Radio Clash 122: Loud n’ Angry cover mashup eclectic music podcast

Radio Clash 122: Loud n’ Angry

Not one but 2 episodes of Radio Clash – this is the first where I get as loud as hell and I’m not going to take it any more.

And talk about car bombs, Pride, Doctor Who, sponsored by the letter K for bootleg albums, and the upcoming gig in Second Life at Delos at 8pm UK / 12pm SL/PST this Saturday – come along!

Shout shout let it all out: (54Mb, 67mins) https://www.radioclash.com/show-archive/rc_122.mp3

Notes:

  • Negativland – Car Bomb
  • Sepultura – Bullet the Blue Sky
  • Die Krupps – Fatherland (Sisters of Mercy mix)
  • Pride Washout and Car Bombs
  • DJ Schmolli – Land of Sonic Numbers (from Bootwerk)
  • Electrosound – Relax, I wanna be Trash (from Kitsune Maison Mashed)
  • Lesbians on Ecstasy – Sisters in the Struggle (from We Know You Know)
  • Electrosound – Supermassive Rainbow (from Kitsune Maison Mashed)
  • The Robots (Dunproofin‘s Where Were You In ’92 Mix – from Bootwerk)
  • Doctor Who and Donna
  • Aaron Spectre – B1 Pay To Cum VIP (clip)
  • Juxtaposeur – Here Come the Drums
  • Dalek, I Love You – Dalek, I Love You
  • Copycat vs. Celebrity Murder Party – In A Trans European Manner Of Speaking ( from Bootwerk)
  • Electrosound – Cherry Blossom Sister
  • Instamatic – Comfortable Run
  • I’ve got a Gig in Second Life! (at Delos, Saturday at 8pm UK / 12pm SL)
  • Iron and Wine – Always On My Mind (live)

Comments

3 responses to “Radio Clash 122: Loud n’ Angry”

  1. Chris Knight avatar
    Chris Knight

    Caaar boooooom!!!! One of my favorite Negativland pieces from their seminal Escape from Noise album…Gotta be their best.

    Ever hear “Asteroid” by Killing Joke? Quite cool, crank it!

  2. timbearcub avatar

    Funnily enough the 4th Angry track I axed to fit the interview in (then put it in another show) was Implant by Killing Joke 😀

  3. Timsdad avatar
    Timsdad

    Loved the “Always on my mind” cover. Best version I’ve ever heard.

    Incidentally I think the Presley version was itself a cover of an old Willie Nelson song. Probably why it has a bit more “edge” than Presley’s later schmaltzy rubbish.

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