Month: October 2015

  • Final Mashups: Star Wars

    Final Mashups: Star Wars

    I was going to label this ‘Mashups: The Final Frontier’ and see who would notice (wrong series :-P) but spin your glitterball Death Star, here’s the last mashups from me, and they’re all Star Wars related. Which might seem like a cash-in for a certain new movie, but I started these well before Lucas was…

  • Forced Exposure

    Forced Exposure

    I suspect this wonderful Oatmeal comic is both a response to HuffPost raping his bandwidth and also what happened to Wil Wheaton when they wanted ‘free’ content. (This is why I repost images and give credit; certainly despite Flattr – thank you those who have donated – it doesn’t cover the costs, as a truly…

  • Safety Theater

    Safety Theater

    Somehow missed this, the video to one of the best tracks on B. Dolan’s Kill The Wolf LP, Safety Theater. Cute and disturbing at the same time… And Hell Is Other People…

  • RIP Diane Charlemagne

    RIP Diane Charlemagne

    Sad to hear that Diane Charlemagne, singer from Urban Cookie Collective and from Goldie’s Inner City Pressure (the track that single-handedly got me into drum and bass) has died of cancer. 51? Way too young. And some more Diane C, this time classic High Contrast:

  • More Luxxury: Petula Clark and Slow 2

    More Luxxury: Petula Clark and Slow 2

    I’ve been very much inspired by last year’s Baron Von Luxxury Slow mix…I’m liking music that’s about 105 bpm, not exactly nu-disco but certainly Ibiza chilled sort of vibe – not sure if it’s a new genre, but I think that’s going to be the next new big thing…slower tracks, more psychedelic, disco. Or maybe…

  • Artists shouldn’t love corporate copyright

    Artists shouldn’t love corporate copyright

    Every once in a while I bump into ‘artists’ (and I use that term loosely, quite often they are corporate shills, indie chancers or pretty new to the industry) who defend copyright laws, extensions and corporates. Happened again recently…What I find strange is that the enforcers of copyright (corporates, labels, media companies) don’t actually love…

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