like, yeah,02:16:05.300 --> 02:16:09.780yeah, we've been here before, and that's one of the reasons I was never a fan. But I like that song,02:16:09.780 --> 02:16:14.020Castle Glass, and I say it does sound, I think the original was a little bit country, from02:16:14.900 --> 02:16:19.460looking on the Wikipedia, I've not heard the original, but yeah, that works very well.02:16:20.260 --> 02:16:25.780Then before that, we had Fissunix with Heart Shape Tron, Daft Punk versus Nirvana,02:16:25.780 --> 02:16:29.860and that's an old one, that's 2011. I was going to say, I thought it was an old one, because02:16:30.580 --> 02:16:37.540it's got that EQ extract thing going on with the vocals, no AI then. And then before that,02:16:37.540 --> 02:16:46.420we had the sadly recently departed Sinead O'Connor with I Am Stretched On Your Grave from 1990s,02:16:46.420 --> 02:16:50.260I Do Not Want What I Haven't Got, which is, again, another brilliant titled02:16:50.900 --> 02:16:55.940album, and it is a good album. And I never realised, I remember that was one of my favourite songs02:16:55.940 --> 02:17:02.020from the album when I first heard it. I didn't realise it's a 17th century Irish folk song,02:17:02.820 --> 02:17:08.260traditional song, does it totally hurt then to put in the very modern sort of almost like02:17:08.900 --> 02:17:14.100matter of attack, put the funky drummer over it, and then there's a very02:17:15.380 --> 02:17:21.380almost trip-hop Bristol bass noises, you know. I feel like Wishing On A Star02:17:22.660 --> 02:17:26.980that cover. So it sounds very modern, but also traditional at the same time.02:17:26.980 --> 02:17:32.340Really explain, because I'm a big fan of folk. Then before that, someone that Sinead worked with,02:17:32.340 --> 02:17:35.940that's John Grant, The Day Is Done, and that's from the latest…02:17:36.980 --> 02:17:42.260It seems like every couple of years there is a Nick Drake songs compilation, but this is a good02:17:42.260 --> 02:17:48.980one. This is The Endless Coloured Ways, Songs Of Nick Drake came out in May, because interestingly,02:17:48.980 --> 02:17:56.180they seem to have chosen people who do quite radical versions or kind of a bit more experimental02:17:56.260 --> 02:18:02.580with it, which is interesting, and some good ones on there. There's a brilliant cover of Pink02:18:02.580 --> 02:18:08.500Moon by Aurora, which is really nice, but I like how there, John Grant takes The Day Is Done,02:18:09.380 --> 02:18:17.220and turns it into kind of a synth-wavy, venereal 80s electro thing. That thing with his echoed02:18:17.220 --> 02:18:22.100voice, I don't know if he does to his echoed voice, but I've heard it before on his work.02:18:22.180 --> 02:18:27.460Whoever does his reverb and echo and effects, if it's him or his producer, is amazing. Is there02:18:27.460 --> 02:18:31.380something about that sort of space? It's very hard to do that. I don't think people realise02:18:31.380 --> 02:18:37.780when I've done vocal production. It's very hard to do that kind of stuff. I've been left behind02:18:37.780 --> 02:18:43.300is the song by Kathrine Priddy, and I almost made it to this podcast, and I will play on a future one,02:18:43.300 --> 02:18:48.260because what's nice is they've got some of the Family Tree songs in there, and the Family Tree was02:18:48.260 --> 02:18:55.220the compilation of his demos. There's a lot of brilliant Nick Drake songs. I've never really02:18:55.220 --> 02:19:01.460been properly recorded. And then before that, we had Vixoria Drift from her new album, Vivid.02:19:01.460 --> 02:19:05.620That's Everybody's Singing. Interlude. Yes, I'm playing the interlude again. I know, I go,02:19:06.180 --> 02:19:12.580I really like the interlude. Like passages, I love that interlude. I love that interlude.02:19:12.580 --> 02:19:19.540I could list everything in it. I'm not going to, but I do like the use of Bob Burnham at the end.02:19:21.140 --> 02:19:25.460And yeah, there's a whole bunch of people, everybody's singing, and the list is on the02:19:25.460 --> 02:19:31.540bandcamp. Go and look at Vivid's bandcamp, and you'll see a list of about sort of like,02:19:31.540 --> 02:19:37.940I think probably eight or 10 sources and that. But then works really well with Sinead02:19:38.260 --> 02:19:43.380O'Connor. That's a live version of Black Boys and Mopeds, because I played the original on the02:19:44.100 --> 02:19:50.180Margaret Thatcher Ding Dong, The Witch Is Dead show. I played the original. And I have a rule02:19:50.180 --> 02:19:55.860where I don't replay stuff here, because life is too short. It's like it's a podcast. You can go02:19:55.860 --> 02:20:00.980back and listen to whatever version. I understand on like a stream or a radio program, but on a02:20:00.980 --> 02:20:08.100podcast, why would you play things again? So I love that version, although it's interesting how02:20:08.100 --> 02:20:13.460the guitar is hardly recorded. So it's almost acapella. It's live from Iceland. That's from02:20:13.460 --> 02:20:24.260It's like a bonus record that came with 2012. Another great title. How about I Be Me and You Be You?02:20:24.820 --> 02:20:33.140She was brilliant with her titles and albums. Yeah, it's hard to say, express how the death02:20:33.140 --> 02:20:37.460of Sinead O'Connor, which isn't completely surprising, since she had a lot of struggles and02:20:38.180 --> 02:20:43.700I haven't looked at what actually happened. Do hope it's not what I think it is. But she really02:20:43.700 --> 02:20:48.100struggled with her mental health. I was very open about that. And Byrne was mocked about it. And02:20:48.740 --> 02:20:54.260what really fucked me off was how those kind of people who mocked her suddenly when she's dead,02:20:54.260 --> 02:20:57.940oh, it's wonderful because they've got bloody dollar signs and pound signs in their eyes. They02:20:57.940 --> 02:21:04.900went, oh, it was great. We can now exploit her. And interestingly, she told her children to call her02:21:04.900 --> 02:21:12.420lawyer before the emergency services, because she knew as soon as she died, there would be a bunch02:21:12.500 --> 02:21:17.700of people wanting to exploit and re-release and make money off her. Now she's gone.02:21:18.900 --> 02:21:23.940And I haven't said it's not necessarily happened yet, but there's been a few things that was like,02:21:23.940 --> 02:21:30.980yeah, so I mean, the tribute measures started almost immediately, the tribute stuffs and yeah,02:21:30.980 --> 02:21:35.300but that's not showing money or interest to shizzle. But yeah, she was dead against that. So02:21:36.020 --> 02:21:40.260it's kind of why I never said anything. It's a couple of days later, I posted something about02:21:40.260 --> 02:21:46.980our responder to a friend, but yeah, it's a bit like Bowie, or even Prince. Yes, we're not going into that.02:21:47.620 --> 02:21:52.900She hit me very hard. Harder than I thought I would with the circumstances, but it's more that she's02:21:52.900 --> 02:21:59.300only 56 and she's way too young. That's only six years older than me. I think it's very part of it,02:21:59.300 --> 02:22:05.220but also she had a lot more to give. She was talented and she was amazing. And, you know,02:22:05.220 --> 02:22:09.380it's kind of interesting because I've been arguing with people online about on various videos,02:22:09.380 --> 02:22:16.260because YouTube videos, we talked about the whole Sinead vs Prince affair, the sort of the fracar02:22:16.260 --> 02:22:21.060that happened and why he was pissed off. You know, there's always people going, oh, Sinead, one hit02:22:21.060 --> 02:22:25.940wonder. Well, that's not true. Not even true in America, actually. She was known in America before02:22:25.940 --> 02:22:33.300that. And dad stuff after, so it's like, well, and she was a good songwriter. So it's just bizarre.02:22:33.620 --> 02:22:40.260Bizarre, this idea of people still doing her down. And this just really makes me very angry.02:22:41.380 --> 02:22:47.780And then before that, obviously, Black Boys and Mopeds was one of her songs. We had02:22:47.780 --> 02:22:53.060Anani and the Johnson and Symmet's Change from 2083s. My back was a bridge for you to cross.02:22:53.060 --> 02:22:58.420Again, another brilliant album title. But yeah, Black Boys and Moe Peds means a lot to me because02:22:58.420 --> 02:23:03.220not many people at the time, most people really shied away from saying what was happening with02:23:03.220 --> 02:23:11.140Margaret Thatcher. And she just came out with it like the first paragraph. And it was based on02:23:11.140 --> 02:23:16.900something that happened a couple of times it's happened. I'm sure it happened again since and02:23:16.900 --> 02:23:26.340in the future. Police in London, the Met Police, saw a couple of kids on Mopeds at 14-15. And02:23:26.340 --> 02:23:32.340they probably shouldn't be on the Mopeds, but they tailed them and followed them and chased them.02:23:32.340 --> 02:23:37.860And they died trying to get away. But the irony was is that they actually were their cousins,02:23:37.860 --> 02:23:41.300mopeds, hadn't stolen them. But of course, the police assumed they'd stolen them.02:23:42.100 --> 02:23:47.300And the racism killed them. And it's happened a few times now. It wasn't, it wasn't just that one.02:23:47.300 --> 02:23:52.740It wasn't, there's a case that's related to Nicholas Brown or Nicholas something.02:23:53.700 --> 02:23:58.500But there's a couple of them. It's not just that one. So it's not even sure which one she's referring02:23:58.500 --> 02:24:05.700to happened where near where she was. There's a couple of them in the 80s. One just before in 8702:24:05.700 --> 02:24:11.860or 83. But yeah, it's happened since. And the Met Police are just I've talked about in the vlog02:24:11.860 --> 02:24:17.780about the Met Police. And this little goes back to London the same bunch of ourselves. But yes,02:24:18.740 --> 02:24:24.980the end of the podcast. And I hope you enjoyed it. It's been a good one. And I'm not sure if I'm02:24:24.980 --> 02:24:28.900going to, you know, I said I'd go away and I haven't didn't go away partly because of the weather. I02:24:28.900 --> 02:24:35.060mean, like, I wanted to go to Greece, I was going to go to France and then France kicked off industrial02:24:35.060 --> 02:24:41.700action and as it should do, yes, because of industrial action. And then I wanted to go to02:24:41.700 --> 02:24:45.860Greece. And I was like, well, do it now later in the year. And then Greece went off to 40 plus02:24:45.860 --> 02:24:51.700degrees. I was like, no, we're not going. So I don't know whether I'm going to want to do with02:24:51.700 --> 02:24:56.260Jordan for when I do it later in the year or whether I'll go off somewhere in the UK, depending02:24:56.260 --> 02:25:02.660on the weather in August. What I'm going to do. I mean, this year, I don't need to rush back. There's02:25:02.660 --> 02:25:10.100no, I should do actually, like, what is it with September? There's a negative land gig in September02:25:10.100 --> 02:25:14.180in the middle of September, which I need to come back for. But yeah, that was similar last year.02:25:14.180 --> 02:25:21.300Last year, I had a gig at come back for on September. Yes. I'm almost tempted to actually do02:25:21.380 --> 02:25:27.380if I do go off, not afford these things. This is also the reason why I'm delaying is the lack of02:25:27.380 --> 02:25:34.740money. Yeah, because I was trying to save things up and trying to save stuff up. And then because02:25:34.740 --> 02:25:41.460the cost of living goes through for them, I can't save as much as I was planning to. So this year,02:25:41.460 --> 02:25:47.060there might not be a or if there isn't be later in the year, I don't know, the laptop didn't help02:25:47.060 --> 02:25:54.180last year. That kind of dented my savings a lot. And then, you know, yeah, just wary because I don't02:25:54.180 --> 02:25:58.740know what's going to happen. But it would be good to do another jaunt on the jaunt because it's,02:25:58.740 --> 02:26:03.940you know, it's work and, you know, it's, it's good to work and it would get me working again.02:26:03.940 --> 02:26:07.300I haven't been very bad. I've been doing other things, been in portraits, I was doing portraits02:26:07.300 --> 02:26:13.620last night. And I've been resurrecting some rotary pens and some clay work and many all kinds of02:26:13.620 --> 02:26:18.180things. But yeah, I haven't been stopped doing landscape. So I need to get back into your02:26:18.180 --> 02:26:23.620landscape. So that would help that. So there's a good reason for it. But it's just money, money,02:26:23.620 --> 02:26:27.700you know, like trying to work out how can, you know, whether I can wild camp and start02:26:27.700 --> 02:26:32.580trying to save more money. But I always get a bit scared doing that. Certainly it's best02:26:32.580 --> 02:26:38.340done younger, I suppose when I'm this age, rather than trying to do it when I'm an old man. I'm kind02:26:38.340 --> 02:26:43.540of an old man, but I'm older. But I should have done it in my 20s. I never did. I was always too02:26:43.540 --> 02:26:51.780scared. So we're going to play out with a track, which is another classic mash, but I think it's02:26:51.780 --> 02:26:58.500a recent classic. I mean, from the date here, it's 2020. The Meredith Brooks track, Bitch,02:26:58.500 --> 02:27:02.740this song has become a bit of an anthem as well. In a similar thing, like, you know,02:27:02.740 --> 02:27:08.980take me or leave me. That's been very much the mode recent times. I didn't know that DJ Schmolli02:27:08.980 --> 02:27:15.940did a mashup of it with snow patrol. Yes, that song, that song, but it works really well. It's02:27:15.940 --> 02:27:22.340that song. I have to say Snow Patrol's Chasing Cars is it hasn't got to the Coldplay Yellow02:27:23.060 --> 02:27:26.980level yet of overuse. But he's probably getting there and I'm part of the problem because I02:27:26.980 --> 02:27:33.460did a mashup with chasing cars. I have to say, I have never done a Coldplay mashup and I will02:27:33.460 --> 02:27:38.820never do a Coldplay. Well, I might do it at some point, but I just think no, I've managed to never02:27:38.820 --> 02:27:45.460do a Coldplay mashup. If I do do a Coldplay mashup, it won't be fucking Yellow. So this is02:27:45.460 --> 02:27:49.620Chasing Bitches by DJ Schmolli. I hope you're all well and I'll speak to you soon.02:31:55.220 --> 02:31:58.340Let's start right?02:31:59.620 --> 02:32:00.820Shit. Sounds brown.02:32:02.340 --> 02:32:04.020I wish they fucking did this.02:32:04.740 --> 02:32:09.780No, it is that slow. It's really fucking slow. Again, the fuck is going on?02:32:11.380 --> 02:32:14.420That shouldn't be that slow. Just not do that please.

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